It’s that time again. Love was changing the mind of pretenders while chasing the clouds away—see previously here and here. Don’t forget to put out a plate of cookies for Earth, Wind and Fire tonight.
On this day in 2004, Green Day released their seventh studio album—their first in four years—American Idiot, an overtly political and socially critical record, the tracks, especially the title one, expresses the disillusionment and decent of a generation whose prospects were informed by 9/11 and the resulting forever wars. A telling of the gospel of Jesus of Suburbia, a precarious working-class anti-hero figure, the suite of songs were put together as a concept album for a punk rock opera, taking inspiration from Jesus Christ Superstar, The Rocky Horror Picture Show and The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Charting worldwide, it was also against the media apparatus, which in the band’s view had crossed from journalism to sensationalism and reality TV, glorified violence of combat in Iraq intercut with advertisements. An enduring protest song, lyrics have been subtly updated from redneck to “I’m not a part of the [MAGA/ELON] agenda” and “subliminal mind-Trump America.” Wake me up when September ends.
the dominator model continues to run the world: Lydia Lunch’s timeless feminist manifesto
jut: a new way to measure the magnitude and magnificence of mountains—via Metafilter
and i’m floating in the most peculiar way: a cover of Major Tom by Magdalena Bay—via Nag on the Lake’s Sunday Links
bequest: an assortment of old customs and curious donations and charities
red noise: the French musical underground’s decade of synths and situationists—via { feuilleton }
๐พ: writing lessons in Cuneiform
being of sound minds and body: collection of captivating wills and last testaments—via Strange Company
you’ve really made the grade: a scroll through the archives of David Bowie
pathfinder: a look into the inner-workings of Google Maps
me and bobbie mckee: the forgotten inspiration for the gender-swapping ballad of Kris Kristofferson and Janis Joplin—see previously
synchronoptica
one year ago: Weird Al parodies Bob Dylan with palindromes (with synchronopticรฆ) plus more gerrymandering
twelve years ago: a possible clue to hidden Nazi loot hidden on sheet music
fourteen years ago: the Pope comes home to Germany
fifteen years ago: GMO salmon
life is too short to not say exactly what you mean all the time: folk singer Jessie Welles (previously) on one’s calling and being candid in trying times
crash blossoms: Tropic Storm Gabrielle Spaghetti Models as Hurricane Chances Increase and other headlines
bijin-ga: a selection of Japanese prints featuring cats and butterflies eau de eight-bit: fragrances inspired by classic home computers
analyst call: Trump urges US Securities and Exchange Commission to eliminate quarterly reporting requirements for businesses, afraid of how markets will react to the knock on effects of tariffs of
brahmins and buddhists: an exploration of a right-wing ideologue and influencer who brought yoga to the West
OK Go continues its tradition of crafting glorious high-concept music video to accompany and complement their songs—previously—with the latest dazzlingly, chaotic animated Impulse Purchase being no exception. The maximalist collaboration with Blender Studios and the signature digital characters of artist Lucas Zanotto (see previously) with the help of
Will Anderson (BAFTA award winning storyteller who struggles with the revival of his own, imagined best-known creation, Longbird, that once upon a time conferred him with legendary status) combines motion capture and three-dimensional rendering goes one further by making the endeavour open-source and models available to anyone to remix, adapt and share—a statement on the architecture of choice and algorithmically curated options which assertively reframes the dialogue by reseting the parameters. More on the making and a tutorial from It’s Nice That at the link above.
Released on this day in 2013, the debut single from Irish singer-songwriter Andrew John Hozier-Byrne (professionally known by the mononym Hozier) is a soulful hymn that uses religious terminology to describe a forbidden relationship as an invective against discrimination with attendant shame and trauma promulgated by the Catholic Church. With the help of the music video that is somewhat of a departure lyricly and the recently introduced platforms of Shazam (as a cataloguer and registry to discover new songs) and Spotify, it became an international chart-topper, spending a then record twenty-three consecutive weeks at the top, tying with Imagine Dragons’ 2012 Radioactive. Written and demo recording made in the attic of his parents’ home in County Wicklow, it caught the attention of an independent label and turned the artist’s career prospects around. Hozier’s body of works all share social conscious themes and both his songs and continued advocacy have a strong message of justice and champion the poor and marginalised.
