planisphere: explore the fifteenth century Mappa Mundi—made by a Venetian cartographer and monk map who never left the lagoon
high rollers: the character and history of burlesque shows
robots.txt: a tiny text file that has been the underpinnings of the internet is unravelling due to AI
a load-bearing day: the confluence of several celebrations, including Ash Wednesday (be furiousing rather than fasting), Valentine’s and the Luni-Solar New Year
First airing on this day in 1942 on the BBC Forces station, conceived and originally hosted by presenter Roy Plomley (until his death in 1985) and still broadcast on a weekly basis—making it the longest running radio programme after the Grand Ole Opry which began in 1925—Desert Island Discs invites celebrities, politicians, scientists, journalists, authors and artists as guests to choose eight audio (originally gramophone) recordings, a book (castaways are automatically given a volume of the Complete Works of William Shakespeare and the Bible or other appropriate theological or philosophical text) and a single luxury item that they would wish to have should they find themselves marooned, talking about their lives, careers and reasons for the titles selected. Over the course of three thousand episodes, guests have included Eartha Kitt, Bing Crosby, David Attenborough, Dave Bruebeck, Alfred Hitchcock, Liberace, Alec Guinness, Julie Andrews, Sophie Tucker, Cilla Black, Marlene Dietrich, Harold Pinter, Anthony Burgess, Magnus Pyke, Lauren Bacall, Elia Kazan, Burl Ives (who selected the I Ching), Norman Mailer, Bob Geldof, Stephen Hawking, Brian Blessed, Stephen Sondheim, Stephen Fry, Debbie Harry and Zadie Smith. Over the decades, the most requested piece of music has been “Ode to Joy,” the last movement from Beethoven’s Ninth Symphony. Conceived with the sounds of crashing waves and the cries of seabirds as the introduction and conclusion, producers however insisted on “By the Sleepy Lagoon,” an instrumental by Eric Coates, composer of light music—see also.
From the Greek แผฮฝฮฑฮฝฯฮฑฯฯฮดฮฟฯฮฟฯ for “I give back,” the ellipsis refers to a rhetorical device by which the gist of a saying is supported by its subordinate clause without mentioning it, like if the mountain won’t come to the prophet, when in Rome, a bird in the hand, if the shoe fits or when the cat’s away. As with the spoonerism I heard once and since incorporated “paying Peter to rob Paul,” I thought the former idiom (fabricated by Francis Bacon) was “Let the mountain come to Mohammed”—an anacoluthon, a disruptive thought expressed in reported speech by my favoured em-dash to mark the divergence—and is entirely missing the intention and making a postproverbial or preverb. The study of such maxims and their variants, dating back to Aristotle’s collections, is called paremiology, classing them into the categories of comparison, interrogation, their above misuse and metaphorical or allusory.
the blazing world: a 1666 novel considered the first world of science fiction by a woman author
everglades jetport: uncovering the ruins of a failed supersonic runway floundering in the in the Florida wetlands—see previously
the furby panic: US National Security Agency compelled to release a trove of documents outlining their ban of the toy as a potential instrument of espionage—via Waxy
press-gang: while most news outlets block AI crawlers used to scrape training data, right-wing media welcomes them—see previously
mac@40: a website showing every model of the Apple computer as it enters its fifth decade
winter in aizu: a woodblock series from Sosaku Hanga artist Kiyoshi Saito
The always excellent Linkfest from Clive Thompson directs us to revisit a 1905 theosophical volume co-authored by Annie Besant, orator, activist for Indian independence and atheist and later adherent of founder Madame Blavatsy, and CW Leadbeater, writer occultist and co-founder of the Liberal Catholic Church, called Thought-Forms, a study of how the human mind “extrudes” these visualisations of experiences, emotions and music into the external world, formed as subtle bodies observed by clairvoyants. Tinted by colour, sympathetic vibrations and the aether as expressions of quality, nature (like the pictured happy thoughts) and directedness, these manifestations are created either by feelings, experience, mediations or in their highest form, music, as in this vision formed from the operas of Charles-Franรงois Gounod. Whilst written for a specific, receptive audience, the astral diagrams have broader appeal and were influential to the world of modern, abstract art, particularly Wassily Kandinski, Piet Mondrian, and Hilma af Klint, and inform to an extent the concept of synaesthesia.
durianrider and banana girl: a personal account of joining a fringe diet community and subsequent de-programming
curricula: an archive of Japanese school books from 1898
i’m feeling lucky: a mostly facetious collection of laws about discourse from Osmo Antero Wiio that posits that communication usually fail except by accident
We really were in agreement with this comparison of AI plagiarism to the 1975 horror film premising that the human wives of Stepford, Connecticut are having their identities transferred to more able cyborg replicas (to excel at household chores, cooking, sexual acts) without all the shrewish, independent aspects of their personalities that make the slightest bit objectionable to their husbands, having dispatched their biological templates and replacing them. Substituting a human writer with a synthetic one, for the publisher—or any employer for that matter—strikes one as far less bothersome. Meanwhile, the tech giants’ behind large language models arguments for “fair-use,” that machines are digesting and learning from the written word in the same way human readers do and not merely copying them is keeping lawsuits at bay within a legal-framework wholly unprepared and ill-equipped to deal with wholesale violation and lacking attributions—insufficient to even form a rigorous standard to hold the robots to.
