give a hoot—don’t pollute!

The United States forest service, following the success of mascot Smokey Bear in promoting awareness of forest fires, on this day in 1971 debuted the character Woodsy Owl (both from marketer Harold Bell) for anti-pollution public service messaging, introduced by the American Secretary of Agriculture Clifford Hardin as an environmental ambassador (the EPA having been just created) with the above slogan. Realising the reductive nature of the saying was squarely laying the blame on the public and deflecting responsibility from business and government policies, Woodsy has adapted his outreach over the years to reflect the climate crisis (“Help Woodsy Spread the Word,” since 2009) and taking meaningful action and currently uses the slogan, “Lend a Hand—Care for the Land!”

wara art festival

The above named byproduct of the annual rice harvest (see also), the left-over straw (稲わら) was traditionally used a feed for livestock, fertiliser and for weaving doormats and other household items, but the use of industrial materials over the years has led to a lot of surplus, and inspired the Niigata farming community to concoct a creative solution, first organised in 2007, with artisans sculpting monumental figures over a wooden framework. Subjects are wild animals and creatures from mythology, including the beaked sea-going yōkai called Amabie. Learn more from Hyperallergic at the link above.

6x6

moo-loo: calves are being toilet-trained to mitigate some of the greenhouse gasses the livestock produce

über die bestimmung des weibes zur höheren geistesbildung: a look at philosopher Amalia Holst, whose 1802 work is comparable to Mary Wollstonecraft’s A Vindication of the Rights of Woman  

ferryman: an interesting look at legally-mandated river-crossings in Manchester  

the colour of money: a mesmerising video to accompany the Blake Mills song  

microcosmos: outstanding photographs of the world not visible to the naked eye  

charismatic megafauna: a biotech firm is raising funds to de-extinct the woolly mammoth—see previously

1up

The anniversary distinct from Mario Day, on this day in 1985, Nintendo first released Super Mario Bros. (スーパーマリオブラザーズ, Sūpā Mario Burazāzu) for domestic markets for their home gaming console as the continuation the franchise of characters first appearing in Donkey Kong. Scored by Koji Kondo and designed by Shigeru Miyamoto and Takasho Tezuka of the Creative Department, the Jump-’n’-Run side scrolling video game debuted in foreign markets two years later and is hailed as one of the most popular and influential games of all time with over fifty million copies sold of this single instalment.

oh boy!

Conceived and produced by Jack Good (*1931 - †2017) for ITV and first airing on this day in 1958, this weekly programme was the premier teenage all-music and dance show. Each episode featured an artist in resident with a number of special guests, including repeat appearances by Cliff Richard, Tommy Steele, Marty Wilde, Billy Fury and the Dallas Boys, many performers whom Good also managed. After a two year-run, Good experimented with the format and made Shindig!—which directly influenced Ready Steady Go and other similar shows.

5x5

life finds a way: samples from Perseverance suggest Martian surface was wet for a long time  

yan, tan, tethra: finger counting conventions across various cultures—via Nag on the Lake’s Sunday Links

well-tempered clavier: the mathematical magic of JS Bach  

annals of improbable research: laureates of this year’s Ig Noble prizes announced—see previously  

uchuu: cosmologist create a detailed simulated pocket Universe—downloadable to the public, a hundred terabytes worth of data

your daily demon: marchosias

Governing from today through 17 September, our thirty-fifth spirit is infernal grand marquis presents in the likeness of a she-wolf with the wings of a griffon and the tail of a serpent. A good ally to a conjurer and willing to aid in any fight, Marchosias formerly belonged to the angelic rank of Dominions with control of thirty legion and hopes in vain to be restored to Heaven and the Seventh Throne after twelve hundred years. Marchosias is opposed by the guardian angel Kaveqiah.

bergruine hutsburg

Having lost the trail a couple weeks ago trying to hike up to the ruined donjon, isolated and nearly forgotten though once one of the most imposing fortifications in the area due to its location on the former border between East and West Germany, whilst trying to approach it from the Bavarian side, we ventured up the Hutsburg to see the eponymous fortress from the thüringischer side.

First passing through the ghostly remnants of villages deemed a liability owing to their nearness to the border (previously here and here), we slowly climbed up the mountain and at the wooded summit encountered the tall of the shield wall and foundations, with the sun shining through the otherwise dark forest through the ancient portal.

Though far older than its first documented reference in the early twelfth century (possibly from the four hundreds in some form of fort), I suspect that these runes were a more recent graffito. It was a strategic possession of the counts of Henneberg and degenerated over the years as the power of the family waned to little more than an outpost for slum lords—Raubritter, literal robber barons in the sense of unscrupulous feudal landowners who imposed higher taxes without the approval of a higher authority and expropriation, culminating with the intervention of the king in the fabled execution of a gang of such bandits after a a siege lasting weeks (the subject of a German nursery rhyme:

Ernst war sie eine stoles Feste / doch heute sieht man our noch Reste. Mit Nürnberge Schraubenzeug ward sie gebrochen / Und zweiundviersig Räuber kamen hervorgekrochen. Noch erhobenen Hauptes und voller Stolz, / kürtze man sie gleich um selbiges, was Solls.

Basically, Once a proud Fort, but today only rubble remains / Battered with catapults / forty-two robbers emerged / Hoisted by their own petard) and was passed through the lordship of Tann and Kere.

The bulwark was not to meet its final fate and fall into ruin and disrepair until the Peasants’ Revolt of 1525 (die Bauernkrieg, see also) when the rebellion successfully stormed and took the castle, the Hutsburg being one of the few castles of the Rhön active at the time of its taking, most empty and irrelevant at this point in history and under the administration of a bailiff. Though the victory was not strategically significant, it was important symbolically as overthrowing the trapping and tool of oppression and serfdom.