pawnographic

We regret having missed this scandalising graphic design choice from December of 2017 when the new season’s World Chess Championship logo had its debut, but it is still resonant since the world (on-line and off) is puerile as ever and wont and eager to prise a dirty joke or snicker out of any situation. The studio behind this pugilistic emblem as well as the client organisation that commissioned it called out as something obviously tantric responded in a healthy way, however, appreciating the furore and the focus it brought.
The world is lousy with bad design and there’s a lot of unintended suggestiveness—though of course sex sells, but overall attacking what’s bold or avant-garde makes design as whole boring and more conservative, brands and associations not wanting to risk what might be made the butt of ridicule. This obsession—which I am sure will go into overdrive with candidates developing their campaign imagery—seems to me like a surrogate for that persistent though mythical legend about subliminal advertising (by definition, if it is subliminal, it does not register) that had people trying to find (and in some cases swearing to it) nudes in ice cubes for the past six decades.  More to explore at the link up top.

8x8

colossus: a robot firefighter worked alongside five hundred heroic first responders to help save Notre Dame

hyperacusis: a look at the rather long history of building acoustics and being driven to distraction

ben day dots: the studio behind the fantastic title sequence of Into the Spider-Verse

poe’s law: an internet adage that it’s become tougher and tougher to distinguish extreme views from parodies thereof

stumped: a look at the observation posts of World War I disguised as trees

the secret-sharer: tech companies contract armies of people to tweak and improve digital assistants

mush, mush: a team of Boston Dynamics Spot Minis working in tandem haul away a big truck

a vast symphony set in stone: tourists and scholars reflect on the cathedrals’ historic (and landmark) role and what it means to them  

fluctuat nec mergitur

architecture of choice

A team of researchers who trained a neural network to play arcade games would often ask human teachers, role-models to explain the rational behind the moves they made, veering left or jumping forward to avoid an obstacle, etc. to help the robot learn.
In efforts for transparency in algorithmic decision making and hopefully presenting AI as less of an inscrutable black box and more of an auditable system, the research team also trained the machine to generate a running account of each move it made. While this sounds well-intentioned, the more likely outcome will result in AI that comes up with a plausible and civil explanations ex-post facto, much like all people in certain situations measuring the programme’s response and against past human-user reactions and gradually building trust and a rapport based on what the AI has learned that we want to hear. That’s my story and I’m sticking to it.

baleen

Like nature studies informed by Bauhaus and Joan Miró, Present /&/ Correct refers us to the portfolio of art collective that embraces messy Modernism with their reinterpretation of specimen slides of plankton—that is whale food and an indispensable part of the food-chain not to mention producing fully half of the world’s biogenic oxygen supply that ought not to be judged by their size, individual members of this drifting current called plankters. Much more to explore at the links above.

the relentless amplification of nothing

The always excellent Things Magazine reflects on internet entropy and the tendency of things to fall into a state of neglect and disrepair often in favour of the sleeker, less labour intensive and attention demanding walled-gardens of social media that has become an exercise in judicious cannibalisation and that blog roll-calls in time become a poignant review of abandoned projects and interests, set aside maybe in some cases just a moment too long to ever get back in the habit.
No one is expected to explain oneself or defend changing circumstance and focus but it is a little sad to realise that voracious, giant platforms are usually the culprits. As much as we might cringe at the idea of social media curating our biographies and autobiographies forever open to public inspection and that in certain contexts nostalgia belies a toxic impulse, it can be on the other hand a moment of elation to go spelunking among the hulks of the moribund past and uncover artefacts that attests to a once vibrant hobby. The author shares some rare nuggets at the link above and we’d like to know if you’ve come across some undisturbed treasures yourself.