the power of the people is stronger than the people in power (13. 192)

As we are informed by MetaFilter, for Ash Wednesday, Irish band U2 released a surprise extended play collection of six tracks called Days of Ash—their first recording since 2017 originally planned for later this year but decided that they couldn’t wait as the songs were growing more and more impatient and urgent by the day. The below lead is dedicated to Renée Good and the resistance of Minneapolis and others deal with the conflicts in Ukraine and Gaza, also paying tribute to Iranian teenager Sarina Esmailzadeh killed during protests and Palestinian activist Awdah Hathaleen. Postcards from the present moment, the album reaffirms the group’s political boldness and combines biblical allegory with partisan messaging. “The Tears of Things” and “Yours Eternally” was especially powerful.

8x8 (13.191)

sandboxels: a fun construction simulation with hundreds elements and building materials from Neil Agarwal—see previously, see also  

tax-payer funded settlement: Trump is suing the US government for billions  

innermost ward: a 3D reconstruction of the thousand year history of the Tower of London—via MetaFilter   

pantone 222: test one’s memory for colour—via Miss Cellania  

shallow fakes: historic image manipulation—see also  

canary wharf: a visit to the impounding station of the West India docks 

forbidden paradise: as Trump renews threats on the Chagos deal, a look at the mysterious atoll—see previously, via Damn Interesting  

a sense of getting closer: a music video by Max Cooper and Conner Griffin about spectacle that isn’t inspired

htlm goodies (13. 190)

Honestly, we haven’t been motivated to overhaul our little spot on the internet for quite some time—and still have no intention of changing the format, except for maybe making it easier to swat away annoying ads or getting rid of the clutter altogether, since the passing of the era of hypertext mark-up language and still maintaining that obituary is very premature and the pivot towards hierarchical widgets and and features reliant on the longevity of whatever new hotness is dominating coding at the moment.

we blog about at PfRC.

Hover to Reveal

Though we had varying levels of success with these templates—assuredly due to this site’s own frankenstein formatting of keyframes and dividers, for the first time in a long time, courtesy of Quantum of Sollazzo, in this catalogue of very good components that are purely HTML and don’t depend on a non-native source. As said, not all features worked as expected—particularly liking the comparison slider and the masonry grid for images and some of the text effects, WSIWYG on the phone but not on the laptop, and while there’s somewhat of a vibe coding vibe to these plug-and-play applications, some assembly is required.

synchronoptica

one year ago: a landmark nuclear disarmament protest (with synchronopticæ) plus assorted links to revisit

thirteen years ago: a proposed Robin Hood tax on financial transactions 

fourteen years ago: Faschings customs 

sixteen years ago: a Greek bailout 

seventeen years ago: home improvement 

 

historjá (13. 189)

Via Everlasting Blört, we are introduced Sámi multimedia artist and designer Britta Margareta Marakatt-Labba through her monumental piece on the history and mythology of Sápmi, the homeland of the indigenous peoples that stretches from Norway to Russia, created between 2003 and 2007. Often drawing comparisons to the Bayeux Tapestry (see also), the twenty-four metre long embroidered textile normal is in residence on the campus of the Univerisity of Trømso but been displayed by several Scandinavian museums and galleries as well as documentca 14 in Kassel. Click through at the link up top for a guided tour with the artist including the time when the tradition of yoiking returned.

9x9 (13. 188)

all lawful uses: Pentagon labels Anthropic AI a supply-chain risk for refusing to activate Skynet  

digital humanities: platforms, ethnographically, can only deliver two out of the three trilemmas  

skimo: newest Olympic sport combines uphill and downhill action 

⻢: etymologies of the year of the Fire Horse—more here 

rainbow push coalition: tributes for Jesse Jackson (RIP)  

the great breath: Christian Waller’s theosophical fairy tales 

sơng: author Ocean Vuong is suspiciously talented as a photographer as well  

project cardinal: turnaround management, corporate restructuring codenames and other euphemisms 

most energy storage solutions: inspired by DNA, a liquid forming molecular bonds can hold potential heat for months until it’s needed

synchronoptica

one year ago: protests against DOGE (with synchronopticæ) plus European emergency summit convened immediately following the Munich Security Conference

thirteen years ago: regional franchises plus more former enclaves and exclaves

fourteen years ago: the neocolonialism of finance 

fifteen years ago: academic dishonesty in the German government 

sixteen years ago: upcoming trips 

la jetée (13. 187)

