We quite enjoyed this 1963 animated British public information short advising urban visitors on how to deport themselves whilst visiting more rural environments. All of these lessons still apply and day-trippers would still do well to follow the country code and be more mindful of the impact of one’s traipsing about.
synchronoptica
one year ago: a 1979 East German rock opera plus a missive beamed to the stars (2003)
From the shifting onus of mass-delivered single-use that incentivised disposing of one’s beverage container properly to the technological innovations that allowed beer from a can to be palatable and not compromised in the filling and distribution process while being easily and readily accessible, to follow-on safety concerns about the opening mechanism and wide-spread pull-tabs, which led to engineering that we are familiar with today, we are directed towards the design history of the aluminium can. Learn more from Tedium at the link above—with plenty of top-popping detail.
Via Kottke, we learn about the Tiny Awards, chaired among others by Andy Baio of Waxy, that seeks to recognise the best old school sites that “embodies the idea of a small, playful and heartfelt web” with distinction and an honorarium. Candidates include the Ohh! directory, a blogging aggregator, and Brr, a journal about being stationed in Antarctica, all of which we can highly recommend. Check out the other contenders, rewild your browsing and register your endorsement at the link up top. Rotating sandwiches!
Originally held as Midsummer Court from 979 until 1753 when the Isle of Man switched to the Gregorian calendar a year after Britain adopted the New Style but the passage of the calendar reform stipulated that the legislative session “shall be holden and kept according to the same natural Day upon or according to which the same should have been so kept or holden in case this Act had never been made”—thus preserving the Julian date and honours one of the world’s oldest parliaments and members of the House of Keys (Yn Kiare as Feed, Manx for the Four-and-Twenty, referring to its membership, and mishearing by English overlords) and Legislative Council, in traditional garb, convene to swear in officers and enact bills granted royal assent. Moving from the usual seat of government in Douglas, the representatives, lieutenant governor (often accompanied by guests of honour, the Lord of Man him or herself, or by Nordic nobility in deference to the population’s Viking origins, the clergy and the judiciary—called the Deemsters, all wear a sprig of mugwort and parade along a path to the hill strewn with rushes—a custom meant to appease the Celtic demigod Manannan (Mannรกn mac Lir, “Son of the Sea” and name-giver of the island). Following the laws being read into the record with the Captioning ceremony, the public has the opportunity to air grievances, petitioning the parliament directly.
Third studio album by the artist, considered to be a genre-defining masterwork fusing funk, disco and R&B, the semi-autobiographical Control began a two-week run at the top of US charts on this day back in 1986. This breakthrough record, establishing her credentials independent from her siblings and firing her father, the Jackson Family patriach, as her manager, would go on to win Grammies for production and choreography as well as superlative industry accolades, as well being inspirational and aspirational for other artists. The dancing for the below video accompanying “Nasty” was directed by Paula Abdul, securing her an MTV Video Music Award, narrating a recent event when Jackson was being stalked and stood up to their harassment until they backed down.
Though now mostly resigned to obscurity save in a fossilised reference on diplomas from Yale as “We must consult Brother Jonathan,” before the advent of Uncle Sam with the War of 1812, New Englanders first and by extension the whole of America had the unabashedly boorish, hayseed of a personification in a caricature—though likely conflated with earlier Puritan Roundheads by Royalists during the English civil war—of Jonathan Trumbull, colonial governor of Connecticut, the only one to publicly side with the Revolutionaries and supply materiel during their petition for independence, General George Washington supposedly deferring above when asked if the war could be won. Like Yankee Doodle Dandy, also a British invention and a term of derision, Americans sought to reclaim the honour, transmogrifying him to into a malleable national symbol that stood for not only their resourcefulness and lack of pretensions but also manifest destiny, nativism (see also) and bigotry, adopted as the mascot of the Know-Nothing Party. Uncle Sam, with the trappings of Brother Jonathan though presented as less strident and ostensibly less of an opponent to a federal government through his identification with Abraham Lincoln, did eventually gainsay his primogenitor, dressed in the same spangled and untailored garb—and with the same problematic populist propaganda. Although the other aspects are mostly forgotten, Uncle Same, representing the US government, was the final addition to the triune, tripartite personification of Columbia, the idea of nationhood, and Brother Jonathan, the people—with rather glaring exceptions.
After the penultimate show of his Ziggy Star Dust world tour in 1973, David Bowie who was then suffering from a fear of flying took a ship from Yokohama to Vladivostok and then the Trans-Siberian Railway back to England, with various whistle-stops along the whistle stops along the way, including the May Day Victory Parade in Moscow. This week-long trip was documented by Bowie himself, with a 16mm videography entitled “The Long Way Home” and by friend and bandmate Geoff MacCormack (also known by the stage name Warren Peace)—meeting fans, drinking sessions with soldiers and sailors and giving impromptu performances, and is on exhibit at the Wende Museum of the Cold War in Culver City, California with an especially curated soundtrack.
