band shell

Situated in a natural amphitheare in a shaded canyon just below the Hollywood Hills—a popular picnicking spot called “Daisy Dell” that also saw a number of outdoor performances and pageants, the Hollywood Bowl was officially opened on this day in 1922 with a concert by the Los Angeles Philharmonic, conducted by Alfred Hertz, playing the overture from Richard Wagner’s Rienzi, der letzte der Tribunen (after the Edward Bulwer-Lytton novel of the same name—the author best known for his coinage of stock phrases like “the great unwashed masses,” “dweller on the threshold” and the opening “it was a dark and stormy night”), movements from Tchaikovsky’s Fifth Symphony, a selection of Hungarian Dances from Brahms, a suite from Peer Gynt and the overture from William Tell—regular theme tune fare from the perspective of this centenary. The distinctive arched proscenium—later remodelled due to acoustic problems—was first added in 1926.

8x8

can i pet your dog: a short-lived 1971 talk show, The Pet Set, hosted by Betty White  

particle zoo 2.0: revved up Large Hadron Collider discovers three new exotic quark-pairings—via the New Shelton wet/dry  

plastic mero: artwork installed on a beach in Funchal crafted on salvaged ocean waste speaks to the plight of the Atlantic goliath grouper and fellow fish 

onomatopoeia: a collection of nonsense words invented by bird-watchers to convey calls and songs 

gol gumbaz: a resplendent seventeenth century mausoleum in Bijapur is called the Taj Mahal of Southern India  

denton, denton you’ve got no pretension: a photoessay of the Texas city in the 1970s  

gravitational waltz: tracing the orbits of stars near super-massive black hole Sgr A* (previously)  

golden girls 3033: BoJack Horseman director Mike Hollingsworth creates an animated pilot using splices of original dialogue

in 22 hours, the hartford summit meeting will be over—china and the soviet union will go back home

Premiering in US theatres on this day in 1981 and featuring the acting talents of Kurt Russell, Donald Pleasence, Isaac Hayes, Ernest Borgnine, Harry Dean Stanton and Adrienne Barbe au , the John Carpenter film is set in the then near future of 1997 (a quarter of a century ago) wherein Manhattan is converted into America’s singular maximum security prison. When the presidential airplane is highjacked by insurgent elements and crashed-landed in New York City, military veteran and federal inmate Snake Plissken (Russell) is commissioned to rescue president John Harker (Pleasence).

8x8

carina nebula: first five subjects for JWST announced  

a pharmacopeia with balneological appendix: a primer and point of departure for the mysterious pre-Renaissance volume, the Voynich Manuscript—see previously

putt-putt for the fun of it: a time-capsule of miniature golf courses 

trap daddy: spoof Russian history on Chinese Wikipedia introduces us to a catch-phrase for the deception hoax—see also, see previously  

jubilee: inflexibility applied to finance and debt contributed to the downfall of the Roman Empire  

spatter platters: morbid 1960s teen tragedy songs

hushed-tones: a neural network makes a nature documentary about ants  

hudf: JWST takes deepest image of the Cosmos without even trying plus other space news briefs

pražský most

On this day in 1357 on the banks of the Vltava in Prague, Holy Roman Emperor Charles IV (Charles of Luxembourg born Wenceslaus / Václav / Wenzel) helped lay the cornerstone of his namesake bridge—Karlův most (see previously)—construction completed nearly a half-century later. According to local lore—strongly informed by the emperor’s belief in numerology and the significance of auspicious dates—the foundation stone was laid at precisely at thirty-one past five o’clock in the morning to form a palindrome and numerical span—1357 9/VII V 31. For over four-hundred years the only river crossing and linking the castle to the Old Town market, this connection made the city an important trade hub between eastern and western Europe.

photocopy cha-cha-cha

Titled “Choreography for Copy Machine” this 1991 short is a montage of sublimely sequenced animated, dreamlike encounters made exclusively by layering and resampling on a xerox machine. Created by independent filmmaker Chel White, the award-winning the four minute exploration examines anatomy, physiognomy in an age where any asset is limitlessly reproducible and pre-figures our digital and automated over abundance. NSFW exactly as there are a few frames of nudity in line with what copiers sometimes used to get exposed to at office holiday parties.

there and back again

In the early 1960s, animator and producer William Snyder of Rembrandt Films had optioned the rights to a little-known children’s book called The Hobbit. In order to keep that IP, Snyder and the studio were obliged to produce a colour cinematic adaptation by 1967 and bumping up against this looming deadline commissioned Gene Deitch, in the interest of a bigger project with the story and characters later on, to create this hastily made but artful (see also) and hardly slapdash piece to hold on the rights Snyder had invested in. Made in thirty days and fulfilling the conditions in the contract (rights to the story were leased rather than sold outright) and shown in a screening room in New York, Snyder ended up breaking even by selling his stake back to Tolkien.

codified likeness utility

Having premiered in US theatres on this day in 1982, we enjoyed this appreciation of the energy and insight surrounding the making of TRON (see previously here and here) in this interview with creator Steven Lisberger conducted just ahead of the fortieth anniversary on the 80 nightclub cyber aesthetic that the much vaunted Metaverse ought to aspire to, a mainframe saving democracy rather than destroying it. Praised for its pioneering visual effects but criticised for its incoherent plotline. Before our hero Kevin Flynn (Jeff Bridges) is able to gather evidence that the company vice-president’s success owes to him plagiarising Flynn’s own video games, the Master Control Programme digitises him and hopes to “derez” the nuisance in a gladiatorial match along with other ill-appropriated coding.