Tuesday 28 May 2019

burg stolpen or under the rainbow

H and I decided we would let our vacation be at the mercy of the weather and it started raining without pause from midnight Monday onward, so after decamping, soggy, we started on our way back, making a detour to see Burg Stolpen, the town and a thirteenth century castle at the foot of a mountain of the same name and hewn out of basalt columns.
The mineral was first classified and described at this particularly rich quarry by local natural philosopher Georgius Agricola in a 1556 treatise.
The pictures are of the residence and prison of lady-in-waiting and mistress of Augustus II the Strong (der Starke) Anna Constantian von Brockdorff—eventually styled Countess of Cosel (Reichsgräfin von Cosel, *1680 - †1765)—who eventually earned the displeasure of her lover, imperial elector and king of Poland by her advocacy for the rights of Polish subjects.
Anna was banished from court and placed under house arrest in the tower for just under fifty years.
Adaptations of her biography in the 1980s rehabilitated her image and revived interest in the life and times of this defiant and inconvenient woman.
We couldn’t find any historic marker in the town but Stolpen was also the birthplace, we learned, of an arguably more famous—at least in contemporary terms in the West—quartet of siblings: the Doll family.
Born with the surname Schneider at the turn of the century up to the outbreak of World War I and first adopting and performing under the name Earle—after their manager and agent that brought them to America, Gracie, Harry, Daisy and Tiny were a formidable force as a sideshow and then as a screen act—always working together and insisting that they all have roles.
Terrors of Tiny Town and Tod Browning’s Freaks, all four were also Munchkins in the Wizard of Oz, with Harry (*1902 – †1985) performing as a representative of the Lollipop Guild.
Commercial fortunate allowed them to retire comfortably and purchase an estate in Sarasota, Florida—including a compound called the Doll House were all lived together, complete with custom furniture build to their scale.  Something strikes me in common about their stories—one a very vocal inmate of the town and others sent away without regard because of their difference.  What do you think?