8x8 (10. 952)

egress: the oldest door in Britain, a side-entrance to Westminister Abbey—via Strange Company  

hold on to my fur: another collaboration with the Kiffness—this time with a talkative orange cat from China  

isokon estate: Lawn Road Flats housed those displaced by WWII and its share of espionage  

i want to believe: vintage UFO photos taken by Eduard Albert “Billy” Meier in Switzerland in the mid-70s made iconic when featured on the X-Files up for auction—via Things Magazine 

meow-practise: a limited-run series in the tradition of American day-time soap opera classics like General Hospital and All My Children but with a feline twist   

countdown: both Russia and India have Moon missions next week with the goal of being the first to reach the lunar south pole—via Super Punch  

no dark sarcasm in the classroom: impressively, researchers recreate Pink Floyd’s “Another Brick in the Wall” by analysing listeners’ brain scans but we wonder—like in the above duet—there isn’t an element of backmasking and suggestion—via Kottke  

ingress: the oldest known cat door at Exeter Cathedra

synchroptica

one year ago: the daguerrotype process is gifted to the world (1839) 

two years ago: the Ninety-Five Theses as an email, the Treaty of Rawalpindi (1919) plus the Lithuanian sun goddess

three years ago: the launch of Sputnik 2 (1960) plus the album cover art of Milton Glaser

four years ago: more Brexit omnishambles plus the Pan-European Picnic of 1989

five years ago: assorted links to revisit

rambles in search of flowerless plants (10. 951)

We found this brief tribute to the small cohort of female British and North American impassioned amateur mycologists to be quite resonant. It was their collecting and exquisite artistic and scientific renderings helped advance and ultimately legitimise the field of study amongst research dominated by men who tended to dismiss their hobby as unladylike as well as the ecological significance of toadstolls. Attempting to recognise and rehabilitate the professional contributions of dozens of nineteenth-century intrepid mushroom-hunters, the JSTOR article looks at the detailed drawings of Anna Maria Hussey (who has an agaric species named in her honour), Mary Elizabeth Banning (for whom a stinkhorn is her namesake), Margaret Plues (who was instrumental in popularising botanical books with the above series of titles though under the pseudonym Skelton Yorke) as well as children’s book author Beatrix Potter, who also produced over two hundred fungal paintings. More at the links above.

reach out, touch faith (10. 951)

Via the ever-excellent Web Curios, we are directed towards an onslaught of AI applications and burgeoning projects including this “divine connection” in one’s pocket (see also) replete with testimonials and the disclaimer that “this app is a tool for reflection and learning, not a replacement for prayer or personal faith” offering a lifeline to the Great Come-Again Christ. This opportunity is coming as some are calling Jesus’ approach too woke and subversively suspect, and recalls an epilogue from a rather incongruous work seminar that I attended ages ago about “Living in the New Normal” which concluded that rather the inevitability of inventing God that maybe we as a society become worthy and create one, though probably not to be parsed as the canonical one. In addition to Jesus which certainly draws from rubric, premium subscribers can also choose other biblical personalities as interlocutors including members of the Holy Family like Mary or foster-father Joseph, who was admittedly kind of long-suffering save for the bit about siring the royal houses of Europe through Jesus’ half-siblings, and didn’t seem to have a lot of wisdom to dispense outside of carpentry, plus the Apostles including Judas and select figure from the Old Testament 🙏

 synchronoptica

one year ago: St Helen,  a 1922 gliding competition plus a bubble-wrap instrument

two years ago: your daily demon: Forneus, disfluent fonts, culture wars at school board meetings, School House Rock! maths shorts, more phonetic spelling proposals plus Mid-Century Lithuanian illustrators

three years ago: Roman emperors reconstructed with AI, Michelle Obama at the DNC, Women’s Suffrage in the US (1920), a new American Gothic, constructed languages, aesthetic data visualisations plus Hamlet variations

four years ago: canons for spawning fish,  more odonymy, more McMansions, a visual vernacular in architectural element plus the Lost of Colony of Roanoke

five years ago: a mid-70s vision of future space stations, an Icelandic word for a break from the heat, Wikipedia’s gift shop, making frozen treats heat resilient plus an early AI image maker

götterdämmerung (10. 950)

A translation of the Norse term Ragnarök, the final cycle of the tetralogy Der Ring des Nibelungen by Richard Wagner (previously) premiered on this day at the Festspielhaus of Bayreuth in 1876. The play opens with the Norn sisters (analogue to the the Moirai, the Greek Fates who weave mortal destiny) braiding their wyrding rope and foreseeing an avoidable future with Walhalla burnt and in ruins and the “twilight of the gods.” The cord breaks when they begin to contemplate the curse of the ring of power, Andvaranaut—that would reveal gold and other precious items to its wearer, stolen by the god Loki and given to Hreidmar, King of the Dwarves, with a curse to bring eventual destruction to its owner, Prince Fafnir stealing the ring from his father and transforming himself into a dragon to guard it and his hoard of treasure, himself slain by Siegfried and gifting the ring to Brünnehilde—and lamenting the loss of their foresight retreated into the Underworld. With this token recovered from the dragon’s lair as a symbol of his fealty and faith, Brünnehilde dispatches our tragic hero on a quest along the Rhein.

