the great bøyg of etnedal (10. 569)

Accompanied by an original score by Edvard Grieg that includes two of the most recognisable pieces of classical music, “In the Hall of the Mountain King” and “Morning Mood,” Henrik Ibsen’s Peer Gynt, chronicling the journey of the titular protagonist from his home in Norway to Egypt and back again, premiered on this day in Oslo (then known as Christiania) in 1876. A social satire struggling with modernism with both pastoral and surreal portrayals of characters and calamities as our dissolute anti-hero comes to understand the consequences of his actions and the nature of responsibility—regardless whether or not accepted, its underlying message is echoed succinctly in the line: “If you lie; are you real?”

numeronym (10. 568)

Whilst the number-based word is an abbreviation as in K9 for canine (and it’s interesting to consider the range of emoji suggested when typing, especially when code-switching a “fee…” produces 🧚‍♂️—from the German—or eliciting a torrent of other non sequitur symbols) is the most common usage, it can also refer to the contraction in the form of omitting the second through penultimate letters of word and replacing them with their numerical count, usually a longer word but not necessarily, for example: h7k for hyperlink, s5n for shorten or g11n for globalisation. The first needful and non-cryptic reduction and redaction was in the assignment of an email address for an employee with a surname too long for the mail daemon to handle so Jan Scherpenhuizen was assigned “S12n” with coworkers coming to refer to him by his truncated name, with such original constrained handles becoming somewhat of a badge of honour in that business’ corporate culture.

thread and throughline (10. 567)

Premiering on BBC2 on this day in 1969, the mini-series with the very self-aware subtitle (see previously) conceived by David Attenborough whilst overseeing the transition to colour broadcasting and thought programming about great paintings would be a good showcase and presented by art historian Kenneth Clark was the first documentary of its kind and was regarded as edifying and enlightening for general audiences, if not admittedly from a limited perspective and subject to Western chauvinism. Disclaiming comprehensiveness, the series—through the lens of Western European artists—outlined the course of history from the end of the Dark Ages through the Renaissance to early modernity. A nine part sequel, Civilisations with presenters David Olusoga, Mary Beard and Simon Schama, was produced and streamed on Netflix in March of 2018. The first five installments of the original are below.

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8x8 (10. 565)

scoby: manufacturing electronics out of a kombucha culture  

ngc 1433: more incredible infrared imaging of neighbouring galaxies from JWST  

meanwhile back at the manse: documenting changing American architectural aesthetics in Barbie’s Dream Home  

recalculating: Karen Jacobsen—the original GPS voice multi-modal: code-switching in texting in Hong Kong  

kbbl: music streaming service is offering AI hosts with generative chatter—via Super Punch  

55 cancri 𝛿: a collection of the most bizarre exoplanets discovered so far  

fomes formentarius: introducing the fungus that has the potential to replace plastics

tratado de adams-onís (10. 564)

Also known as the Florida Purchase, the agreement that ceded the peninsular territory to the United States and defined the border between the USA and New Spain, a continual point of contention, was signed on this day in 1819 and going into effect two years later, it came at a time when Florida was becoming a liability and indefensible for the colonial power (see also) and amidst of wars of independence in Latin America. Negotiated by John Quincy Adams, then Secretary of State under President James Monroe and the diplomatic envoy of King Ferdinand VII, Luis de Onís y González-Vara, it was considered a decisive if not exploitative victory for the US, having already annexed the western part of the territory and the counter-intuitive support for the break-away province of the State of Muskogee, briefly tolerated as a refuge for escaped enslaved people, Native American organisers and outlaws massing in Spanish Florida as a destabilising factor until their purpose was served.

8x8 (10. 563)

your heart fits me like a glove: Madonna dream diary 

clickword: a Scrabble-like single-player game—via Miss Cellania  

sideshow bob roberts: Simpsons show-runner Josh Weinstein shares a treasury of easter eggs and little known provenances  

arby’s+: more restaurant franchises are turning to subscription plans 

the düsseldorf patient: a fifth individual is cured of HIV after stem-cell therapy  

jpeg: an image only newsletter with click-through surprises—via Waxy  

aurora borealis—at this time of year, at this time of day, in this part of the country, localised entirely within your kitchen: an infinite Steamed Hams generated by AI—see previously, see also

air-brush: popular photographer admits his portraits are synthesised by an neural network

images from the collective unconscious: Olga Fröbe-Kapteyn’s archive of dream archetypes

gonzalez v google (10. 562)

During oral arguments, the US Supreme Court entertained a 2015 case contending that internet giant and parent company of Youtube effectively acted as a recruitment platform for Islamic State violence by hosting and algorithmically promoting harmful content and ought to be held liable for what users post on their sites—as publishers would for seditious or dangerous material. Heretofore, host companies have been shielded from legal responsibility from third-party screeds and recommen-dations that can potential deputise and radicalise through their affirmation and reinforcement (admittedly a search engine’s raison d’être) under a provision of the law called Section 230, a carve-out of the 1996 Communications Decency Act that states those operators are not the authors of what people choose to share and propagate, and without a measure of immunity, it is feared that US companies would be exposed lawsuits and severely disincentivised from offering anything that one might find objectionable by any standard. Though the court and the twenty-six word that the argument hinges on may not provide a sufficient framework to define defamation and danger, justices—again, the internet is not America and such regulations should be taken in context—are trying to parse the difference between inclusion and amplification.