Via Nag on the Lake’s Sunday Links (much more to explore here), we receive a lightly macabre update to the former dedicated rail-line in London that transported the departed and mourners from the overcrowded city out to a cemetery in Woking with news that the purpose-built Waterloo Necropolis station built in 1854 (expanded in 1901) will be transformed into a suite of flats. The seal is that of the company granted the charter to construct the grounds and arrange the logistics and transportation. Though large portions of the building were destroyed in World War II during a 1941 air raid, what remains is witness to the automation of the funerary arts with halls designed for private service and hydraulic lifts to bring the briers on to the loading docks below, a shift towards hygienic awareness (a dread cholera epidemic decades earlier had overwhelmed London’s graveyards) and separate entrances that showed that even the dead were expected to be class conscious.
Sunday, 7 February 2021
drahtfunk im amerikanischen sector
From the first broadcast on this day in 1946 from the switchboard exchange of the Reichspost on Winterfeldtstraรe in West Berlin for the next several months until a medium wave transmitter could be procured and installed, news and political reporting from the US occupational authorities for the German people, counterprogramming to what was regarded as a propaganda put out by the Soviets, could only be distributed over telephone lines, hence the original DIAS call-sign before becoming RIAS—Rundfunk in the American Sector. Following the Berlin Blockade (previously), the terrestrial sender broadcasted each Sunday at noon the chimes of the Freiheitsglocke installed in the Schรถneberg Rathaus, modelled off the Liberty Bell, followed by a short recitation from the “Declaration of Freedom.” Expanding into entertainment with the station’s own orchestra and choir, RIAS and related stations came to cover almost all of West and East Germany (see link up top), on the air until 1993, when facilities and frequency slots were handed over to Deutsche Welle, Germany’s international broadcaster.
happy martian new year
Saturday, 6 February 2021
barbarians
Via JWZ which is so much more than an excellent resource for quiz nights once bars get to re-open, we learn that there’s of course equivalent phrases in other languages that convey the same sense as the scribal gloss and line from Shakespeare’s Julius Caesar for encountering something incomprehensible—dismissively or otherwise—completely with a directional graphic showing where each language might attribute the impenetrable sounds. When a Hebrew-speaker is pinned in a corner, for them “it sounds Chinese” and conversely for someone whose mother tongue is Korean, something that seems like gibberish smacks of Hebrew, reportedly. For Germans, it’s Kauderwelsch, a trade patois. Ich verstehen nur Bahnhof. Chinese itself defers to the celestial language of the gods. What’s all Greek to you? Especially appealing is the etymology of the term Gringo coming from the similar expression “hablar en griego” and how in Esperanto, one sighs, “tio estas volapukaฤตo”—that’s a Volapรผk thing, a contemporary rival constructed language invented by a priest in Baden.
catagories: ๐, ๐, ๐ฌ, Baden-Wรผrttemberg
classic of changes
Via friend of the blog par excellence Nag on the Lake, we are shown some snow oracles that artists and flรขneuse Jan Baracz began noticing on the storm grates around New York City as the warmth and gas seeped through to form patterns. I’ve found myself also transfixed by the same uniformity or unevenness on display during these periods of respite and thaw between the flurries but had not made the leap from melting redaction to actual divinatory hexagrams like those encountered in the I Ching. I’ll need to consult the sidewalk for a reading next time I walk through town. For instance, the one in the bottom right corner (though there's only five lines) would be ๅค, kลซn or Field, and signifies the receptive, acquiesing Earth.
the love of freedom brought us here
With the organisation and the planned settlement of the commonwealth of Liberia established four years prior, the Society for the Colonization of Free People of Colour of America constituted to encourage the migration, repatriation of African Americans to the continent sponsored its first voyage of eighty-eight individuals on this day in 1820, departing from New York harbour to the colony of Mississippi-in-Africa on the Pepper Coast, southwest of the Sierra Leone Province of Freedom (previously) established in 1786 by the London-based Committee for the Relief of the Black Poor.
Though some abolitionist and Quakers who supported the society thought that the emancipated and formerly enslaved individuals might fare better outside of the systemic prejudice of the United States, the society’s motives were pure racism, uncomfortable with the growth of non-white population since the conclusion of the Revolutionary War and mounting pressure from slave-holders to do something about the free population lest they stoke rebellion—hopeful that the concession could avoid a civil war, whose tensions were already primed. Apparently under considerable duress (at gun point), Zolu Duma, the Gola ruler who also ostensibly was positioned to profit from Triangular Trade, was persuaded to sell the land that would become the capital Monrovia (named after the fifth US president and plantation-owner) and surrounding territory. Of the four thousand that immigrated there, unwelcome by the indigenous population that they were displacing and the harsh environment, less than half survived in the coming decades and were forced to grow cash-crops for export to repay their passage. Finding the situation untenable and suffering privations on par with what they had experienced on the other side of the Atlantic, Liberia revolted and declared its independence from the US in 1847, the first colonial-holding in Africa to do so. Its status as a republic was not recognised by reunited America until after the Civil War in 1862.7x7
high dive: Casa Zicatela in the Oaxaca coastal region references Le Corbusier and the retro look of municipal swimming pools
rip: legendary actor Christopher Plummer (*1929) has passed away
polar flare: visualising the true size of terrestrial landmasses through cartographic distortion plus mapping countries as offworld coloniesgulf stream: lack of circulation during ice ages past may have meant the Arctic and North Atlantic Oceans had fresh water
dataviz: sleek, informative infographics by the Great Grundini
rรฉseau pneumatique: an exploration of the pneumatic postal system of Paris—see also
hq2: a preview of the new Amazon headquarters (previously) building in Arlington, Virginia
zardoz
The 1974 Irish post-apocalyptic fantasy film starring Sean Connery (*1930 - †2020), Charlotte Rampling and Sara Kestelman premiering on this day in Los Angeles and New York takes its title, the eponymous stone talisman and cornucopia, from a damaged copy of the L. Frank Baum book Wizard of Oz that survived the end of the world and the bibliocaust and supplant older gospels and introduces us to a highly gentrified and segregated society that consists of a ruling class of ageless Eternals and mortal, enslaved Brutals who eke out a subsistence in the nuclear wilderness after satisfying the needs of the aristocrats—with a clan of assassins charged with keeping the exploited under subjugation by following orders issued by Zardoz in exchange for weapons.
It is revealed that Zardoz is an extension of the omnipotent artificial intelligence called the Tabernacle that maintains the precarity of this social order by boundless insight that no human, immortal or otherwise, can comprehend. John Boorman, the writer, director and producer had hoped to create an adaptation of The Lord of the Rings (see also) for a film studio at the time but Boorman’s offer was turned down, fearing it was too ambitious and would run-over budget, instead turned his sights to creating this world, which was philosophically challenging with good elements of storytelling and very much ahead of its time but had not played well to audiences by dint of that same complexity, costuming and lack of special effects.