stepford authors (11. 265)

We really were in agreement with this comparison of AI plagiarism to the 1975 horror film premising that the human wives of Stepford, Connecticut are having their identities transferred to more able cyborg replicas (to excel at household chores, cooking, sexual acts) without all the shrewish, independent aspects of their personalities that make the slightest bit objectionable to their husbands, having dispatched their biological templates and replacing them. Substituting a human writer with a synthetic one, for the publisher—or any employer for that matter—strikes one as far less bothersome. Meanwhile, the tech giants’ behind large language models arguments for “fair-use,” that machines are digesting and learning from the written word in the same way human readers do and not merely copying them is keeping lawsuits at bay within a legal-framework wholly unprepared and ill-equipped to deal with wholesale violation and lacking attributions—insufficient to even form a rigorous standard to hold the robots to. 

 synchronoptica

one year ago:  the Human Be-In (1967), Davy Jones changes his professional name (1966), ten years of Question Hound plus assorted links worth revisiting

two years ago: Davie Bowie’s Low (1977), a short by Gérald Frydman plus training an AI on vintage Batman comics

three years ago: a celebration of donkeys, Trump’s second impeachment, Laocoön, the US Congress’ electronic voting machines, marijuana and the munchies, premium pluralisation plus more on snail compasses

four years ago: forty-five-plus years of Fresh Air, US-Iranian relations, for America, separation of Church and State is becoming blurred plus Germany’s Un-Word of the Year

five years ago: pop-up poetry, view from a bus plus Cherubrashka

nuance (11. 264)

Via Kottke, we discover the Emoji Kitchen by Jennifer Daniels that allows one to combine and remix emoji (see previously here and here) as symbols for different accents, ranges of expressions and moods for angry kisses, pensive cowboys and forlorn robots to capture all the feels as well as some truly surreal abstractions (available directly only for certain platforms), like monkey cactus or monocled dustbin. See what you can come up with.

 

7x7 (11. 263)

photographie de rue: the images of Eugène Atget capture scenes of Paris unchanged since the turn of the last century  

ma che sera: more musical stylings from Raffaella Carrà with this 1974 TV appearance 

ray fay: the mostly-unreleased 1976 comedic spoof Queen Kong with traditional gender roles reversed  

from-to: reputational-based urban maps that can help you find the analogue East Village of London and other neighbourhoods in different cities 

tv mirror: leafing through the February 1977 includes an interview with Henry Winkler and more on the Dino De Laurentiis remake that condemned the above treatment of the colossus to obscurity 

isdn: a look at the once future-proof telecommunication standard quickly vanishing 

oppidum du mont beauvray: the successive rediscoveries of the ancient capital of the Gallic Aedui tribe, Bibracte

synchronoptica

one year ago: St Mungo plus assorted links to revisit

two years ago: snow-plough names plus a very special episode of Bewitched

three years ago: more on sea-shanties, the art of Roger Brown plus COVID ex-votos

four years ago: Knut’s Day plus outcry over plant-based labels

five years ago: criticism over NordStream2,  interpretive GIFs plus more links to enjoy

erfundene mittelalter (11. 262)

Via Strange Company, we find ourselves directed to a real rabbit-hole of a conspiracy theory wrapped in the guise—possibly earnest and wholly without cause (like the counterfeit Donation of Constantine)—of scholarship articulated by academician Heribert Illig in 1991 known as the Phantom Time Theory, positing that events occurring in a three-century span from 614 to 911 were fabricated, advancing the Anno Domino dating system ahead in order to place the rule of either Pope Sylvester II, Holy Roman Emperor Otto III (plus legitimising his claim to the throne) or Byzantine emperor Constantine VII Porphyrogenitus in power during the millennial of the death of Christ and ruling at the moment of the return of Jesus. Otto and the Pope made it but not Eastern emperor.  The fact that many manuscripts from the time are acknowledged copies of lost originals and including forgeries (see also), the preponderance of Romanesque architecture present after the influence should have abated and the introduction of the Gregorian calendar, adopted in phases, did not mathematically correct its predecessor (the reform was never intent on correcting and revising the the length of the year back all the way to its inception in 45 BC but rather to its state during the Council of Nicaea—covering this supposed three century discrepancy—when tying the date of Easter to the vernal equinox) and a fact that an alliance between the above three rulers, each preserving his magesteria, was likely, led Illig to conclude that personages and events like Charlemagne and his dynasty (for whom Otto had specious claim as no Caroligian, Frankish heir) led Illig to conclude that this period of history was an elaborate fraud, with retrograde, retroactive chronicles created and a populace willing as well to spring forward in time to be present for the Second Coming, though later the loss of a couple of weeks (or an hour) was seen to draw popular ire.  The alliance amongst these three potentates was strong enough, the theory suggests, to collaborate to create a revised timeline, though the idea is refuted as pseudoscience by medievalists, archaeological evidence, dendrochronology and of course recorded histories outside of western Europe.

