septembertestament (10. 153)

Composed during his stay at the Wartburg, Martin Luther’s translation of the Greek bible into Early High German, published without attribution under the title Newe Testament Deůtzsch in a first printing of three thousand folio copies by a print-shop in Wittenberg, when on sale to the public on this day in 1522. Taking extensive liberties with the prose and heavily relying on Latin glosses as his Greek was not that strong, the original manuscript (later proofed and edited by scholars) is lost but ready for typesetting by July and illustrated, illuminated with woodcuts by Lucas Cranach out in time to for the Leipziger Herbstmesse (the Leipzig Autumn Fair) to achieve maximum exposure. Despite its relatively high cost—a half a guilder the weekly wage of a journeyman—and being banned in the Duchy of Saxony, it quickly sold out and a second edition (with corrections) came out in December. To counter the book’s popularity, Duke Georg commissioned a more orthodox translation rushed to publication, but it was soon apparent that it was highly plagiarised, repeating Luther’s errors and tone.

ba-dee-ya (10. 152)

Co-written by Alta Sherral “Allee” Willis (whose credits include “Boogie Wonderland,” the Pet Shop Boys’ “What Have I Done to Deserve This?” scoring for Beverly Hills Cop and The Color Purple and the Friends’ theme song) and the band’s lead vocalist Maurice White (“You Deserve the Best of My Love,” “That’s What Friends Are For”), Earth, Wind & Fire’s September was an international hit, inscribed on the US Library of Congress’ National Recording Registry in 2018, four decades after its release. There’s no consensus regarding the significance of the date—other than it was recorded in September and the twenty-first was most resonant, and reportedly Willis didn’t care for the nonsense lyrics and down to the last minute had insisted that they were only place-holders and urged White to cut the gibberish, eventually relenting and admittedly learning a lesson about composition.

6x6 (10. 151)

teenage rampage: 70s sing-a-long pop was edgier than one thought   

on tyranny: twenty lesson on unfreedom and defending democracy

heptominos: geometric magic squares from Lee Sallows—see also

cross-hatched: dozens of security envelope patterns  

quiet quitting: these scenes of office drudgery are a form of protest

rainbow quest: Pete Seeger’s 1960s folk music television show

many-eyed seraphim (10. 150)

The Multiocular O (give it googly eyes, lots of them) is a hapax legomenon in glyph form of the Cyrillic alphabet, occurring just once in the known lexicon as мн҄оꙮчитїй in Old Church Slavonic (previously). In addition to the reminder of how strange and monstrous biblical angels are supposed to be, there is a current petition to revise the Unicode representation to make it more accurate.

subgenre (10. 149)

Via two of my favourite internet caretakers, Everlasting Blört and Fancy Notions, we are introduced to a very niche and delightful trope in still life paintings: cats stealing food. All the posts in this thread are terrific but we were especially impressed by this work by Dutch Baroque artist Abraham Hendriksz van Beijeren (previously), a virtuoso of the category of pronkstillevens—that sumptuous portrayals of luxury goods, particularly of fish—for the cat’s obvious and feline lack of remorse. See a whole gallery at the link above.

last post

Whereas the B♭ version might be more familiar, the E♭ variation is employed by the State Trumpeters of the Household Cavalry and the particular flourish was acquired by British troops garrisoned in the Netherlands (see also), drawing on an older Dutch custom called taptoe—root of a military tattoo or send-off and the North American version of “taps”—signalling the end of the duty day, the solemnity of the taptoe itself adopted as an extension of last call, Doe den tap toe—a reminder to make sure that the beer spigots were closed before shutting down for the evening. More coverage of the historic state funeral, including this ceremony, from the BBC and the Guardian. 

the followers (10. 147)

Via the morning news, we discover that artist Dries Depoorter has triangulated the open surveillance of public spaces and a respectable social media viewership with the help of artificial intelligence to match poses in front of a range of landmarks with their sidling up to it and perfecting their casual-seeming pose. Confounding this perfectly staged moment with the apparent necessity of monitoring share-worthy sites speaks volumes to our definition and expectation of privacy tempered by desire for curation and what it is like to be spotted, caught.

boardwalks, beaches and boulevards (10. 146)

Prominent and influential street photographer and educator, Harold Feinstein (1931 - 2015) had an enduring attraction to New York at the community of Coney Island where he was born. Thanks to a Redditor, we are introduced to Feinstein’s extensive portfolio through one composition that frames those perched above Brighton Beach as musical notation. Feinstein’s work also enjoyed commercial ubiquity, IKEA’s White Rose poster (see also) being one of the most widely distributed homeware artistic photos. Much more to explore at the links above.