synchronoptica
one year ago: the Human Be-In (1967), Davy Jones changes his professional name (1966), ten years of Question Hound plus assorted links worth revisiting
four years ago: forty-five-plus years of Fresh Air, US-Iranian relations, for America, separation of Church and State is becoming blurred plus Germany’s Un-Word of the Year
Via Super Punch, we learn that a journalist writing for Wired! has uncovered the half-finished script treatment for David Lynch’s sequel to Dune, a follow up to the albeit flawed and disowned but beloved by many—considered canon and cult—to the director’s 1984 adaptation of the epic novel by Frank Herbert. Originally planned as a back-to-back shooting of both the second part and the third in the trilogy, Children of Dune, for 1986 with the same cast and starting pre-production work on models for special effects before the box-office failure to bring this saga ambitiously to the big screen, Max Evry had heard rumours of the lost screenplay while researching his book on Lynch’s version and was bowled over to actually track down and read the artefact. Although aspects of Dune II would appear even more unfilmable with the palace intrigues and most of the narrative focusing on the introspection of Paul Atreides as a “benevolent” but reluctant ruler, Lynch unfinished work suggests he could have pulled it off cinematically, with all the shape-shifting, reanimating and spell-binding arts in lieu of technical craft of the book. Much more at the links above.
As our faithful chronicler informs, on this day in 1946, the Looney Tunes short directed by Bob Clampett was released in theatres as a preview reel before the main feature on this day in 1946. Set in a book store where the characters come to life after midnight, it features a zoot-suited Daffy Duck (voiced of course by Mel Blanc) in one of his zaniest performances.
Whilst the institution remains open to the public and its collection of manuscripts and rare books remain securely archived and conserved, the total collapse of the British Library’s digital infrastructure that made its entire catalogue freely accessible to all worldwide following a malicious cyberattack on Halloween is almost as grave as loosing the originals. A ransomware gang, auctioning off personal data of patrons and staff alike, has rendered its services largely unavailable even for those readers and scholars geographically close enough to visit in person and makes potential and present patrons reflect on nature of this sort of institution and how theft of connection is as bad as theft or destruction of knowledge itself.
The Morning News directs our attention to loving and thoroughgoing curation of neglected, overlooked or otherwise forgotten works of literature, like the title collection of three novellas by Sylvia Wright. Uncategorisable as an experimental reflection on the craft (and inability) to write fiction, despite publishers trying to dress it with a cover that vaguely suggested a romance novel, though Wright’s single work of “fiction” made be highly obscure, we are familiar with Wright’s linguistic contributions in the capacity of a columnist for Harper’s and coining the term mondegreen, which relates back to her stream-of-thought trilogy. More neglected books and forgotten authors at the link above.
sonic deconstructions: 1950s radio broadcaster’s album of Foley art, “Strange to Your Ears”
onfim’s homework: a Wikipedia rabbit hole inspires an individual to get a tattoo of an eleventh century Novgorod pupil’s writings and illustrations discovered preserved on birch bark—via Hyperallergic’s Required Reading
year in review: Time magazine’s one hundred top images of 2023—via Nag on the Lake’s Sunday Links (lots more to explore here)
amaterasu: scientists detect an ultra-high energy cosmic ray—the most powerful in thirty years of observation
<!--: a collection of historic HTML innovations—see also
Apparently there’s a not so subtle effort on the part of Disney to retroactively canonise their range of intellectual property to make every character a part of the same cinematic, fairy tale paracosm. In the new musical fantasy film Wish (made to celebrate the company’s centenary), the protagonist Princess Asha and her rival King Magnifico (with plenty of other references to Snow White) have a final encounter (spoiler alert, I guess) to stop the corrupt sorcerer ruler in this wish-granting based economy concluding as an origin story with the former becoming the Fairy Godmother to Cinderella and the latter trapped in a mirror dimension for eternity and the servant, council of the wicked and cold-hearted stepmother of Schneewittchen. We wonder what other connections might be forced (to get in on the Pixar Theory where events do seem to occur in a shared univere) down the road and mucking about with the timeline. Bibbidi-bobbidi-boo.
four years ago: calling a contested presidential election (2000), Anarchy in the UK (1976), criticism directed towards the partition of the Ottoman Empire, the aesthetics of vapourwave plus IKEA designs homeware for Martians
Though familiar with the foundational novel, lore and later adaptations, one forgets that Frankenstein’s Monster was not a mindless brute with no internal life or ambitions, it’s easy to forget that unlike in many film versions, the Creature is portrayed by Shelley as sensitive and contemplative, literate and even eloquent, and so we appreciated this reading list of Bildungsroman that the Creature stumbles across and finds particularly resonant, informing the search for humanity through the humanities with a brief but indelible curriculum. The books discovered in a satchel that introduced our monster to literature were Johann Wolfgang Goethe’s Strum und Drang epistolary work The Sorrows of Young Werther, John Milton’s Paradise Lost and Plutarch’s parallel biographies—which when written on the spine I always read as Plutarch LIVES!, as in the experiments of Dr Frankenstein. More from Public Domain Review at the link up top.
The Czechoslovakian-East German co-production of the Bohemian variation of the fairy tale (Tลi oลรญลกky pro Popelku, Three Hazelnuts for Cinderella) opened in theatres on this day in 1973. Enduring and shown around Christmas time and making the circuit through the channels much like It’s A Wonderful Life the primary filming location was Schloss Moritzburg between Meissen and Dresden. The village is in a frenzy as the royal entourage will be stopping en route to their nearby castle, with rumours that the eligible Prince (portrayed by Rolf Hoppe) will choose a bride during the local fรชte. Cinderella’s step mother keeps her busy with menial and seemingly impossible chores in order to keep the competition to a minimum and showcase her less attractive and wicked step-sister. Doves, however, come to Cinderella’s assistance and finishes the tasks, affording her the free time to wander in the woods and encounter the prince and his hunting party, who are impressed with her equestrian skills. Later gifted three wish-granting filberts, Cinderella is able to regale herself with various disguises to become the King-of-the-Hunt as well as the belle of the ball.