Thursday 24 January 2019

my god, it's full of stars

The inestimable Kottke directs our attention to the half hour National Film Board of Canada 1960 documentary “Universe,” which portrays the Cosmos as it would be experienced by a voyager barrelling through time and space, and was a cinematic touchstone for filmmaker Stanley Kubrick, informing the look and tone of his adaptation of 2001: A Space Odyssey. If the voice of the narrator seems oddly familiar, that’s because it is late actor Douglas Rain, renowned for his role as the voice of HAL 9000.

e mare libertas

We’ve had a passing acquaintance with the Principality of Sealand, one of the constellation of micronations whose territory consists of a disused anti-aircraft platform off of the coast of Suffolk, for a few years and even knew of the coup d’รฉtat and the power struggles, but we sorely failed to appreciate the outsized intrigues (recommended by Digg) that this rather long-lived, tiny princely state has experienced—with the overthrow and leadership in exile being a far more dramatic and stranger story than we had supposed.
In addition to this singular offensive, the micronation’s uncertain legal status and sovereignty has been co-opted by a rash of pretenders, including an operation to issue ten of thousands of passports in the name of Sealand, unofficial, unsanctioned internet presences, shell companies and claims of diplomatic immunity by dint of above fabricated associations.
For this dynastic enterprise that began as a pirate radio station to escape the hegemony of the BBC, subsequently proclaiming independence and creating all the trappings of statehood, it’s disheartening that it is yet attended by this persistent and darker, parallel version of itself and we hope that going forward, in keeping with the spirit of staking one’s independence, that the Principality is allowed to tell its own story.

Wednesday 23 January 2019

droste effect

Via the always engrossing Kottke, we are introduced to vivid and thoughtful portfolio of artist and photographer Annie Wang through her ongoing series “The Mother as a Creator,” documenting raising her son. Each successive image, layer of her and her growing son contains the snapshot of the past ones—coaxing out many levels all sharing the same surface. Find out more at the links above.

encom

We are enjoying these promotional stills, studio cards from the 1982 production of TRON of cast members posing for candid shots in their uniforms bereft of the benefit of post-production ethereal glow.
It’s worth noting that the film was nominated for an Academy Award for Best Costume Design but was famously disqualified for Oscar consideration in the category of visual effects because the film’s extensive reliance on computer-generated environments and simulations—a rather myopic assessment that the Academy made amends for fourteen years later. Much more to explore at Dangerous Minds at the link up top.

bahn-verspรคtungsschal

Via the always excellent Nag on the Lake with a bit of an update from Colossal, we learn about a loyal but frustrated rail commuter who, much like Andean quipu or the zealous knitter who got carried away with the Doctor’s scarf, documented delays experienced in coloured wool bands during her daily trip (two a day—round-trip, hin- und zรผruck) between Moosburg an der Isar and Mรผnchen, which should take approximately thirty minutes on regional trains—once infrastructure repairs and diverting to buses meant that long interruptions became the norm.
Her one hundred-twenty centimetre long handiwork (reminiscent of a DNA test result in the rawest form) garnered a lot of attention after her daughter, a prominent journalist and news editor, posted it on social media. The knitter decided the auction off the “train-delay-scarf” for the charity Bahnhofs Mission, an outreach and assistance programme for the homeless, transient and precarious based in train stations, raising several thousand euro. Claudia Weber, the creator, is working on a new shawl for 2019.

decimated

The Ten Year Challenge would be an otherwise harmless trend if the internet had not become such an awful, prying panopticon where all the fun and frivolity is siphoned out of things and we pressure each other to participate in a training module that teaches algorithms to account for and better predict age progression, criminal tendencies and uncorrected personality traits, so we enjoyed seeing it re-appropriated by environmental activists. Stark and depressing—though with at least a few signs of positive rehabilitation—side-by-side images that compare and contrast (previously) the myriad ways humans are destroying ecosystems are becoming a powerful call to action. Learn more and help stop the clock at the links above.

Tuesday 22 January 2019

you said it would last but i guess we enrolled

Our faithful chronicler informs that on this day, among many other momentous occasions, during a US Super Bowl commercial break—a showcase and vehicle for maximising the exposure of new releases—Apple aired its “1984” advertisement (previously) directed by Ridley Scott. Thought police pursue a rogue runner through a monochrome, dystopian landscape but fail to prevent her from hurling a sledge hammer at the main telescreen where Big Brother—portrayed by David Graham (voice actor who played the Darleks and several characters on Thunderbirds Are Go!—is addressing the gathered throngs of labourers:

Today, we celebrate the first glorious anniversary of the Information Purification Directives. We have created, for the first time in all history, a garden of pure ideology—where each worker may bloom, secure from the pests purveying contradictory truths. Our Unification of Thoughts is more powerful a weapon than any fleet or army on earth. We are one people, with one will, one resolve, one cause. Our enemies shall talk themselves to death, and we will bury them with their own confusion. We shall prevail!

The screen shatters into smithereens at the Big Brother proclaims victory and the grey scenery is replaced with the company’s rainbow logo.

be kind, rewind

The Verge directs our attention to videographer and animator 4096 whose collection of projects celebrate the bookended beauty of obsolete media storage formats (previously), vintage video game consoles, etc. It’s not only vinyl album covers that are canvases that deserves attention but also the sleeves meant to archive one’s film library for the ages.