pigs on the wing (12. 977)

On this day in 1976, as our faithful chronicler reminds, during a photoshoot for the cover art for their tenth studio album, a concept one called Animals (with deference to George Orwell), Algie the pig balloon, moored the previous day near Battersea Power Station, the iconic facility to be condemned imminently having reached the end of its useful life, broke free during wind gusts. Pink Floyd had commissioned the former Zeppelin manufacturer Ballon Fabrik to make the twelve metre pig balloon—to be inflated with helium—with an expert marksman on site to shoot it down in case it drifted out of control. The designated sniper was not present for this daring escape and the dirigible floated over Heathrow, forcing the airspace to close. The pig was recovered at a farm in Kent three days later as filming continued, but it was decided that the preliminary shots of the power station had turned out better and to superimpose Algie flying between the chimney stacks. The stunt has been successfully staged several times afterwards, including for the 2012 London summer Olympics.

merrie old christmas (12. 969)

As our faithful chronicler reminds on this day in 1977, the last Christmas special of Bing Crosby aired on CBS on this day in 1977, the most memorable segment recorded 11 September of that year in Elstree Studios outside of London as part of his promotion campaign for his album Heroes, having arranged to sing a duet with Crosby. Bowie arrived with his then wife Mary Angela Barnett (who contributed to the definition of glam rock costuming his Ziggy Stardust persona) both appearing in matching outfits—the recording almost did not take place until Bowie agreed to doff the shocking red wig, earring and makeup. Afterwards Bowie balked at the idea of performing the traditional carol, with producer Marc Bolan coming up with an improvised counterpoint to Crosby’s “Little Drummer Boy” within an hour. The two ad-libbed a shorty dialogue before the song. Both Crosby and Bolan died a month later, of a car-crash and heart attack respectively. Never expecting to revisit this surreal collaboration (see also) again, the performance was not remastered for release as a single and not available until November of 1982, which despite all reservations garnered Bowie his most successful and an enduring holiday classic. Me and my drum.

no sir—i don’t feel very much like talking (12. 827)

The duo of Mayte Mateous and María Mendiola discovered by an RCA Records executive whilst on holiday in Fuerteventura performing for tourists singing traditonal songs and dancing flamenco and formed the band Baccara for the label reached the top of UK charts on this day in 1977 with their signature single, holding the number one spot for a week, becoming an international hit and the first female and Spanish act to achieve this. Almost immediately after this success, several cover versions were recorded in other languages, including Finnish, Czech and Latvian.

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synchronoptica

one year ago: Bezos’ owned Washington Post declines to endorse a US presidential candidate (with synchronopticæ), a temporary monument for the January Sixth rioters, a seasonal treat from Louie Zong plus assorted links worth revisiting

eleven years ago: a lingual family tree, space tourism plus collectable matchbooks

twelve years ago: metastasised lobbying culture, the extravagant lifestyle of the Bishop of Limburg plus underestimating animal intelligence

thirteen years ago: homeopathic remedies plus anticipating Guy Fawkes Night 

ce qu’elle a dit, ce soir-là (12. 517)

A few members having trialed an early version of the song at CBGBs in December of 1975 opening for the Ramones, refining it further over the next two years for their debut performance at the same venue in 1977, the Talking Heads (previously) have released an official music video for their hit number in the lead up to the fiftieth anniversary of their debut studio album. Featuring Saoirse Ronan in very relatable circumstances with those inuring but burdening routines that can become a trigger that has a resolution over the short arc of narrative that is neither violent nor obvious.

*    *    *    *    *

synchronoptica

one year ago: assorted links worth the revisit (with synchronoptica)

seven years ago: fantasy video games, duty to be informed, the Day of the Tiles (1788), a kei truck decorating competition plus more links to enjoy

eight years ago: David Foster Wallace’s commencement speech, amplifying random noise plus the Roman road network as a tube map

nine years ago: a geopolitical flow-chart, Italy’s industrial heritage plus former German royals as ceremonial presidents

ten years ago: textiles and technology, farming birds plus the Rod Pyramid outside of Frankfurt

 

i am an authorised representative of the intergalactic mission (12. 030)

Courtesy of our faithful chronicler, a decade ahead of the more infamous Max Headroom Signal hijacking (caution, flashing images), we learn that on this day in 1977 viewers in southern England watching the ITN 5:10 pm news summary got quite a shock when the audio was commandeered by a deep buzzing and a electronically garbled voice addressing the world for some six minutes before returning to regular programming. Claiming to Asteron of the Vrillon race of extraterrestrials, the speaker delivered a message on behalf of the Ashtar Galactic Command (after the name of beings, ascended masters several contactees since the early 1950s claimed to have channelled as mediums):

For many years you have seen us as lights in the skies. We speak to you now in peace and wisdom as we have done to your brothers and sisters all over this, your planet Earth. We come to warn you of the destiny of your race and your world so that you may communicate to your fellow beings the course you must take to avoid the disaster which threatens your world, and the beings on our worlds around you.