9x9 (10. 949)

?: JWST captures an image of a distinct punctuation mark from the emerging Cosmos  

a/v: a history of corporate presentations from slide-shows to Power Point—via Things Magazine  

index librorum prohibitorum: an American school district is using ChapGTP to help it decide which books to ban  

an unacceptable grindset: driven to produce quantity over quality has yielded some high-profile errors in popular YouTube channels  

one on one: legendary interviewer and television presenter Michael Parkinson passes away, aged 88  

emerald and stone: an ethereal track by Brian Eno (previously) visualised with water, soap and paint  

bart: a trove of Kodachrome slides found discarded in San Francisco reveal the construction of the Bay Area Rapid Transit—see also 

einstein’s crosses: astronomers probe the effects of gravitational lensing

 synchronoptica

one year ago: ABBA’s last collaboration plus assorted links to revisit

two years ago: more links to enjoy, the first animated film (1908), the constant π plus terra incognito

three years ago: a tragedy in Australia in 1980, Operation Warp Speed plus the Turkic dotted-i

four years ago: some links worth the revisit plus the Cosmos prior to the Big Bang

five years ago: Animal Farm (1945) plus the complex genes of food crops

spotlit (10. 948)

Stan Carey of Sentence First introduces us to a special, exclusive—exhaustive class of English language action words called variable verbs through entertainment industry term and derivatives greenlight, figuratively giving the authority or permission to go ahead with a project dating back at least to the late 1930s, which subjected to a meta-study of corpora seems to prefer the past tense of -lit despite the general decline in favour of -lighted since the 1950s. It makes me wonder about similar lingo like the above, limelight or gaslit—which seems wrong in the mouth except for describing a stove—and reminds me of the strange code-switching that occurs in phrase “googled” something in other languages. We especially liked the contradistinction as illustrated by one commenter who may have “moonlighted on a moonlit night” but never vice-versa.

 synchronoptica

one year ago: an ABBA classic plus the first trans-Atlantic telegram (1858)

two years ago: a 1979 classic from The Knack, the fall of Kabul, an audio sampler of metro announcements plus the majik art of Marjorie Cameron Parsons Kimmel

three years ago: revisiting the Australian wildfires from the start of 2020, a very young Freddy Mercury, the art of Chase Middleton, St Roch, Flip the Frog and Mortimer Mouse (1930) plus more vagabond maps

four years ago: Trump tries to purchase Greenland, an online museum of various platforms’ first versions, the 1619 Project plus maps commissioned by colonisers of the New World made by native peoples

five years ago: the photography of Christy Lee Rogers, the Law of Jante, US Midterms plus RIP Aretha Franklin

mariä himmelfahrt (10. 947)

Observed on this day as either the Feast of the Assumption in the Latin Rite or the Feast of the Dormition in Eastern Orthodox tradition, Christians celebrate the translation of the Virgin Mary, either wholly, bodily taken up or having gone to sleep without suffering a mortal death. While this elevation to eternal life has some singular aspects (Mary is said to enjoy the fullness and autonomy of the afterlife that the other saints will only experience after the Last Judgment), there are other instances of the phenomenal honour in Judaism and Christianity, with Jesus and Enoch, the patriarch and father of Methuselah “who walked with God: and was no more” and the prophet Elijah and Pharaoh’s Daughter (see also) who found Moses (himself taken up after his remains were fought over by Satan and the Archangel Michael) amongst the reeds with other instances of being raptured in other traditions. Many figures in Hinduism, kings and swami, are said to have merged with God, essentially dematerialising, Islam teaches that Muhammed was similarly taken up into Heaven and Hellenistic tradition recognises ascendant masters like the thaumaturgist and philosopher Apollonius, a wandering sage who travelled in the Middle East, North Africa and South Asia and drew many latter day comparisons to the reincarnated Christ.

die bauhausausstellung von 1923 (10. 946)

Opening on this day in Weimar and running for the next six weeks, the exhibition was the first public presentation of the art and architecture movement founded in 1919, and advertised in around one-hundred train stations with Oskar Schlemmer’s Bauhaus logo (the event delayed due individual presenting workshops wanting to prefect their items in accordance with the shift from handwork to industrial production and the poster stickered over), attracting around fifteen-thousand visitors. The first week included lectures by Walter Gropius and Wassily Kandinsky, ballets and concert performances and a procession with lanterns and fireworks. Installations included a model home, ceramics and various painting and building designs by contemporary figures such as Frank Lloyd Wright and Le Corbusier. Occurring during the height of the Great Depression, the exhibition became of symbol of the culture war simmering in Germany with praise and enthusiasm on one side for the school’s creative and educational goals and roundly rejected by conservative leaning critics who felt strengthened in their position by the relative financial failure.