looks like a jungle sometimes, makes me wonder how i keep from going under

Released as a single on this day in 1982, we learn from our faithful chronicler, and later featuring on the group’s first namesake studio album in October, The Message by Grandmaster Flash and the Furious Five was among the first hip hop composition to deliver a message of social commentary and the stress of urban blight and poverty. Duke Bootee and Melle Mel were inspired to pen the song two years before during the New York City mass-transit strike.

8x8

banning: a 1967 forgotten film about a sordid tryst at a country club 

remains of the day: six relics of once ubiquitous fast-food empires  

plain chachalaca: more badly named bird friends—see previously here and here, via Super Punch

awestruck: short, initial pieces optimised for joy and wonder from NPR 

gallery 88: an electronics line for kids from Sony—see also  

dhead xlvi: a David Bowie painting (see previously) saved from a landfill fetches over one hundred thousand CA$  

grand opening: a brief history of the ribbon-cutting ceremony  

britbox: an interactive fiction project for a cult 70s television programme that dabbled in paganism and the paranormal—see also—which never existed

the starlight barking

Via Messy Nessy Chic not only are we given an appreciated reading tip in the comforting writing style of I Capture the Castle and One Hundred and One Dalmatians author Dodie Smith (*1896 - †1990) we moreover learn that Smith also penned a sequel to the 1956 novel—which has nothing to do with the Disney adaptations. A bit reminiscent of the Jellicle cats, Lord Sirius (the Dog Star) comes to Earth after putting humans into a deep slumber and granting canines supernatural powers in order to prevent nuclear war.

tell me that you love me, junie moon

Having its theatrical release on this day in 1970 after premiering at Cannes Film Festival earlier in May, expertly introduced and summarised here by Poseidon’s Underworld, the Otto Preminger film, story and screenplay by author Marjorie Kellogg, starring Liza Minnelli as the titular protagonist who was seriously disfigured on one side of her face by a vicious battery acid attack by her jealous boyfriend and is afterwards institutionalised. There Minelli’s character meets Warren, a gay paraplegic confined to a wheelchair and an epileptic named Arthur, who decide to leave the half-way house and rent a cottage from an eccentric landlady (played by Kay Thompson) together to help each other heal and live their best lives.  Desultory and tepidly received though not universally panned, this movie seemed to me to have its heart in the right place.  Find nearly a scene-by-scene synopsis and storyboard at the link above. 

stock character

Previously we’ve explored how the business and technology of the printed word leaves linguistic fossils but we found ourselves rather dumb-struck over this bit of etymology and extended sense in the rather non-intuitive term stereotype, which like its French equivalent cliché, is derived from the trade and describes dabbed printing from a duplicate plate instead of the original. Both words quickly moved from specialist jargon to common parlance as a way to express platitude, generalisation and bias. The στερεός incidentally does not convey in its original sense anything two-channelled, binocular or immersive but rather something firm or solid and three-dimensional whereas a stereotypical person if pretty one-dimensional.

saut de seconde

Introduced for the first time on this day in 1972 and originally delegated to the Bureau International de l’Heure (BIH, the International Time Bureau at the Paris Observatory) to schedule their addition or subtraction, leap seconds (see also) are a way to adjust Universal Coordinated Time and synchronise the invariable atomic clocks that informs most civilian timekeeping with observed solar time, the Earth’s rotation prone to go off-kilter a bit due to geological, climatic changes or meteor impacts. Though implemented as a means to ensure accuracy and uniformity in an increasing interconnected and networked world and announced six months in advance, the irregularity of leap seconds can also reveal flaws in underlying programming, the pictured time-stamp causing Linux-based systems to crash back on that date.

8x8

billboards and hoardings: the evolution of outdoor advertising  

ptychography: a high resolution imaging of atoms—see previously  

the village: lovely Mid-Century Modern accommodations in Portmeirion—where The Prisoner was filmed  

vqgan+clip: Picasso’s Persistence of Memory with Lisa Frank filter applied—via Waxy  

ems: composer and sampling pioneer Peter Zinovieff has passed away, aged eight-eight—via Things Magazine  

pulp tarot: a divining deck (previously) informed by Mid-Century illustrations from Todd Alcott

siss-boom-bah: a Japanese pyrotechnics catalogue (see also) from the 1880s  

indexing: a look at how the adoption of vertical filing helped ushering the Information Age—see also here and here

le pont de trinquetaille

Seeing that on this day in 1987, a Van Gogh (previously here and here) of a bridge scene in Arles fetched a then record twenty million dollars at auction made me reflect on a recent podcast episode about the individual responsible for the artist’s posthumous and compelling fame promoted out of necessity and circumstance, Johanna van Gogh-Bonger (*1862 - †1925), widow of theretofore Van Gogh’s greatest champion, his brother Theo, and sister-in-law who had acquired a great deal of the then worthless works and against the advice of friends and family brought them back to their native Holland from Paris after losing her husband. In order to provide for herself and her child, Van Gogh-Bonger collected and edited an epistolary exchange and between the brothers and family biography, helping to establish her brother-in-law’s fame and reputation, as well as arranging exhibitions, helping to define not only Vincent as a celebrity but the attendant marketplace of the art world as well.