these gender-reveal parties are getting worse

Language Log catches us up on a bit of news we missed regarding France’s stance on M. le Covid.
The Académie Française (see previously here and here) has gone against colloquial use and ruled that the virus and derived disease, initialisms they made be, should take the feminine article la. Moreover, the Académie takes exception to the use of this arguably inexpedient and inconsistent acronym in the first place, its druthers being for the Latin term morbus, as in Covim—the disease caused by the crown-shaped virus.

watermelon snow

While first puzzling naturalist contemporaries of Aristotle and fairly a common occurrence in Alpine and arctic coast regions during the summer, the phenomenon caused by a type of cryophilic (cold-loving) green algae—sometimes referred to by the above as the blooms can express in green, red and pink—is spreading due to global warming to Siberia and the Antarctic, raising the possibility of the rise of new and unpredictable ecosystems.

Called Chlamydomonas nivlais is a liminal organism, thriving at temperatures hovering around the freezing point and have recently been attracting more notice of climate modellers, since while providing an additional energy source in extreme but thawing areas and act as a sink for carbon dioxide, their suspected role in lowering albedo at the poles—that is, the ability of the surface to reflect solar heat back out into space since the snow is less white, may counteract or accelerate any greenhouse gas offset.

floating in a tin can

Via the latest Link Pack from Swiss Miss, we are enjoying watching this sort of anti-compilation as imagined from the privileged perspective of an astronaut aloft far above the world and peering into random living rooms seconds before drifting away almost as much as looking at any intentional anthology of cursed clips. These videos—which one has the option of watching through if so taken—are gleaned from internet with the only provisos being that they are unedited, no categorisation or description and have virtually zero viewers.

i'll just set my bourbon and advocaat down right here

Premiering in theatres in the US on this day in 1980, the Stanley Kubrick adaptation of the Steven King novel of three years prior presents a certain corollary to and correspondence with the present Zeitgeist of wintering, hibernation and generally being not taxed mentally or physically with its foil of an aspiring writer and recovering alcoholic and domestic abuser hoping to take full advantage of this generous sabbatical for self-improvement but woefully unable to.
What do you think? That much of the milieu is quite resonant, even if the plot and search and insistence for meaning is receding—just like we are focusing on inconsistencies, ambiguities and attributed symbolism as curative guideposts to navigate ourselves through this time when for many of us, we just have one job to do. Isolation is not only prone to the compromised credibility of an unreliable narrator but also can cause us to doubt and question our credentials as dependable observers—and whether we’re haunted by real ghosts or the hypochondria cabin-fever.

döstädning or duolingo

Revisiting an endearing collective of librarians sharing the best of the worst from their best housekeeping practises, we also are finding ourselves re-acquainted with another morbid-sounding term (like culling) that’s really practical, affirming and necessary as part of a personal and professional project in Swedish Death Cleaning.
Taking decluttering to the next level and not just its inevitable conclusion, the exercise—the foresight not just for those who need to clean up behind you but also for one’s own piece of mind—translates literally as death-standing and signifies over and above the tidying up that is to be assayed on a regular, unending bias (sorry, dying’s not even a release from those chores) but rather a more permanent and reward type of organisation. Working from home, our librarian is unburdening from their stacks of two copies of a workbook that touts learning German in ten-minutes a day, which in hindsight probably was not the most effective approach to that undertaking.

8x8

🚏: the ad hoc bus stop benches and chairs of suburban Tokyo has personality—via Super Punch

pop! six! squish! uh-uh: an homage to Chicago’s Cell Block Tango for confining times

crenellation: a virtual tour of some fortified cities around the world—we’ve been to a few of these places ourselves

as was the style at the time: a treasury of Old English customs and superstitions

sneezeguard: personal barriers designed to lure diners back in restaurants

signs point to no: ProPublica charts out the trajectory on America’s states’ road to recovery and a safe reopening—via Maps Mania

pilot programme: the shareware history of Photoshop’s prime competitor and driver of innovation

🏝: reminiscent of this exotic travelogue, we are enjoying these Pacific voyages—via Boing Boing

power pellet

First appearing in limited release in Tokyo arcades on this day in 1980 and originally called Puck Man (see also) from the onomatopoetic gobbling om-nom paku paku taberu—though that was changed once developers realised that the potential and temptation for defacement would be high, especially in foreign markets, Pac-Man was an instant and transformative hit with players, helping to expand and legitimise the video game industry. Working for Namco, programmer and game designer Toru Iwatani was inspired to make the protagonist by a pizza with a slice taken out. Much more gaming history and lore at Kotaku at the link above.

it is a dark time for the rebellion

Sharing its anniversary with many other things great and good, as our faithful chronicler records, the sequel (now Part the Fifth) to the highly successful space opera Star Wars: A New Hope, The Empire Strikes Back, had its general release in cinemas in the United States (Memorial Day Weekend) and the UK on this day in 1980 (as it had an earlier debut at Washington, DC’s Kennedy Center on 17 May, it also had a special showing the day prior at London’s Odeon Theatre, for Commonwealth Day, formerly known as Empire Day)—story by-line George Lucas and directed by Irvin Kershner.  Busy with other projects including Raiders of the Lost Ark and handling the finances of the franchise, Lucas relinquished control on this instalment of the saga, critically parsed and well-received, winning numerous industry and fan accolades and consistently rated by audiences among the best films ever made.