catagories: ⚖️, ๐ฎ๐ช, ✝️, ๐ถ, ๐ณ️๐
idf: Israel airstrikes target Hamas officials in Doha—with no forewarning to Trump—as it orders the evacuation of Gaza City
ripped from the headlines: a Centipede style arcade game played by doomscrolling New York Times articles—via Waxy
hurdy gurdy: covers performed on an electro-acoustic modified sewing machine—see previously
2025 pn7: the quasi satellites of the Earth—see previously
succession: the appointee to the Murdoch media empire
przestrzeล powietrzna: in a test of NATO solidarity, Poland downs Russian drones violating their airspace
the evening truth: a resonate 1932 novel about yellow journalism employing a secret weapon called the composograph to fabricate sensational stories
never again: LA’s Holocaust Museum retracts an denunciation on Israel’s attacks on Palestine—plus the genealogy of the phrase
synchronoptica
one year ago: assorted links worth the revisit (with synchronopticรฆ)
fourteen years ago: wildfires worldwide
fifteen years ago: modular furnishings plus America’s competitive edge slipping
synchronoptica
one year ago: voting from space (with synchronopticรฆ), split-screen campaigning plus British holiday camps
twelve years ago: a misguided delegation to revolutionary Egypt
thirteen years ago: deep bore holes plus aerial antennae and cellular masts
fourteen years ago: separatist movements in Italy
fifteen years ago: predatory student loans
seventeen years ago: an overheated engine
With two thousand invited guests in attendance in Westminster Abbey, the route through London lined with over a million and two-and-a-half-billion viewers worldwide, the funeral of Diana, Princess of Wales (previously), took place on this day in 1997—although not an official funeral but rather a royal ceremony, organisers relied on the plans, rehearsed for the previous two decades, codenamed Operation Tay Bridge (see also) for the Queen Mother, and was accorded the pageantry and liturgy usually reserved for the royal family. The dean of the cathedral had personally appealed to senior palace aides to secure Elton John’s performance at the service—to include something modern. Diana and John were last together only a few weeks prior, attending the funeral of mutual friend Gianni Versace in Milan, and immediately upon learning of the princess’ death, John reached out to lyricist Bernie Taupin to rework his 1973 tribute to Marilyn Monroe to honour Diana. A quarter of a century later to the day in 2022, Queen Elizabeth the second held an audience with outgoing and incoming prime ministers, Boris Johnson and Liz Truss respectively, at her residence in Balmoral as her last official acts before her death.
people are flushing toilets ten times, fifteen times, as opposed to once—john jay: other AI-generated quotes of America’s foundational figures at new Smithsonian exhibit—see also
coronation street: a recent celebration of the eleven hundredth anniversary of the enthronement of King รthelstan, the first ruler of united England
_invalid_username: a short, seemingly intuitive quiz—we failed miserably at—on what constitutes an email address—via Web Curios in a galaxy far, far away: the official map of the Star Wars paracosmdj earworm: an end of summer mashup
double, double toil and trouble: Shakespeare added the witches, weird sisters (see also) to Macbeth for the benefit of his patron James I—see previously
founding fathers: the colourful life US constitutional signatory turned harsh critic of the mythos Gouverneur Morris—via Strange Company
synchronoptica
one year ago: a nuclear war preparedness exercise (with synchronopticรฆ)
twelve years ago: Iranian president offers a Rosh Hashanah blessing
thirteen years ago: some castles of Rheinland-Pfalz plus a bleak economic picture
fourteen years ago: revisionism and security theatre persist ahead of the anniversary of the 9/11 terror attacks
fifteen years ago: bird-watching plus a trip along the Danube
sixteen years ago: mascot mayhem
seventeen years ago: a trip to the Wasserkuppe
catagories: ๐️, ๐ญ, ๐ถ, ๐️, ๐ด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ, ๐ด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ, ๐♀️, ๐พ, ๐ค, Star Wars
Via Nag on the Lake and Memo of the Air—although we could not really really find any affinity—nor notes for—this catalogue of the weirdest and worst novelty songs, to have been graced with music videos, we did appreciate the presentation from Vole Television with clever interstitials like classic bumpers from MTV. The title track—“(I want to be) Elected”—was produced by Bruce Dickinson (not a single-issue voter and well before Rowan Atkinson became one) for the Red Nose comic relief charity and was included in the closing coverage before purdah by BBC Parliament in 1992. Going through more of the playlist, we do find that there are VH-1 pop-up video style commentary and factoids and also features Lieutenant Pigeon, so maybe some measure of kindredness. Tag your favourites.