This is in order that you may share in the great awakening, as the planet passes into the New Age of Aquarius. The New Age can be a time of great peace and evolution for your race, but only if your rulers are made aware of the evil forces that can overshadow their judgments.

Be still now and listen, for your chance may not come again. All your weapons of evil must be removed. The time for conflict is now past and the race of which you are a part may proceed to the higher stages of its evolution if you show yourselves worthy to do this. You have but a short time to learn to live together in peace and goodwill.  Small groups all over the planet are learning this, and exist to pass on the light of the dawning New Age to you all.

You are free to accept or reject their teachings, but only those who learn to live in peace will pass to the higher realms of spiritual evolution. Hear now the voice of Vrillon, a representative of the Ashtar Galactic Command, speaking to you. Be aware also that there are many false prophets and guides at present operating on your world. They will suck your energy from you—the energy you call money and will put it to evil ends and give you worthless dross in return.

Your inner divine self will protect you from this. You must learn to be sensitive to the voice within that can tell you what is truth, and what is confusion, chaos and untruth. Learn to listen to the voice of truth which is within you and you will lead yourselves onto the path of evolution. This is our message to our dear friends. We have watched you growing for many years as you too have watched our lights in your skies.

You know now that we are here, and that there are more beings on and around your Earth than your scientists admit. We are deeply concerned about you and your path towards the light and will do all we can to help you. Have no fear, seek only to know yourselves, and live in harmony with the ways of your planet Earth. We here at the Ashtar Galactic Command thank you for your attention. We are now leaving the planes of your existence. May you be blessed by the supreme love and truth of the cosmos.

The transcript varies slightly according to the recollection of witnesses, and the station afterwards apologised for what was described as a “breakthrough in sound,” the network technically explaining how such a hoax could have occurred though the prank would have demanded not only considerable coordination and expertise to pull off. No one ever came forward and the author of the missive is unknown and is accepted as gospel by some in the ufology community—and in any case not a bad message for humankind. 

städtebilder (11. 675)

Via the always wunderbar Nag on the Lake, we are referred to this lovely montage of West Berlin on a nice summer’s day in 1977 (see more, see also), composed of rediscovered vintage, full-colour footage (including aerial sweeps and shots) with a catchy, jaunty soundtrack presented by Chronos Media, the country’s largest, independent private archives—with more documentaries about Germany and several other historical, nostalgic city portraits at their Youtube page.

nederlandse verenigning van en voor computer- en tech-liefhebbers (11. 518)

Founded on this day in Leiden in 1977 at the initiative of Dick Barnhoorn, inspired by the success of the 1973 establishment of the Amateur Computer Club by Mike Lord in England, the Hobby Computer Club—modelled off of model train enthusiasts and often caucusing with those sorts of groups, drew individuals together with the goal of creating custom, powerful mainframes and form a software exchange (see also). Though membership is declining and interest in homemade systems is waning to a degree, the association is still active, with irregular meetings, conference, fairs and workshops held across the Netherlands.

2001 odyssey (11. 283)

Released in November of the previous year with the premier of the film, and was until the debut of Thriller by Michael Jackson in 1982 the best-selling album in history, the soundtrack to Saturday Night Fever began a twenty-four week run on the top of the US charts—with comparable success in international markets on this day in 1978. A nineteen-year-old Tony Manero (portrayed by John Travolta, see previously) escapes disillusionment by in his working-class Brooklyn neighbourhood by escaping to the a local disco (above) on the weekends, where he rules the dance-floor and longs for a better life in Manhattan, just across the Verrazzano-Narrows bridge. Showcasing the musical talents of the Bee Gees, Yvonne Elliman, Kool & the Gang, The Trammps amd KC and the Sunshine Band, the Brothers Gibb’s group and many of the other artists were not involved with the project until post-production, after the deal fell through with the recording label for Boz Scaggs (denied because the song “Lowdown” had recently appeared in another disco film Looking for Mister Goodbar, which is hard to describe as a dance drama but Saturday Night Fever has a complicated plot with a lot happening as well) and much of the choreography had to be redone after the movie’s producer commissioned the Bee Gees as understudies, with the lead tracks written and recorded over the course of a single weekend at a French château.

