chronostratigraphic units

Mental Floss invites us to explore the planet’s history through this pretty keen time-spiral, produced by a design team working for the United States Geological Survey. This artwork—available also in poster form ends with the age of the Holocene Epoch, beginning about ten thousand years ago and heralds in the beginning of human civilization, but there’s also a proposed name for the current era, Anthropocene, reasoning that the impact that mankind is having on ecology merits a new division—eons, ages and periods all being measures of indeterminate lengths.

blood simple

Nature features a rather ghoulish study that rather upholds what vampires apparently knew all along: that fresh blood seems to have the potential of revitalising old vessels. Conjoined twins—or in this case, two lab rats spliced together so that share one vascular system, demonstrate what’s called parabiosis and is an experimental arrangement, which despite having provided insights during the 1970s about immunology and endocrinology, fell out of fashion. Now, however, researchers in the field of gerontology believe that they are witnessing a sort of rejuvenation of organs and tissues. Being paragons of caution and not be led by their imagination, they emphasise that they are not reversing the ageing process but rather—merely—“restoring function.” While it is an interesting historical look at these techniques, I suspect whatever distinction is supposed to be there is lost on the closeted undead and traffickers.

parity, parody

For more than a decade, the euro has outpaced the US dollar—consistently rising from a worth of under a dollar to this present inverted affair.

Though some may argue that such baited and contentious policy decisions are already figured into the markets and exchanges, others anticipate a precipitous fall in the worth of the euro against the dollar, perhaps settling at 1:1, should the European Union decide—be sold on—unanimously to introduce what’s called a bond-purchase programme. The plan (EN/DE), according to those in the know, provides for around fifty billion € in debt underwritten by reserve banks per month, and is just a dressed-up (or dressed-down) of the quantitative-easing (printing new money in order to cover old obligations) that’s been the standard-practise of America, Japan and the UK for decades. The EU has been philosophically and constitutionally opposed to resorting to such ends—even when things looked their bleakest for the Eurozone, but I suppose now do not want to be seen as kicking the can down the road, merely deferring future crises by not being bold and robust enough with the recovery. I think it is also a path not to trot down, but what do I know? Some of the same sagacious individuals point to the monetary policies of those countries above as having a net positive effect, since it served to keep the value of those currencies artificially low and thus favourable for foreign trade; Germany and Europe’s other industrial producers would benefit from more attractive exports.
Wage stagnation and inflation also seem to accompany this maneuver, no matter how good it is for trade. Though there are certain expectations and cursory discussions that seem to point to foregone conclusions, all nuance may not yet be exhausted or explored. Germany is rather vituperatively opposed to committing to quantitative-easing in its current form, seen as enabler and co-morbid with inflation and irresponsible governance. So that Germans tax-payers are not seen as liable for the weaker economies that can’t repay their debts under this latest scheme, two ideas are under consideration—either managing the whole programme through the ECB in Frankfurt or making national reserve banks accountable to the disbursement and repayment of those loans—essentially monies owed to themselves. What do you think? Does just spinning gold from straw become eventually too tempting?

resolution of dream and reality

Neatorama curates a very fine exhibition of the “magical realism” of Toronto illustrator Rob Gonsalves. The disorienting transitions and liberated use of perspective are a story in themselves and have appeared in children’s books but I believe the imaginations of adults respond to these images just as well, which reflect all the artists attested influences—the surrealism of Salvador Dali and MC Escher. Though I am sure that there are other originals (Max Ernst or René Magritte, for instance) and derivative examples out there, I don’t think I was capable of really latching on to any other representative image for the genre aside from those two above but maybe now I have another touchstone. Check out the links for a whole gallery of Gonsalves’ artwork.