synchronoptica
one year ago: the dissolution of East Germany (with synchronopticรฆ) plus a banger from George Harrison
de minimis: new US tariff confusion has many European shipping companies suspending deliveries to the United States—see previously
o tu illustrata: the 1988 David Lynch produced album of Jocelyn Montgomery performing Hildegard von Bingen compositions—see previously here and here
thank you for your attention to this matter: Gavin Newson can perhaps ape despots so well because they’re not all that different
optical illusion: if you stare at this circle for long enough, it becomes a red dot
sometimes easy, sometimes hard: reflecting on the legacy of post-punk hit Deluxe by Harmonia half-a-century on—via Feuilleton
labirinti di immagini: fifteenth century Italian architect Francesco Segala pioneered the picture maze
entartete kunst: Trump orders a purge of diversity narratives at the Smithsonian
uptown top ranking: a reggae one-hit wonder from duo Althea and Donna
never let a crisis go unexploited: like the Dole fruit company in Hawaii or the supposed car-jacking in DC that led to its takeover, the US will capitalise on the protest of a newborn being removed from her Greenlandic mother for welfare reasons as the excuse to annex it
synchronoptica
one year ago: a quick weekend get-away (with synchronopticรฆ) plus the Formosa Straits crisis of 1958
thirteen years ago: travel bumper stickers
seventeen years ago: designed obsolescence
Released on this day in 1987, the sixth studio album from Midnight Oil is a concept record on the themes of environmental degradation and the struggles of Indigenous Australians, critically acclaimed and ranked amongst the best compilations of the 80s since its premiere. Drawing their inspiration from several months of touring the outback and playing in venues for remote Aboriginal communities—criticised by some as a one-off publicity stunt rather than a genuine effort to highlight lack of opportunity and low living standards leading to poor outcomes, the band decided to redouble their efforts to champion recognition and reconciliation. The chart topping single below is an indictment about how populations were subject to forced-removal and sparked a global discussion about land-rights and reframing narratives—with colonisers not the only one who get to write history, reprised several times with the expanded message of the impending climate catastrophe.
synchronoptica
one year ago: assorted links to revisit (with synchronopticรฆ)
twelve years ago: Snowden’s time in Hong Kong, Bitcoin and Germany plus cult sites of the Theban Legion
thirteen years ago: artist Laurtis Andersen Ring
fourteen years ago: mythical creatures and Addler stones
Via ibฤซdem, we are directed to a retrospective look at an unusual best-selling album—reminiscent of this extensive audio survey giving voice to the voiceless in this conchological glossary or the perennial fascination of music for plants—reprised on several occasions due to popular demand in noted herpetologist Charles Bogert’s 1958 recording Sounds of North American Frogs. Fifty-seven sample tracks include the cries and calls like the scream of the Southern Leopard Frog or the rain song of the Squirrel Treefrog and moreover the look at the label and provenance of this immersive, natural experience—the Folkways Records was an accession of the Smithsonian Museum for the public good—and bringing the great outdoors to one’s ears. Much more at the links above including factors that prompted reissues for such field recordings.
