true south (10. 643)

Via Miss Cellania, we are treated to vlogger CGP Grey’s enthusiastic primer on the succession of banners bestowed on the world’s largest condominium, the continent of Antarctica, territory of no nation despite competing claims and the presence, albeit it temporary, of research outposts that like to plant their own flags. Designs and proposals flown as at least semi-official ensigns have been around since the 1930s and with a vexillologically complete presentation in 1978 that chose a highly contrasting international, aerospace orange and an 2018 contender by Evan Townsend that seems to have traction with the negative space of a compass arrow pointing to the geographic nadir and invoking bergs and mountains and thelong days and nights of the planet’s extremes.

7x7 (10. 642)

one day near salinas: a sizeable California city has no local coverage, with original content limited to paid obituaries—see also 

suzanne primate: every documentary about historical Edinburgh 

ugly duchess: Quinten Massy’s 1513 portrait, “The Old Woman” is likely a drag queen 

the future is a dead mall: Dan Olson on the impoverished, dystopian metaverse as a third-place—via Waxy  

confessions of an idiom: the proverbial elephant in the room confronts the skeleton in the closet 

the pictish trail: wanderlust in northern Scotland  

strategies to foreground vertical video: media company Gannet’s success has little to do with journalism—via the New Shelton wet/dry—see also

pontiflex (10. 641)

Reposted and propagated without context, the images of Pope Francis sporting a Balencia-style puffer jacket—plus several viral variants, as actual photographs of His Holiness (see previously), despite once past cursory observation that most detection protocols miss as well the mangled details give it away—prompting discussions on labelling, the allure of plausibility and entertaining the virtuosity of one’s imagination as well as the dangers of such fabrication, particularly when it is dismissed as harmless or worse yet resignedly immaterial.

a side of gloss (10. 640)

Though mostly, exclusively North American foodways and the sort of niche subject that elicits strong feelings one way or another (see also), we quite enjoyed perusing the entries for this volume, an ongoing project of abecedaria, of icons and analogues of for better or worse consumable (and usually) highly-processed staples, regional variants and the last holdouts of once expansive franchises. From salad bars, all-you-can-eat buffets, juice-boxes to Frank Sinatra’s heart-shaped pizzas, this index is brimming with morsels to explore. More from Tedium at the link above.

extremum opus (10. 639)

Via Kottke, this final, no not a farewell version of “Everything is a Remix” from Kirby Ferguson, a remastered edition after over a decade of refinement, an empowering commentary on the art of sampling, repurposing and reimagining, terms very much ensconced but not exclusively in the propagation of meme and is definitely worth one’s viewing pleasure.

il gattopardo (10. 638)

Directed by Luchino Visconti as an adaptation of the 1958 novel of the same bame by Giuseppe Tomasi di Lampedusa, “The Leopard,” premiering in Rome on this day in 1963, starring Serge Reggian, Alain Delon, Claudia Cardinale and Burt Lancaster as a dissolute prince of a fictionalised version Kingdom of the Two Sicilies unsettled by the turmoil and tumult of the Risorgimento, the push for Italian unification and the insurgency of Garibaldi’s Red Shirt armies, is considered one of the greatest pieces of filmmaking. Shifting allegiances leaves and the vanishing grandeur leaves our prince disenchanted and resigned to the to the future dealt his aristocratic heritage.

eleki bushi (10. 637)

Via Clive Thompson’s weekly Linkfest (lots more to check out there), we are introduced to the musical stylings of the Japanese surf-rock legend Takeshi Terauchi (寺内タケシ) with a new anthology collection featuring among other tracks his instrumental group Blue Jeans performing the eponymous song from their 1972 album Rashōmon (see previously here and here). A fusion of American rockbilly and traditional influences, playing his guitar like a shamisen, Terauchi, despite some of the adverse reactions from the older generations and reputation as a radical, was able to show that these folkways weren’t so different and dedicate his legacy to his mentor and mother, Hatsushige, a music teacher that fostered his creativity.

an account written by the hand of mormon upon the plates taken from the plates of nephi (10. 636)

First published on this day in Palmyra, New York on the tenth anniversary of Joseph Smith’s first series of prophetic visions in 1820, the foundational gospel of the Latter Day Saint movement is a chronology of God’s dealings with the ancient, pre-Colombian contact of the inhabitants of the ancient Americas through roughly a millennium of guidance from 600 BC to 421 AD. Recorded originally in unknown but intuitable characters called “reformed Egyptian” (the stele of the Rosetta Stone was first transcribed in French in 1822), Smith was called by an angel either to translate the scriptures or at least take dictation for this other Christian testament. Despite anachronisms and its freighted association with works like Pilgrims’ Progress and ancient aliens theories, the composition is a present and self-aware text that stands as a compelling saga on its owns and in the context of the time that extends and inculcates social justices and reforms to indigenous and non-white people left out of the narrative with both emphasis on universal salvation and personal revelation.