Friday, 18 September 2020

retrospective

We enjoyed considering this analysis of the origins of the maligned and escapingly nostalgic aesthetic known as vaporware as informed by the Surrealist art of Yves Tanguy (*1900 – †1955), that interbellum movement which perhaps with the remove of time does turns toxic undertones tragic and naรฏve. 

Having grown more nuanced than the longing for salad days that never were, there is across the century a sort of correspondence in both movements and those who limned them embrace a complicated relationship towards retro and reprise when we began again cognizant of (up)sampling and its necessarily selective-nature in recalling a future pledged that only exists in the past, delivering instead of the parallel, low-poly alternate reality that we were seeking all along rather an augmented and ersatz one that didn’t have to be. See more exemplars of both aesthetics at Hyperallergic at the link up top.

Thursday, 17 September 2020

i know the scientific names of beings animalculous

On this day in 1683, Antonie van Leeuwenhoek (*1632 – †1723) announced in a letter addressed to the Royal Society his discovery of animalcules—little animals, the adjectival form above—living in rain water and invisible to the naked eye.
Sounding quaint to modern biologists and poor van Leeuwenhoek will forever be associated with the word, the progenitor of microscopy and microbial studies of course employed Dutch terms that he readers and fellow researchers could understand dier (animal, compare Tier) with the suffix –en or –ken to express their diminutive nature rather than inventing a Latin term, as his translator, German diplomat and natural philosopher Henry Oldenburg was wont to do. van Leeuwenhoek’s record of transparency, willingness to share discoveries and open, unreserved correspondence spurred on a lot of competition in the field and advanced the field microbiology and germ-theory at pace thereafter.

¡oho!

Via Print Magazine’s regular feature column, the Daily Heller, we are introduced to the cut-short but prolific portfolio graphic designer, muralist and stage backdrop painter Rex Whistler (*1905 – †1944), as well-known known for his portraits of London society of the 1920s and 1930s as he was for his commercial and caricature work. While this visual trope of reversible faces, as collected in this volume published posthumously in 1946, was not invented by Whistler these ambigrams of perspective were among his most popular and enduring legacies not associated with a specific press or advertising campaign and promoted the use of optical illusions. Explore a whole gallery of Whistler’s works at the links up top.

frรผhaufsteher

Rise and shine, Turophiles, to the musical stylings of organist Ady Zehnpfennig from his 1976 record album Early Bird. Graduating from the accordion to an electronic Hammond organ (see also here and here) and formed a trio with his brothers, performing first at night clubs in Kรถln. The fun accompanying image is from the reverse jacket cover.

plurale tantum

From the Latin for plural form only, we encounter a host of words whose singular form is inconceivable or as the terms as collective ones rarely invoked: scissors, news, trousers, spectacles, subs, outskirts, thanks and heroics.
As well as sharing at least some of the preceding English examples, in other languages, pluralia tantum point to a period of time: kalendae for the first day of the month, German Ferien for vacation, to go on holiday(s). Some cases don’t have an obvious semantic logic to them like the Swedish and Russia words respectively for currency—pengar and ะดะตะฝัŒะณะธ always as monies or the problematic case of the German word for parents only exists in the plural form Eltern—with the current possibilities of expressing a single parent awkward and normative. As one can do a scissor-kick or be possessed of a trouser-press there are exceptions and ways to compose the singular, unpaired form and bridge that morphological gap. The opposite, singular tantum, refer to mass or uncountable objects and conception, like information, milk and popcorn.

ciceroni

Presumably sourced to the agnomen of Marcus Tullius Cicero (previously), which itself means chickpea or garbanzo bean, in reference to the orator and statesman’s loquacity of speech, a cicerone is a mostly antiquated way of identifying (possibly self-appointed) a guide or docent who conducts sightseers in touristed locales and explains items of historic and artistic interest for their benefit and edification.
During the age of Grand Tours, such retained escorts and chaperons were known colloquially as bear-leaders (referencing the cruel and medieval practise of bear-baiting and conducting the poor animal from village to village) and were responsible for keeping their charges out of trouble whilst ensuring that they got the most educational value out of their trips abroad and had due appreciation for the places they visited. In the United States, a cicerone is a by-word and certification programme for a sommelier that specialises in beer who can speak to hobby-brewing, glassware and food-pairings.

umbra viventis lucis

Venerated on this day, the occasion of her death in 1179 (*1098), as one of the most accomplished and prolific scholars of the Middle Ages, Hildegard von Bingen (see also, the saint and song-writer also being one of the most recorded artists in modern times), recognised for her mysticism, scientific curiosity, leadership and musical virtuosity as a Doctor of the Church.

In addition to her numerous treaties on theology, history and botany, Hildegard also invented a constructed, auxiliary language (previously) called Lingua Ignota—that is, the unknown language written in twenty-three stylised glyphs (see also) and translated mostly by the large lexical volume of her notes and the occasional Latin or German parallel gloss.
Albeit much of this interpretation is a matter of conjecture, it further was unclear if anyone else could read her writings and whether she intended the script to be a universal and ideal one or a secret, holy language.

Wednesday, 16 September 2020

simulmatics

Limning the world as we’ve inherited it, a Madison Avenue advertising agency, crafting detailed but questionably nuanced or accurate reflections of anyone or informing the proclivities of real persons demographic “people machines,” founded in 1959 the nascent business of data modelling, brilliantly accounted in Jill Lepore’s new book.
The corporate architecture originally programmed and coded by women staff members selected from the typing pool—until male executives recognised the prestige and profit in making computing and technology their exclusive domain (see also)—this Big Data approach was quickly applied to other venues besides marketing, but in ways that ultimately seem maladapted and cynical despite best intentions going in. That and the fact that a group of white men feel that those outside of their peer-group have to be decoded to be understood aptly prefigures the trajectory that tech has taken us and offers a glimpse at least of how it could be otherwise when civics are held separate from sales and targeting is not baked-in to community. Listen to the entire interview on NPR’s Fresh Air at the link below.