face-hugger: the parasitic crustacean Phronima sedentaria was the inspiration for Ridley Scott’s Alien
sgraffito: the alleged safe-room where Michelangelo hid from his political enemies, decorated with his anatomical and engineering studies opens to the public
In honour of the collective’s twentieth anniversary, Kottke has declared today Snarkmarket Day—actually the quietly influential, occasional blog that’s not been so active in the past few years (I can relate) is pretty thoughtful and reflective and not particularly snarky—and is turning over the reins to members and guest hosts Tim Carmody, Robin Sloan and Matt Thompson for an indulgent cast back to earlier days of the blogosphere and think about how online interactions have changed in the past two decades. Much more at the links above including some pieces I can remember from over the years and a prescient 2010 coinage about generative chat called the “speakularity.”
in front of the children: a Betamax find from 1983 on the BBC’s six decades of television for younger audiences
ofrenda: a shrine on All Souls Day to the recently departed Paul Rubens, (clap! clap! clap!) deep in the heart of Texas
terraces: an obscure 1977 made-for-television movie about tenants of a high-rise featuring Miss Julie Newmar, Jane Dulo and some gay neighbours
forest friends: a profile of ecologist Simona Kossack’s three-decade residence in a secluded primeval wood
now and then: The Beatles release their final song
goldar: the late 60’s Japanese tokusatsu series, Ambassador Magma—the original Transformers, that achieved cult status in foreign markets as The Space Giants
Via Waxy, we are directed to a trove of some four thousand glass plate negatives salvaged from the trash back in 2019 and developed by documentary photographer and preservationist Terri Cappucci based in western Massachusetts. The collection, destined to be thrown away, captures local history and provides a snap-shot of New England spanning from the 1860s to the 1930s. A lot of the portraiture includes exquisite and sharp details on styles and fashions from over the decades and illustrate changes in living and the land. The state university in Amherst has acquired the archive and is in the process of curation.
three years ago: your daily demon: Vine, a board game about the US electoral college, the first BBC high-definition television broadcast (1936) plus Hartfield’s Landing revisited
Via Superpunch, we quite enjoyed scrolling through this comic, “Hamburglar Goes to Hell,” by Michael Grover—see previously, which manages to pack in not only quite a lot of McDonaldland lore and obscure references but also Christian cosmogony and eschatology with our hero escaping then and descending back through the Circles of the Inferno with an ultimate message of sacrifice and redemption. The Biblically accurate multi-winged, multi-eyed angel was a nice touch as were the demonic Fry-Guys and premordial Grimace. Robble, robble!
The Czechoslovakian-East German co-production of the Bohemian variation of the fairy tale (Tลi oลรญลกky pro Popelku, Three Hazelnuts for Cinderella) opened in theatres on this day in 1973. Enduring and shown around Christmas time and making the circuit through the channels much like It’s A Wonderful Life the primary filming location was Schloss Moritzburg between Meissen and Dresden. The village is in a frenzy as the royal entourage will be stopping en route to their nearby castle, with rumours that the eligible Prince (portrayed by Rolf Hoppe) will choose a bride during the local fรชte. Cinderella’s step mother keeps her busy with menial and seemingly impossible chores in order to keep the competition to a minimum and showcase her less attractive and wicked step-sister. Doves, however, come to Cinderella’s assistance and finishes the tasks, affording her the free time to wander in the woods and encounter the prince and his hunting party, who are impressed with her equestrian skills. Later gifted three wish-granting filberts, Cinderella is able to regale herself with various disguises to become the King-of-the-Hunt as well as the belle of the ball.
First observed on this day in 1925 as the result of an initiative of the First International Savings Bank Congress (see also)—a summit of some three hundred fifty delegates from twenty-seven countries held in Milan—held the year prior, World Savings Day was promoted as not just an occasion to encourage home economics but to promote financial literacy. While the original motivation came in response to the end of World War I and has always emphasised education, the perceived over-commercialisation of the holiday has been subject to criticism for inculcating young people as early and loyal clients (traditionally accounts opened at this time, shifted according when and where the date fell on a bank holiday, included calendars as giveaways and other enticements) and bundling the cause with other premiums, like insurance and investment instruments.