Courtesy of our faithful chronicler, we are informed the influential sci-fiction featurette by Left-Bank writer-director Chris Marker (previously) premiered on this day in 1962. Set in a post-apocalyptic Paris, with survivors of a nuclear war living in the catacombs and galleries beneath the Palais de Chaillot (the neoclassical showcase built for the Exposition Internationale of 1937 on the grounds of the partially demolished Palais du Trocadéro—the temporary headquarters of both the UN and NATO and backdrop of Hitler’s short tour of the city with Albert Speer in 1940 and Victory in Europe celebrations five years later) with the remaining scientific community conducting research into time travel, sending test subjects to various dates in the past and future and change the course of history and avert the conflict that has all but wiped out civilisation. Challenged to find suitable test subjects mentally stable enough to withstand the rigours of temporal displacement, they pin their hopes on a man with a vague but ingrained memory from before the war, a startling encounter he witnessed from the observation platform (“the jetty”) from the Orly airport. His intervention seems promising but is caught in a paradox and can affect no change. The narrative is told almost exclusively with a photomontage, cycling through still images with no dialogue other than an expository voice-over. The short was adapted and expanded by filmmaker Terry Gilliam with his 1995 12 Monkeys, a debt very much openly acknowledged in the movie’s opening credits..

nervy-b (13. 186)

Whilst recalling one-hundo and pandemmy, we hadn’t yet really really encountered this new formula, reserved for a certain deomgraphic and perhaps more often spoken than committed to written exchanges, though it’s out there and possibly indicative that’s less ephemeral than some fads—doggos and brds have stuck around for quite a while and may be more than “cringe lingua” and datedness, like the enshrinement ceremony of Australia’s 2023 Word of the Year as a clipping of “cost of living crisis” or cozzie livs following the same pattern—the recent template of truncation and initialism: ChatGPT to chatty g, the above 100% to hundy p, sauvigon blanc to saavy b as well as numerous regular events that already have established abbreviations in defiance of jargon and speciality, like Unny-G and Euro-V. Such trends have their share of detractors, despite some sticking and demanding a rebrand, like Mickey D’s and SunnyD, calling them twee or insensitive, but it is in that reduction and destruction of the crucial element, an empowering indignity that one can visit on any phrase thanks to its formulaic nature—cf, mitty circs for “mitigating circumstances,” depreciating the important part—to undo the structural strictures imposed by language and institutions. Let’s come up with a good one for US ICE and Customs and Border Protection agents. The trend is also an emancipating format for hypocorism—pet-naming, for good or ill—probably the more ludicrious the better, 💯. Much more from Sentence First at the link up top.

synchronoptica

one year ago: Alaska’s Elizabeth Peratrovich Day (with synchronopticæ) plus assorted links to revisit

thirteen years ago: unique automats, eye-charts for drones, low-effort advertising plus hearty immune systems

fifteen years ago: more moon Nazis 

[sic] semper tyrranis (13. 185)

Called “the slit-nosed”—ὁ Ῥινότμητος, ho Rhīnótmētos—though likely not to his face, Justinian II, last Byzantine emperor of the Heraclian dynasty, a period of transition that saw the cultural shift from Roman antiquity to medieval and Turkic and who first reigned from 785 to 695, exiled because of unpopular tax policies, deposed, his nose cut off and exiled to Cherson in Crimea and returned to the throne in 705 with the help of his supporters and Khazar authorities eager to be rid of this liability to the theme (θέμα, an administrative district of the Empire) who helped him to get back to Constantinople on a fishing boat, with the backing of Bulgarian dissidents and enthroned, fronting a nasal prothesis made of solid gold, on this day in 706, having tracked down his predecessors (the one before his first term and the one from his interregum) and political rivals, had them brought in chains to the hippodrome on this day in 706, trod on their necks and ordered them to be execution by beheading, along with multitudes of their partisans as well as blinding banishing the patriarch. His second reign marked by unsuccessful military adventures against the Khanate of Bulgaria and the Caliphate—with the former playing a pivotal role in his return to power and now Byzantium turning against his allies, whom had also provided Justinian with a bride, renamed Theodora after the wife of his namesake, and cruel suppression of his opposition, imposing the pope in Rome’s authority over the rump state of Ravenna and indirectly causing the Great Schism with puppet papacy. An uprising in Cherson itself saw Justinian taken capture and executed on the fourth of November of the year 711) five insufferable years later), his disembodied head being put on public display in Ravenna as well as in Rome. Upon hearing of his death, heir apparent Tiberius and regnant mother sought sanctuary in a church but were dragged from the altar and killed, thus ensuring the end of the family line.