you take the high road and i’ll take the low road (11. 298)

Airing on this day for the first time in 1990, episode twelve of season three of Star Trek: The Next Generation, “The High Ground,” was banned in some markets due to political sensitivities and only released later as an edited version to remove the reference from 2366. Dispatched on a humanitarian mission to deliver medical supplies to a non-aligned planet called Rutia IV, a valued trade-partner with the Federation, the Enterprise becomes entangled in a protracted internal conflict when Dr Crusher is taken hostage by separatist rebels while trying to render aid following a terrorist attack. Wanting to avoid further involvement but unable to extricate themselves from the escalating situations and demands from both the central government and the resistance for help, Captain Picard asks Lieutenant Commander Data for historical instances where terrorism prevailed over negotiated settlement to resolve conflicts, to which he cited the independence of México from Spain and the uniting of Ireland in 2024. In the 1990s the partitioned island was still very much in the midst of the violence of the Troubles and both syndicators the BBC and RTÉ until 2007 (conceding to the demands of series completists), some fifteen years after its first run and eight years after the Good Friday Agreement, which mostly delivered peaceful resolution to the longstanding ethno-nationalist conflict.  No censorship as far as I can tell was ever imposed on the infamously stereotyped second season episode with the “Space Irish,” “Up the Long Ladder,” about encountering a group of cloned individuals aboard a freighter thought lost for hundreds of years, despite the show’s title being a reference to an anti-Protestant rhyme “...Down the short rope.  To Hell with King Billy and three cheers for the Pope.”

deo devota (11. 297)

Likely named Julia rather than the epithet “devoted to God” and occasionally conflated with the similar hagiographies of Saint Reparata and Torpes of Pisa, the patron saint of Monaco and Corsica is venerated on this day on the occasion of her martyrdom during the Diocletian persecutions. The visiting prefect demanded Devota submit to the imperial cult and upon her refusal, steadfast in her faith, was tortured and stoned to death. The Christian community saved her body and put it on a boat bound for Africa—certain to receive a proper burial there—the vessel, beset by a storm at sea, landed on the beach of Les Gaumates, Port-Hercule in present day Monte Carlo. According to tradition, flowers are said to bloom before their season on this day and the Monegasque royal family continue to participate in a special mass and pray to her relics for safety and intercession.

piggy bank (11. 296)

As part of an inventory from the British Museum that concludes—along with the need for better definitions and legal protections to ensure that important antiquities are not sold on the open market—recent years have yielded the highest number of treasures found since records have been kept, we are introduced to non-singular practise of Iron Age Britons of storing their coins in naturally occurring hollow flint nodules found in the chalk and limestone strata of the region. The contents of the ball date from the last decades BC and were minted in the East Wiltshire area and are classed as “Savernake Wreath” staters, after the Ancient Greek standard, στατήρ (weight), circulating first as ingots then as coins, brought by the Celts to Western and Central Europe. Learn more at the History Blog at the link above.

synchronoptica 

one year ago: the Paris Peace Accords (1973), corecore, Ballroom Blitz plus Cistercian cyphers

two years ago: RIP Peter Robbins, the voice actor for the character Charlie Brown, more on esoteric programming languages plus assorted links to revisit

three years ago: The Singing, Ringing Tree, inspired watch-faces, computing in Poland plus an alternate spelling alphabet

four years ago: policy via magical thinking plus emoji on license plates

five years ago: more on generative adversarial networks

paula of rome (11. 295)

Born into one of the richest and most powerful senatorial families, gens Furii—claiming descent from legendary Mycenaean king Agamemnon—and as recorded by later companion St Jerome, lived a life of luxury and intellectual pursuits, but when widowed at the age of thirty-two, Paula turned her interest towards religion and pilgrimage. While touring the Holy Land, Paula visited monastic communities and eventually settled in Bethlehem and established a spiritual retreat of her own—hostel for travellers connected to a monastery for men and a convent for women. Regarded as the first nun, abbess and Desert Mother, and re-examined as not just a patron but also a co-contributor to Jerome’s scholarship and translations, Paula is venerated on this day on the occasion of her death in the year 404, fêted as well by the Anglican Communion (along with her daughter Eustochium) on 28 September.

12x12 (11. 294)

brownstone: Gotham Gothic rowhouses as playing cards  

wall of eyes: Radiohead spinoff artist Jonny Greenwood’s latest album 

scrabblegram: a form of constrained writing using all one hundred tiles of the game  

blackula: a look at the brave inversion of exploitation cinema  

research purposes: profiles in the pornographers of Wikimedia who image and caption—see also—human sexuality, via Web Curios  

parks & rec: a map of sites in the US funded by FDR’s New Deal programme—via Waxy 

best laptop 2024: readership, AI and the collapse of media outlets  

nullification: Texas governor, alleging the US federal government has failed to protect the country from an immigrant invasion, hints at secession  

the compaynys of beestys & fowlys: revisiting how animal groupings (see previously on the subject of venery) received such colourful names—via the morning news  

schluckbildchen: sixteenth century edible devotionals  

mixtape: Kim Gordon, formerly of Sonic Youth, raps her grocery list in new song Bye Bye 

ephemerama: a growing archive of modern illustrations from circa 1950 to 1975—via Things Magazine

synchronoptica

one year ago: more trompe l’oeil paintings, assorted links to revisit plus pie-chart studies

two years ago: morphing logos plus more links to enjoy

three years ago: zorbing, the Council of Trent (1545), Australia Day, more links worth the revisit plus Tubman on the twenty

four years ago: modular, prefab kiosks plus the first television demonstration (1926)

five years ago: the longest government shutdown in US history, architect Sir John Soane plus all the world’s writing systems

anapodoton (11. 293)