#tbt (11. 261)

Via Web Curios, we are pointed towards an intriguing albeit a touch nostalgic and could have, should have been written for Gen X or any other cohort about the phenomena of ageing out of the internet in an NYT opinion column—which to a degree rises above the on-going argument that fun is work and its been haemorrhaging from being online for a while now and bemoaning the cannibalisation and repackaging of the old web that was no one’s particular bailiwick—and posits a generational shift to platforms, engagement and presentation that honestly does feel insufferable and burdensome. The places worth the visit are drying up (which is why we must cherish those who do remain) with some old standbys absolutely desiccated and much fewer opportunities for serendipity or at least shilly-shallying. Decades later, of course, we are also getting old and curmudgeonly, but the prospect of signing up for the next social media platform with its attendant “enjunkification” seems onerous (much the same way that the pivot to video has been) and not an in-group to be envious of.

so i tied an onion to my belt, which was the style at the time (11. 260)

A talented tattoo artist in Birmingham called Jon Arton shared some of their handiwork in rather epic form with Grampa Abe Simpson surrounded by a scroll that relates the long and rambling story that goes nowhere from the 1993 episode “Last Exit to Springfield” in order, conscripted as a strike buster, that distracts Mr Burns and helps convince him that Homer, as union leader for the power plant workers, is a master strategist and should concede to their demands. See the the tattoo and the original clip from season four, episode seventeen at the link above. My story begins in nineteen-dickey-two…

synchronoptica

one year ago: the manual on uniform traffic control devices, assorted links worth revisiting plus pioneers in cryogenics

two years ago: suits for hostile architecture plus a convocation from Toni Morrison

three years ago: more wonder turners plus Ezekiel 25:17

four years ago: The House that Screamed (1970), St Aelred, an urban forest, a disclaimer, a consortium of Parisian museums plus Sir Ian McKellen’s LOTR blog

five years ago: flower supersense,  Baby Shark plus a trip to Ohrdruf

11x11 (11. 259)

cheesemongering: a specialist seller experiments with fifty-six varieties to find the perfect grilled sandwich 

vector portraits: photographs of drivers at speed traveling in Los Angeles  

decision 2024: this is the biggest year yet—and possibly democracy’s biggest test with over half the world’s population voting within the next twelve months  

run, rabbit, run: an AI-powered gadget designed to use one’s apps for one sells out 

electronics gives us a way of classifying things: Microsoft (now the most valued company in the world thanks to its part in AI, a font of misinformation) once explained to author Terry Pratchett how technology referees would make propaganda a thing of the past  

squaring the circle: Substackers against Nazis—reloaded—and a reminder that one can’t be just a little bit facist  

re-migration: a coalition of the far-right met outside of Berlin in November to discuss mass deportations  

blanket immunity: Trump’s legal team presents arguments for a president above the law—setting up the US Supreme Court to either rule on his exoneration or eligibility  

proxima swarm: US space agency supports bold proposal to reach the next nearest star system with a wall of tiny craft propelled by photons—see previously 

flower taxi: a mobile florist from 1960s London  

marie harel: producers of Camembert in Normandy fear EU recycling regulation could mean the end for their traditional wooden box packaging

dune messiah (11. 258)

Via Super Punch, we learn that a journalist writing for Wired! has uncovered the half-finished script treatment for David Lynch’s sequel to Dune, a follow up to the albeit flawed and disowned but beloved by many—considered canon and cult—to the director’s 1984 adaptation of the epic novel by Frank Herbert. Originally planned as a back-to-back shooting of both the second part and the third in the trilogy, Children of Dune, for 1986 with the same cast and starting pre-production work on models for special effects before the box-office failure to bring this saga ambitiously to the big screen, Max Evry had heard rumours of the lost screenplay while researching his book on Lynch’s version and was bowled over to actually track down and read the artefact. Although aspects of Dune II would appear even more unfilmable with the palace intrigues and most of the narrative focusing on the introspection of Paul Atreides as a “benevolent” but reluctant ruler, Lynch unfinished work suggests he could have pulled it off cinematically, with all the shape-shifting, reanimating and spell-binding arts in lieu of technical craft of the book. Much more at the links above. 

synchronoptica

one year ago: the first state lottery, voice-sampling, social media and mental health plus candid shots from the set of Hackers

two years ago: assorted links to revisit, The Night Stalker (1972) plus the Metric Marvels

three years ago: your daily demon: Orias, more links to enjoy plus a mechanical computer toy to teach logic

four years ago: Koyaansiqatsi in GIF form, more Roman holidays plus pet moss

five years ago: planned reforms for the US Patent Office