neocities (11. 473)

Via the Verge, we are directed toward a fine little interior decorating pastime for iPads in the form of Rooms—inviting players to cultivate and share their cozy cubbyholes—in the tradition of the old school web and good old fashioned building-blocks or paper-dolls putting together a pixellated diorama put together with modular elements voxel by voxel—see previously. It’s like dressing up and perfecting one’s avatar within predefined but expansive parameters and features a social aspect to meet one’s virtual neighbours and follow their home improvements.

macchine da caffé (11. 472)

Via Present /&/ Correct, we thoroughly enjoyed inspecting the various models and designs of coffee and espresso makers collected over three decades by curator and connoisseur Enrico Maltoni celebrating a century of Italian cafe culture with an expansive exhibit to visit virtually. Styles and innovations are presented chronologically and an accompanying coffee-table book tells more about the manufacturers and small businesses that inform this cornerstone of society.

 

 synchronoptica

one year ago: pollutants as disease vectors plus Roxanne (1978)

two years ago: Putin apologists plus a sheet-like organism

three years ago: assorted links to revisit plus South Pacific (1949)

four years ago: cell towers and COVID, ghost crashes plus more mudlarking

five years ago: a Finnish term for resilience plus a logograph for the new imperial era

mamma, we reap what we sow (11. 471)

Via our faithful chronicler, among many other events of pith and circumstance, Annie Lennox (previously) released her debut solo Diva album on this day in UK markets in 1992, following a hiatus from performing after the dissolution of the Eurythmics two years prior and spawning five hit singles including “Little Bird” put out as a double A-Side with “Love Song for a Vampire” made for the soundtrack of Bram Stoker’s Dracula. The accompanying music video, shot while Lennox was eight months pregnant with the MC outfit reminiscent of Cabaret tailored to conceal her baby-bump, features a cast of personae from previous songs portrayed by impersonators and drag-artists vying for the spotlight.

concours eurovision de la chason (11. 470)

With the finale held on this day fifty years ago, held in the arts venue the Dome of Brighton with veteran television personality and presenter Katie Boyle—winner of the 1973 contest Luxembourg having declined the honour of hosting the event consecutive years in a row due to cost constraints for their public broadcaster, Compagnie Luxembourgeoise de Télédiffusion, some of the more memorable acts of the Eurovision Song Contest (previously) with an iconic and transporting recognition owing to the winners’ costuming and performance include an interlude by the Wombles, Olivia Newton-John, Mouth and MacNeal and entrant Pooky from newly admitted Israel, whose prog and jazz fusion would prove enduring. France did not participate that year out of respect for the national mourning period for the death of president Georges Pompidou, withdrawing a few days before, and contest was not aired until several months afterwards for fear that the country’s own submission, “Sì” finishing in second place, might have influenced votes on a confusingly worded nation referendum on whether to keep or rescind newly introduced legislation (see above) that allowed for divorce in country—“yes” being the ballot initiative to outlaw the recently enacted liberty.

synchronoptica

one year ago: the UK tax year plus assorted links to revisit

two years ago: artist Raphael, fungal communication plus playing around with a text-to-image generator

three years ago: Ping-Pong Diplomacy, the first Tony Awards, the Debatable Lands, plans to build the World Trade Center, duelling songs plus the modern Olympic Games (1896)

four years ago: more true facts from Ze Frank plus a cute typing tutor

five years ago: the Bavarian Socialist Republic (1919) plus a community Spring Cleaning

people don’t get better, they just get smarter—when you get smarter you don’t stop pulling the wings off flies, you just think of better reasons for doing it (11. 469)

First published by on this day in 1974 by Double Day, and adapted into a film just two years later—with three cinematic versions and a musical to follow, the debut horror novel by high school teacher and

aspiring author, Stephen King, a moderate commercial success on first printing but became a best-seller upon release as a paperback by Signet Press and establishing not only King’s credentials as a writer but also the appetite for the genre. Set five years in the future in the New England village of Chamberlain, Maine, a sixteen-year old Carietta “Carrie” White is ridiculed by other girls in high school, the the oppressively religious home-life that’s left her sheltered, naive and guilt-ridden, constant bullying and humiliation eventually causing her to unleash her nascent telekinetic powers to destroy the school and the town. Dealing with universal themes of ostracism, vengeance and disaffirmation—society makes monsters and refuses to address their monstrous aspects, instead of the story ending with the federal government declaring a state of emergency for the devastated township and Congress launching the White Commission to study paranormal abilities, King’s original conclusion confirmed the religious mother’s suspicion of demonic possession, growing horns and continuing her destructive rampage—but was convinced to leave the nature of Carrie’s powers more of a mystery. 

