Via Web Curios (lots more to explore there), we are referred to this rather calming life-stream of the International Space Station transversing the over the Earth below (see previously) from an external camera triangulated with its coordinates in realtime, atmospheric conditions as well as the positions of the Sun and the Moon.
Friday, 3 May 2024
apogee and orbit (11. 534)
poise and charm (11. 532)
Via Weird Universe, which astutely demonstrates that despite advances in technology there’s little new under the sun with this 1964 print-out pageant winner Miss Formula with unobtainable measurements, we learn that the first generative beauty contest is being organised under the justification that such competitions, to be judged by a panel of two humans and two AIs, are dehumanising so should be safe to export more of this sort of exploitation and biased unrealistic idea of perfection to the synthetic and rates entrants on beauty, technical achievement and social clout—no mention of congeniality. Much more at the links above.
hjelp (11. 531)
This is cute. Previously we’ve posted about how internationally distributed entertainment is sometimes retitled for different audiences, but we didn’t known about this rather clever former convention employed in Norway to signal to viewers that the film was a foreign comedy with a simple and often hilarious formula of prefixing “Help” to a brief description of the situation, like Airplane! as “Help, we’re flying!” or the National Lampoon trilogy as “Help, We have to go on Vacation,” followed by “Help, We Have to go on European Vacation” and “Help, We Have to go on Christmas Vacation.” It’s sort of like the Carry On series. The practise began to wane in the 2000s with increasing English literacy in the country but some later domestic comedies have used the same taxonomy.
synchronoptica
one year ago: more on the Populuxe design movement, a space alphabet plus drone strikes over the Kremlin
two years ago: el Tres de Mayo (1808)
three years ago: NPR’s first broadcasting day, World Press Freedom Day plus the Benty Grange helmet
four years ago: Future Shock (1970), Cetacean Ops, a timeline of the pandemic, rock-paper-scissors not legally binding, more on Star Trek: TAS plus assorted links worth revisiting
five years ago: Sun Day, more links to enjoy plus nuisance lawsuits
Thursday, 2 May 2024
national day of reason (11. 530)

space cowboy (11. 529)
Before Star Wars or even the failed vision of Alejandro Jodorowsky’s Dune—see also, a writer-director called Tony Foutz, who was also friends to the planned main cast, conceived of a sci-fi, fantasy project called Saturation 70, a retelling of Alice in Wonderland, in which a Victorian child falls through a wormhole and discovers himself in a dystopian Los Angeles after the climate collapse and his befriended by a group of time-travelling aliens to save the Earth from pollution—the extra-terrestrials are outfitted in hazmat suits against the toxic atmosphere, the title referencing the tolerance for carbon monoxide in blood.
To star the then five-year-old son of Rolling Stone Brian Jones, country singer Gram Parsons, Michelle Phillips of The Mamas and the Papas and Nudie Cohn, much of the principal footage had already been shot before funding fell through and the production called off, many scenes filmed without a permit during a 1969 convention of alien abductees at Giant Rock near Joshua Tree in the Mojave Desert. Douglas Trumbull who created the special effects for 2001 and later The Andromeda Strain was also involved. Aside from a brief showreel and a few stills, the film has been lost and regarded by cinephiles and Parsons’ fans as a rumour, nearly undocumented for nearly four decades, only a gallery showing in 2014 at London’s Horse Hospital but the story is being told in book form, featuring some never before published on-set photographs and scripts. More from Dangerous Minds at the link up above.
trench coat words (11. 528)
Via tmn, we really enjoyed this reflection and appreciation of the beautifully dissociative nature of the Japanese language and the noble attempt to articulate how the diglossia, digraphia of the written and spoken word, though a series of historical accidents, has created a unique and somewhat untranslatable perspective on the world. Beyond the embarrassment of choices that Japanese speakers have for writing (see previously) and those poetic terms with no equivalence—nonetheless important—the expatriate author a decade on explores how shoehorning the written word imported from China into a wholly oral tradition necessitates not only a pronunciation guide but context cues for orthography, adding an extra dimension to communication from the mechanics of morphology. Much more at รther Mug at the link above including distinctive etymological class of compound words whose components are said the same but are disguised with a new kanji.
one year ago: assorted links worth revisiting
two years ago: another MST3K classic plus a pivotal moment in the Falklands War
three years ago: record stamps, the debut album from Kate Bush, Peter and the Wolf, more links to enjoy plus an alternate Oktoberfest
four years ago: ambient sounds of New York City
five years ago: the Queen Elizabeth 2, more on the Dictionary of Obscure Sorrows, possible etymologies of OK, geese in the city at night plus more acoustic visualisations
Wednesday, 1 May 2024
7x7 (11. 527)
the function of colour: more scans from a beautiful 1930 volume on design in schools and workshops
wck: resuming their mission of feeding people in Palestine, Josรฉ Andrรฉs’ cookbook is nominated for a prestigious gastronomical award
aim high in creation: a survey of North Korea’s popular culture
barnard 33: JWST captures a sharp image of the iconic Horsehead Nebula of Orion
dead reckoning: the history of the Etak Navigator and other cartographical innovations
architectural renderings: the Art Deco illustrations of Charles Perry Weimer—via Messy Nessy Chic
beginners’ all-purpose symbolic instruction code (11. 526)
The original version of the general-purpose programming language (see also) developed by Thomas Kurtz and John Kemeny of Dartmouth College in Hanover, New Hampshire designed in mind to build computer literacy for those outside of speciality fields executed its first code with immediate user-feedback and released after the initial demonstration on this day in 1964. With simpler and more intuitive syntax, the compiler was put into the public domain and immediately spawned several dialects based on terminals’ operating systems and memory constraints and was ideal for porting and inclusion for the growing mini- and microcomputer market for enthusiasts and hobbyists (I can remember being very pleased with some of my programs, however basic) and considered to be the first user-friendly family of high-level languages.