synchronoptica

one year ago: assorted links to revisit, Mika’s Grace Kelly plus Space Songs, an educational LP

two years ago: more links to enjoy, planning a rendezvous with Oumuamua, the DeLorean (1981), a new album from Neil Young,  more Wikihow illustrations plus a podcast miniseries on the comic Cathy

three years ago: Bernie Sanders at the inauguration plus Biden undoes Trump’s executive orders

four years ago: a field guide to wildflowers at speed

five years ago: more links worth the revisit

7x7 (11. 263)

photographie de rue: the images of Eugène Atget capture scenes of Paris unchanged since the turn of the last century  

ma che sera: more musical stylings from Raffaella Carrà with this 1974 TV appearance 

ray fay: the mostly-unreleased 1976 comedic spoof Queen Kong with traditional gender roles reversed  

from-to: reputational-based urban maps that can help you find the analogue East Village of London and other neighbourhoods in different cities 

tv mirror: leafing through the February 1977 includes an interview with Henry Winkler and more on the Dino De Laurentiis remake that condemned the above treatment of the colossus to obscurity 

isdn: a look at the once future-proof telecommunication standard quickly vanishing 

oppidum du mont beauvray: the successive rediscoveries of the ancient capital of the Gallic Aedui tribe, Bibracte

synchronoptica

one year ago: St Mungo plus assorted links to revisit

two years ago: snow-plough names plus a very special episode of Bewitched

three years ago: more on sea-shanties, the art of Roger Brown plus COVID ex-votos

four years ago: Knut’s Day plus outcry over plant-based labels

five years ago: criticism over NordStream2,  interpretive GIFs plus more links to enjoy

9x9 (11. 169)

sub-space: the potential problems of communications with relativistic spacecraft, traveling at a fraction the speed of light with solar-sails  

new quality productivity: Chinese buzz-words of the year, including a coinage by President Xi 

ailex: artist Alicia Framis announces her marriage to a hologram  

der nussknacker: the Füchtner family who made the first traditional nutcracker is still in the business  

wallsynth: Love Hultén’s custom, one-of-a-kind musical creations have a Mid-Century Modern aesthetic  

the day of the animals: a 1977 nature rampage film from William Girdler  

network effects: building a better, unbundled Craigslist turned out like the trajectory of Twitter 

american dream: Investopedia’s most searched economic terms of the year reveal a lot about how people feel about their financial situation 

 in space, no one can hear you kern: when lost in the inner Solar System, typography can come in handy

synchronoptica

one year ago: Blue Marble (1972), Sovereign Citizens plus using AI to invent a language

two years ago: galaxies outside our own plus assorted links to revisit

three years ago: birdsong in December, more links to enjoy, non-conterminious territory plus more words of the year

four years ago: the Guzman Prize awarded (1969), Scientology HQ plus a lunar cruise

five years ago: the etymology of chauvinism, Dr Magnus Hirschfeld, circular economies, more movie typography plus juxtaposing photography

 

6x6 (11. 091)

in front of the children: a Betamax find from 1983 on the BBC’s six decades of television for younger audiences 

ofrenda: a shrine on All Souls Day to the recently departed Paul Rubens, (clap! clap! clap!) deep in the heart of Texas 

terraces: an obscure 1977 made-for-television movie about tenants of a high-rise featuring Miss Julie Newmar, Jane Dulo and some gay neighbours  

forest friends: a profile of ecologist Simona Kossack’s three-decade residence in a secluded primeval wood  

now and then: The Beatles release their final song  

goldar: the late 60’s Japanese tokusatsu series, Ambassador Magma—the original Transformers, that achieved cult status in foreign markets as The Space Giants

your captain, merrill stubing (11. 021)

Premiering on this day in 1977 after three pilots airing as made for television movies and broadcast for nine seasons—including five specials—the Aaron Spelling venture of the port-of-calls of the MS Pacific Princess, featured in a Saturday night weekly lineup including Fantasy Island. Though not the first to do so, it solidified the cross-over, guest-star anthology format, bringing in celebrities from film and pioneered parallel plots, with an A-, B- and C-stories in each episode. Aside from the roles of captain, ship’s doctor, and your bartender (promoted to yeoman pursuer, portrayed by Gavin MacLeod, Bernie Kopell, and Ted Lange, the cast rotated. Fred Grady as your yeoman pursuer—Burl “Gopher” Smith was in all the televised episodes but opted out of the specials to campaign for the US congress.

like the dolphins, like dolphins can swim (11. 015)

Released on this day in 1977 as the lead single from the twelfth studio album of the same name, this future signature ballad in the artist’s repertoire was co-written by Brian Eno, and recorded in Hansa Tonstudio 2 in the Kreuzberg district of West Berlin sings the narrative of two star-crossed lovers in the divided city, who live in constant fear of being caught but are free in their dreams. Inspired by witnessing his then-married record producer Tony Visconti kissing a singer “by the Wall,” David Bowie put the song’s title in quotation marks to invoke a light sense of irony to the triumphant and defiant tone. Bowie also put out German (Helden) and French (Héros) versions of the song. The album cover art is an homage to Expressionist painter Erich Heckel’s 1917 self-portrait Roquairol, like (though with the pose a bit closer) Iggy Pop’s nearly contemporary album, The Idiot.