From the Greek ἀνανταπόδοτος for “I give back,” the ellipsis refers to a rhetorical device by which the gist of a saying is supported by its subordinate clause without mentioning it, like if the mountain won’t come to the prophet, when in Rome, a bird in the hand, if the shoe fits or when the cat’s away. As with the spoonerism I heard once and since incorporated “paying Peter to rob Paul,” I thought the former idiom (fabricated by Francis Bacon) was “Let the mountain come to Mohammed”—an anacoluthon, a disruptive thought expressed in reported speech by my favoured em-dash to mark the divergence—and is entirely missing the intention and making a postproverbial or preverb. The study of such maxims and their variants, dating back to Aristotle’s collections, is called paremiology, classing them into the categories of comparison, interrogation, their above misuse and metaphorical or allusory.

11x11 (11. 292)

liar’s dividend: digital propaganda and implausible deniability—via the New Shelton wet/dry 

working cows dairy: a collection of superlative cheeses—via Kottke 

the blazing world: a 1666 novel considered the first world of science fiction by a woman author 

everglades jetport: uncovering the ruins of a failed supersonic runway floundering in the in the Florida wetlands—see previously  

the furby panic: US National Security Agency compelled to release a trove of documents outlining their ban of the toy as a potential instrument of espionage—via Waxy  

press-gang: while most news outlets block AI crawlers used to scrape training data, right-wing media welcomes them—see previously 

mac@40: a website showing every model of the Apple computer as it enters its fifth decade  

winter in aizu: a woodblock series from Sosaku Hanga artist Kiyoshi Saito 

you are both so much more than kenough: Hillary Clinton weighs in the Oscar nominations for Barbie—via Super Punch  

time in a bottle: one bar’s water-clock has drained—though we’d not be adverse to a Harvey Wallbanger  

white stork: the Ukraine war-sandbox and the rise of the AI-Military Complex—see previously

synchronoptica

one year ago: data-scrapping and copyright

two years ago: MediaWiki Day, more custom cars, Roman milestones plus an inexplicable fast food mascot

three years ago: your daily demon: Valac, assorted links to revisit plus the Torlonia Marbles

four years ago: vintage virtual dressing rooms, happy birthday Volodymyr Zelenskyy, more on the US Space Force plus Mendelssohn’s Wedding March

five year ago:  photojournalist Jessie Tarbox Beals, a Droste homage, more links to enjoy, a Trump associate arrested plus cardinal notions

refractive index (11. 291)

Opening on this day in 1955 in New York City’s Museum of Modern Art, sparking many revivals and alternative exhibitions, the curation of some five hundred images from all over the world was the culmination of the the career of Edward Steichen, director of the MoMA’s department of photography—having earlier played a significant role in legitimising the medium as a recognised art form—drawing record-setting number of visitors. The ambitious project’s title was taken from the stanza of the Carl Sandburg poem, written as a prologue for the show: 

There is only one man in the world and his name is All Men.
There is only one woman in the world and her name is All Women.
There is only one child in the world and the child's name is All Children.

People! flung wide and far, born into toil, struggle, blood and dreams, among lovers, eaters, drinkers, workers, loafers, fighters, players, gamblers. Here are ironworkers, bridge men, musicians, sandhogs, miners, builders of huts and skyscrapers, jungle hunters, landlords, and the landless, the loved and the unloved, the lonely and abandoned, the brutal and the compassionate—one big family hugging close to the ball of Earth for its life and being. Everywhere is love and love-making, weddings and babies from generation to generation keeping the Family of Man alive and continuing.  

If the human face is “the masterpiece of God” it is here then in a thousand fateful registrations. Often the faces speak that words can never say. Some tell of eternity and others only the latest tattings.  Child faces of blossom smiles or mouths of hunger are followed by homely faces of majesty carved and worn by love, prayer and hope, along with others light and carefree as thistledown in a late summer wing.  Faces have land and sea on them, faces honest as the morning sun flooding a clean kitchen with light, faces crooked and lost and wondering where to go this afternoon or tomorrow morning. Faces in crowds, laughing and windblown leaf faces, profiles in an instant of agony, mouths in a dumbshow mockery lacking speech, faces of music in gay song or a twist of pain, a hate ready to kill, or calm and ready-for-death faces. Some of them are worth a long look now and deep contemplation later.

Embarking later on a global, goodwill tour partly under the auspices of the United States Information Agency (see also), a manifesto of peace during times of turmoil and division, the images were selected to communicate a story and the gallery of faces engendered mutual recognition and seemed to look back at the audience, inspiring tributes, sequels and re-examinations, beginning with West Germany’s 1965 Weltausstellung der Fotografie and some critical revisions, re-appraisals to shift perspective and build inclusivity and exposure on the intent. Ultimately inscribed to the UNESCO Memory of the World Register, the physical catalogue of prints is displayed (according to the original set-up) and archived at Clervaux Castle of curator Steichen’s native Luxembourg.

 synchronoptica

one year ago: drawing lessons from an ukiyo-e master, the US army leaves the Rheinland (1923) plus assorted links to revisit

two years ago: more on Saturn’s moons, a WWII holdout (1972) plus the Young Poland art movement

three years ago: geneticist Beatrice Mintz

four years ago: negative harmonies, City Roads, more synthetic humans, a belle époque residence plus French territories in Jerusalem

five years ago: the micronation of Sealand, a 1960 documentary on the Cosmos plus an impressive cultural centre in Tīanjīn