levi strauss waltz: fledging Jefferson Airplane’s commercials for blue jeans
moral high-ground: despite what justice we might entrust to AI, ethics remain a human responsibility
keygen.exe: the soundtrack of internet piracy
si te fata ferunt, fer fata, ferere: the inscribed joists of Montaigne’ tower of his favourite classical aphorisms
the cube: Jim Henson’s experimental 1969 teleplay for NBC
Released on this day in 1964, the novelty single by The Young World Singers amid the race between the LBJ-Barry Goldwater-George Wallace (previously) urged people to vote for Ringo Starr for US president. Charting on Billboard’s Top 100 during the Republican convention with a concerted write-in campaign for the potential fourth spoiler candidate (Starr ineligible by dent of his being a British subject), it is unclear if their well-organised contingent had any political impact, most fans and supporters of the Beatles’ drummer “who didn’t talk about war” being under the age of twenty-one and not yet able to vote. Perhaps however it did in a small part influence the decision to lower the voting age to that of conscription and Johnson’s later decision not to seek the Democrat nomination for the 1968 election and a second term.
synchronoptica
one year ago: Laverne and Shirley billing (with synchronopticรฆ)
thirteen years ago: the search for past life on Mars plus budgetary woes
Delving the depths of Wikipedia, we learn that in Dutch, with a much more contemporary and relatable mishearing than the seventeenth century Scottish ballad The Bonnie Earl o’ Moray (see previously), the concept of mondegreen is customarily referred to as the above, “Mommy apple juice,” from the 1982 Michael Jackson song Wanna Be Startin’ Somethin’ with the lyrics “Mama-se mama-sa ma-ma-coo-sa”—popularised by a long-running radio call-in segment where listeners were encouraged to contribute their own misheard music under that name. More formally referred to auditieve pareidolia, the Jackson song’s coda is sampled from Cameroonian saxophonist Manu Dibango’s 1972 disco hit hit “Soul Makossa,” whom later sued for a monetary settlement for copyright infringement. Although I am disinclined to believe the prevalence of the name—it sounds like something I would make up in my head, the Wikipedia goes on to inform that in Germany mondegreens are informally called Agathe Bauers—misinterpreting the refrain from the song from Snap!
ieepa: class action lawsuit from small businesses affected by Trump’s tariffs could prove to be a significant challenge to his economic model
lambretta boogaloo: a new single from Big Boss Man Los Res and the Bongo Fuzz label
geodesy: astronomers triangulate Earth’s location in the Universe using black holes but WiFi is interrupting the signal
at most ten-percent syncopation: Nazi era rules for jazz musicians—via Nag on the Lake
aldeh: Greater Manchester chain keeping temporary name in honour of Oasis reunion tour after attaining status as cultural landmark
sing what happens: a sedately risquรฉ Japanese karaoke televised game show—via Memo of the Air
tas: Strange New Worlds to have a fully Muppetised episode courtesy of Jim Henson’s Creature Workshop—still, cancel Paramount
church and state: US to allow federal workers to evangelise in the work place
Released on this day in 1987, the debut studio album by Guns N’ Roses remains one of the best-selling hard rock records of all time but garnered little mainstream attention until the band began touring and increased airplay a year on with commercial success. Most tracks on the album and other’s in their repertoire were created while touring on the Los Angeles club circuit. The original cover art based on a painting by Robert Williams (who produced Zap Comics along with other underground cartoonists like Robert Crumb) was regarded as too controversial by retail outlets, which prompted Geffen records to compromise by moving that image to the liner-notes, substituting the more familiar Celtic cross version with five skulls representing the band members, inspired by a tattoo design. Rather than the traditional A- and B-sides, the obverse songs were labelled G—Guns and dealt with themes of drugs, violence and struggles of city life—and the reverse R—Roses covering love, sex and relationships.
; ): the correct use of the semicolon—see also
if you try to humanise the place, you will lose your mind: a journalist reflects on her unconscionable trip to Dubai
dream logic: the surreal illustrations of Garrett Davis
bubble house: space age, Mid-Century Modern brownstone off Central Park on the market for the first time in half a century—see also
jumbotron: Coldplay concert kiss-cam incident (and memes) underscore the practice’s awkward history
kiss of death: US vice president flew to Montana for a secret meeting with News Corp head Rupert Murdoch, aged 94, to discuss reporting of Trump—maybe he dies soon like when Vance had an audience with the Pope—or fawning MAGA fan Truss with the Queen
the only free cheese is in a mousetrap: the Ukrainian equivalent of the English idiom there is no such thing as a free lunch