 synchronoptica

one year ago: Trump family facing legal peril over exaggerating the value of their crime syndicate plus an infinite scroll of the updating internet

two years ago: the unification of Saudi Arabia (1932) plus your daily demon: Phenex

three years ago: the US Subversives Control Act (1950), the Halo Effect and hindsight bias plus an anthology of Korean folktales

four years ago: the Fatberg commemorated plus variations on the Dr Who theme

five years ago: the first day of Autumn, numbers stations, a family’s political rebuttal plus a space probe arrives at its target asteroid

doesn’t take much to make me happy (10. 795)

Composed by Maurice White and Earth, Wind & Fire’s Al McKay, the song was released on this day in 1977 as the lead single from The Emotions (originally founded as a gospel ensemble known as the Hutchinson Sunbeams after their manager and principal performer) studio album Rejoice, eventually breaking through to the top of charts in the US as well as Canada and the UK and garnering a Grammy the following year. The R&B classic, certified platinum many times over, is ranked among the best love songs as well as among the best in Girl Groups. Covered and sampled many times over the decades, one corollary to this affirming song using the same beat structure was the equally catchy 1997 composition by B-Rock and the Bizz, “My Baby Daddy.”

home box office (10. 723)

Via Kottke, we are directed to a collegial tradition that began in 1977 when Star Wars overtook Jaws and Steven Spielberg penned an illustrated congratulatory letter to George Lucas when the former director’s blockbuster overtook the latter’s and published it in the trade paper Variety. The exchange—some gaps—to this day when records are broken for best opening weekend, overall ticket sales and rentals, like this 1998 homage to James Cameron’s Titanic surpassing the franchise. Much more epistolary discoveries above from Letters of Note.

gumby dharma (10. 573)

The always excellent Fancy Notions directs our attention to a 1977 psychedelic stop-motion short from Art Clokey (previously) meant as a visual metaphor for “evolving human consciousness.” Produced over the course of three years, it was a family collaboration, the sequences shot in their basement in Topanga, California. Tragically Clokey’s daughter took her own life aged 19 after witnessing a friend killed by a lighting strike and Mandala is informed by and dedicated to Ann’s memory.

i am altering the deal—pray i don’t alter it any further (10. 361)

The November 1977 edition of Vogue featured an eight page spread of super models Jerry Hall, former partner of both Mick Jagger and Rupert Murdoch, and Maria Hanson posing in ridiculously cruel, outmoded and expensive furs with a cast of characters from Star Wars, including storm troopers, jawas and Snagglepus. This crossover cultural artefact shows just how pervasive the franchise’s influence and reception was back then.

the quest for self-winding (10. 312)

This was a bit of a haunted memory for me as I recalled this one scene with the Droste Effect but couldn’t name the animated film until this reminder from last month from Nag on the Lake and Memo of the Air asking “what lies behind the last visible dog?” It is the 1977 cinematic adaptation of the young adult novel by the same name from a decade earlier by Russell Hoban, which was released by Sanrio studios on this day that year. The Mouse and His Child tells the story of two conjoined clockwork toys holding hands who gain awareness after being unboxed in a shop, and although forming a close bond with an elephant and seal, are ridiculed for the suggestion that they remain in the shop and form their own family. The titular protagonists accidentally end up discarded and once at the dump and are forced into a pressgang by a rat who runs a casino at the rubbish yard on the labour of broken toys but escape aand are rescued by their friends from the shop, eventually realising their goal. The film version features the vocal talents of Cloris Leachman, Andy Devine and Peter Ustinov.

7x7 (10. 191)

stanford torus: maybe if we solve Earth, we can have a little space donut as a treat—see previously

matriculation: Merriam-Webster’s Word Induction Ceremony for a class of 369 neologisms

industrial light and magic: a coming-of-age film set during the summer of Star Wars released after being shelved for twenty years—because of the prequels—via Miss Cellania  

elections matter: revisiting The Survey Graphic, February 1939 edition  

toyko build: exquisite scale models of structures and architectural elements from around the metropolis

gespräch einer hausschnecke mit sich selbst: a snail’s monologue in verse  

feline dynamics: the US Air Force tossed cats in zero-gravity to study its effects on human physiology—see also—via Everlasting Blört

other galactic funk (10. 186)

On this day in 1977, Domenico Monardo—known professionally as Meco (see previously)—saw his the lead single from his album of space disco that included elements of the soundtrack arranged as instrumental dance music raise to the top of the US billboard charts and hold the number one place for a fortnight, the record and the single “Star Wars Theme / Cantina Band” both certified as platinum. John Williams’ originally version was in the top ten at the same concurrently but was never as popular as Meco’s—the two artist crossing again a few months later with Close Encounters of the Third Kind, with the former coming out on top.