luminous beings are we, not this crude matter (13. 176)

Courtesy of Weird Universe through another one of the artist’s short experimental montages, we are introduced to the National Film Board of Canada’s acclaimed visual essayist Arthur Lipsett. Working as an editor in the animation department, his first solo project Very Nice, Very Nice came about collecting random scene from the cutting-room floor pieced them together as an audio-video montage and was nominated for an Academy Award in 1961. The technique attracted the attention of Stanley Kubrick, who asked Lipsett to produce a trailer for his upcoming Dr Strangelove. Lipsett politely declined and Kubrick directed the preview himself by the inspiration was obvious and acknowledged. The 1963 short 21-87 employed a similar method of found footage but also combined shots of Montreal and New York which Lipsett filmed himself to create an outline of narrative. Though reception was more mixed now that the artist had a reputation, with some critics thinking that it was too much like Free Fall (at the link at the top), it caught the notice of aspiring director George Lucas, influencing THX 1138, its spiritual successor America Graffiti and Star Wars—the concept of the Force itself was informed by an NFB colleague discussing the contemplative and revealing—animistic and pervasive—aspect of his works, speaking in terms that echo how Obi Wan explained the source of Jedi power to Luke Skywalker. Though the two never met, there’s a continuity of tributes throughout the saga with Princess Leia imprisoned on the Death Star in detention block AA-23 cell number 2187 and Finn’s original stormtrooper designation of FN-2187.