Saturday 26 August 2017

cross-over episode or malleus maleficarum

I’ve been enjoying listening to the History of Ancient Greece podcast researched and presented by Ryan Stitt that reminds me very much of the History of Rome series that got me back into the genre in the first place.
Recently, one of Stitt’s presentations on classical tragedians ended with a short introduction from fellow-blogger Samuel Hume on his project The History of Witchcraft: A Podcast History of Magic, Sorcery and Spells. I’ve been enjoying the first few episodes and look forward to progressing through the catalogue for this series as well. Listeners will get their share of bewitching, possession, curses and rites, but only a witch-hunt can uncover witches and the anecdotes and institutions portrayed are a fascinating, sorrowful look at how societies can punish those who don’t know their place and how the chauvinistic male psychic is particularly affronted by strong women.

Friday 25 August 2017

psa

The US National Archives and Records Administration of course has an extensive collection of preserved films—including a sub-genre of instructional animation—from which our friends over at Muckrock have plucked their nominees for the most surreal out of over a century of bizarre cartoon-making. Including Private Snafu but mostly comprised of non-canon After School Special characters I’ve never heard of, it’s an interesting and indulgent way to examine how state-controlled messaging and motivation has changed and evolved over the years.  Watching one video of course cues up related items, so you can compose your own highlights reel. 

pogrom und pulverkessel

Twenty-five years ago this week and just separated by double the amount from World War II in 1992—a couple of years into the reunification, the Lichtenhagen district of Rostock experienced horrendous xenophobic riots. Despite thousands of by-standers applauding the attack of a hi-rise complex sheltering asylum-seekers with Molotov-cocktails and stones, no one was killed but the onslaught that lasted several days and tragically inspired parallel attacks was nonetheless a very dark moment in recent German history and seemingly one whose lessons were squandered.  Ignoring early rumblings that indicated the tensions in the city between residents and refugees were growing, government and law-enforcement authorities carry much of the blame for their inaction.  The focus of the pogrom, the first act of its kind since the war, was the so called Sonnenblumenhaus, which the state government had designated for the sheltering of some three hundred asylum-seekers per month while their applications were vetted.  As the world came to terms, however, with the new realities of a collapsed Soviet Union, the system soon became overwhelmed with over eleven-thousand individuals, mostly Roma from Romania, living in the building and camped out on the surrounding grounds.  Instead of increasing support, services were cut and living conditions soon became intolerable.  Police were inattentive to maintaining the peace and provocateurs grew emboldened, going so far to recruit outsiders that also haboured such feelings of hatred.  Unfortunately these episodes have become frequent occurrences and the culpability falls on all of us. 

5x5

universal translator: what is this dog’s urgent message?

cirque du toile: a fun appreciation of the printed fabric through history up to the present

equestria: a neural network is trained to name new Ponies—previously here 

regret avoidance: lottery mania illustrates how people make economically disadvantageous choices

jลkotล: cutlery company designs delux scissors styled as the iconic katana blades of samurai

eclipse de sol

The ever interesting Kottke shares the discovery of a striking postage stamp commemorating the 1970 solar eclipse that covered much of North and Central America—and was the first broadcast in living colour—designed by the graphic artist Lance Wyman, whose iconic reputation was established two years prior with his logographs for the Mexico City Olympic Games and the symbols for that capital’s (plus Washington, DC’s) metro systems.