seasons greetings

Though there will be no long snow-bound, winter’s nap for H and I, we will be busy with Christmas celebrations over the next few days and we’ll be taking a pause for station identification. Thank you one and all for visiting (we cannot say it often enough) and we hope for a bright and happy holidays for everyone and we’ll see you again real soon.

it’s very gold

The tradition of the unit coin or the challenge coin is as old as the US military itself and they represent a token of appreciation exchanged amongst different commands for service-members and civilians for assistance and have become popular as trophies and keepsakes—the challenge being that every member of a gathered group ought to be able to produce his or her last coin on being presented with a new one (and if this was the first or the honouree was not carrying one, they treated the rest of his or her cadre to drinks).
Every presidential coin minted has borne the motto that speaks to the central tenant of the United States of America—E pluribus unum, that the nation draws its strength from its diversity—that is until now. Replacing the de facto official maxim with a divisive and dumb campaign slogan probably also means a soldier cannot be made to suffer such a souvenir, no matter his political leanings. There’s no time for false modesty in this administration, which I suppose would also include refinement of speech, taste and a sense of basic decorum.

retcon

Since first discovering the Maximum Fun network of podcasters about a year ago, I’ve been very pleased with all the series and shows that I’ve ended up subscribing to and have found myself especially enchanted with the wit and wisdom and pop-culture reach of one of the newer offerings, Story Break. Three professional Hollywood script writers get to take a break from the usual industry fare of the safe, sellable or filmable and spend an hour brainstorming, developing and finally pitching a movie based on a pastiche of odd premises, like the Kellogg’s Cinematic Universe with breakfast cereal mascots receiving the Marvel superhero treatment.
If you find yourself already exhausted with the existing holiday special line-up and can summon your imagination to limn out the festive scenario the crew is given, you will definitely want to check out their latest pre-production piece, Sleighrunner. The original arc of narrative began with a hegemonial on-line retailor kidnapping Santa Claus, first to take out the last vestige of competition and then to harness Kris Kringle’s unrivalled, perfect logistics and distribution set-up, which the company’s fleet of delivery drones and virtual omnipresence cannot match. Conceding, however, that the corporation already dominates the holiday, the writers take a different angle and have the online retailor not satisfied with capturing the commercial side of the holiday season but also aspiring to make Christmas magic real for all by raising a drone army of Santa’s Helpers capable delivering their presents in person at the appointed hour, arriving in reindeer drawn flying sleighs. A glitch happens however during the first test-flight and the prototype, sentient robot Santa crashes to Earth and no longer can access his original programming not realise that he’s a replicant (tagline: Naughty or Nice – They All Run). Hunted down by a legion of drone Santas and accompanied by a young child who found the castaway robot who believes him to be the real Saint Nicholas, our malfunctioning robot learns about commercialism and the true meaning of Christmas and in some sense does become the real Santa. Or something—nonetheless, it’s a movie I’d watch.

basti fantasti

Whilst arguably at least a nominal improvement over a regime that seeks to denigrate and defund those institutions that promote the arts and humanities, Vienna’s museum board is nonetheless within their rights to protest the misappropriation of the motto of the Secessionist Movement—co-founded by in 1897 by symbolist painter Gustav Klimt—by Austria’s ascendant right-wing government, under the leadership of Sebastian Kurz.
Der Zeit ihre Kunst, der Kunst ihre Freiheit (as seen on the Secession Hall, which houses some of Klimt’s iconic works) means “to every age its art and to each art its freedom” which the cultural wing of the ironically named Freedom Party and ruling coalition (under the People’s Party) has co-opted, which in this other context sounds rather sinister like another pithy German saying that’s not said any longer, Jedem das Seine, to each his own.