 synchronoptica

one year ago: assorted links to revisit

two years ago: removing an obstacle to maritime navigation (1958) plus the bridgehead at Mainz

three years ago: more links to enjoy plus First Contact

four years ago: Easter Island, snaking walls, public health turns political plus Fox’ Sunday Night Line-Up

five years ago: more links worth revisiting plus metaphysical tools

dishy-washy, dishy-washy (11. 468)

Better known to American audiences after rebroadcasts by PBS in the early 1980s as Good Neighbors, the British sitcom starring Richard Briers and Felicity Kendal (Tom and Barbara) and Paul Eddington and Penelope Keith (Jerry and Margot) premiered on this day in 1975 and relates the triumphs and trials that they, the first couple, the titular Goods, experience following a mid-life crisis and abandoning a career as a plastics engineer (designing toy prizes for breakfast cereal packets) to life a self-sufficient existence in suburb south west London, conflicting with the lifestyle of their conventional neighbours, the Leadbetters.

9x9 (11. 467)

and palmeres for to seken straunge strondes: the Gentle Author makes a pilgrimage along London’s ancient Black Path 

the 2531 sato-san problem: given demographic trends, legal requirements and custom, all Japanese residents could eventually share the same surname  

symphony № 42: animator Réka Busci presents forty-seven ironic vignettes  

double doors open, why aren’t i reacting in this shot: a literal video version of Total Eclipse of the Heart—I walk out on a terrace where I think I’m alone, but Arthur Fonzarelli’s got an army of clones  

into the butterverse: the variations of the Unicode emoji—via Pasa Bon!  

chalcolithic tattooing: a study of Ötzi the ice mummy’s body markings on living volunteers—via Super Punch  

apiculture: experiments involving social problem-solving suggest that bees have the capacity to pass on learnt experience  

not a bug but a feature: a collection of absurd software and end-user errors solved—via Waxy  

the society of wood engravers: the art and illustration of carver Harry Brockway—via Things Magazine

synchronoptica

one year ago: New York v Trump plus Finland’s accession to NATO

two years ago: Japanese police boxes plus the Ukrainian roots of world-wide wheat

three years ago: your daily demon: Samigina, Winston Smith makes a diary entry plus the Hildesheimer Dom

four years ago: the flag of Hong Kong (1990), assorted links to revisit plus St Tigernach

five years ago: the founding of NATO (1949),  saving the pollinators, the Buttigieg bid for US president plus historic mass transit systems

it’s horseradish to me (11. 466)

Language Hat directs our attention to an interesting comparative discussion of vulgar expressions of indifference across different idiomatic phrases, linking to an isogloss of colourful terms, prompted by asking what equivalents were there to the relatively new and niche “ZFG,” like the more polite Russian version above. The accompanying image is from the 2021 film Rien à foutre which is a considered to have the corresponding meaning in French. While these may not be in common parlance and not necessarily the default (especially in polite company), it is an engrosssing look at contemptuous dismissiveness and how other languages do not fall into the negation trap that the straightforward English rendition sometimes carries with “I could care less” versus “I couldn’t care less” plus related sayings, like the figure of speech “you can’t have your cake and eat it [too]”—variants of the proverbial language fossil quoted by such writers as Jonathan Swift, Ayn Rand’s John Galt and Ted Kaczynski in the Unabomber manifesto (who’s particular turn of phrase helped lead to his apprehension)—which by dent of its similar and somewhat impenetrable logic gives rise to a cakeist factor who wish for two desirable but exclusive alternatives. The Italian version, probably the least rustic in literal translation, Volere la botte piena e la mogile ubriaca, goes something akin to wanting both the full barrel of wine and the wife drunk.