family federation for world peace and unification

Founded on this day in Seoul in 1954 by controversial entrepreneur and messianic claimant Reverend Sun Myung Moon (†1920 - *2012 and hence the colloquial name “Moonies”), the Unification Church has its origins with the family of 상사리 converting to Presbyterianism whilst under Japanese occupation around 1930 and mostly abandoning traditional Confucianist beliefs (though there is a degree of syncretism with the departure from Nicene teachings) and took up Sunday school education and later instruction. Then visited by Jesus Christ, according to church lore, on Easter 1936, Moon was personally tasked with finishing the work left undone by the crucifixion—a commission Moon accepted after a period of prayer and contemplation, evangelising after the war ended in 1945. Venturing north of the DMZ with his gospel got Moon arrested as a spy for South Korea in 1946 but was released as fighting between the northern and southern factions started in earnest and authored the movement’s scripture and theological basis, Divine Principle, which limned the church’s core beliefs of remission of debts and indemnities to restore balance with God. Though some see its publications, activism, subordinate businesses as a sort of prosperity gospel, the Unification Church’s network and holdings are minuscule in comparison with the Catholic Church or the Church of Latter Day Saints.

illuminated manuscripts

We quite enjoyed reflecting on this survey of the allure of modern medievalism for commercial clients and image-makers through the lens of the portfolio of commissions of Riga-based graphic designer Robert Rurans, who in turn takes his inspiration from source materials like fourteenth century catechisms, almanacs, herbals and alchemical guides. Clientele include fashion house Hermés, Coca-Cola and numerous jobs for the New York Times, who’ve twice nominated Rurans for illustrator of the year. Much more at It’s Nice That at the link up top.

soft construction with boiled beans

Via Super Punch and Web Curios, we are directed to more composite artistic stylings of the next generation of Dall·e (see previously—try your own hand at a version open to the public here) with some incredible machined responses to human prompts: like enthralled forest animals around a campfire, Darth Vader on the cover of Vogue magazine (see also) or this IT-guy laying cable, coded “Hellenistic,” that came out looking like tortured Laocoön under assault by sea serpents. 

Try feeding the title (one of surrealist Salvador Dalí’s paintings, with the parenthetical premonition of civil war) into Latent Diffusion at the link above and see what you get. Results will vary.

 

pangaea

Via Hyperallergic, we are referred to a nifty tool that lets one explore the geography and lifeforms that would have informed one’s hometown over the æons. Developed by engineer and palaeontologist Ian Webster, Ancient Earth ploughs through millions of years of tectonic shifts and rising and receding oceans with insights about fossils found nearby at the time and events defined the particular age and epoch. Despite the until recently relative inhospitability above the waves, one is always hoping that one’s home stays above water—especially in our current Anthropocene. Much more at the link above.

otherworldly

Perfectly embodying the above phrase, the Martian helicopter Ingenuity on a recent survey flight found and documented the wreckage of the landing gear, parachute and buffering shell of the rover Perseverance.  Click to enlarge plus more at the link above.  The photographs and telemetry will inform future missions on how to best protect payloads and optimise equipment.

7x7

elizabeth tower: a tour inside of Big Ben—see previously  

the nine octave harp of the universe: outside scientist Walter Russell—for whom Nikola Telsa said the world was unprepared  

weblog: a nodal map of some of the blogosphere—via Things Magazine  

quilting bee: everyday signage as fabric mosaics by Jeffrey Sincich  

the panic office: fantasy arcade game casings

🏣: a gallery of of beautiful 1920s Japanese postcards   

dangerous intersection: decades of traffic collisions and other corner happenings captured by a young photographer (see also)

hollywood on the tiber

Dedicated on this day in 1937 by Fascist dictator Benito Mussolini, the sprawling studio complex in Rome, Cinecittà, was built in accordance with the motto ”il cinema è l‘arma più forte“—that is, movies are the most powerful weapons. Their aims however were not exclusively for propaganda with the primary goal of reviving the country‘s flagging film industry, which had virtually collapsed in the early 1930s. Subject to bombardment during World War II and post-war was host to an encampment for displaced persons. Rebuilt in the early 1950s, the studio site garnered the titular nickname with over three-thousand productions, including Roman Holiday, Quo Vadis, Ben-Hur, Cleopatra, The Agony and the Ecstasy plus numerous films by Franco Zeffirelli and Federico Fellini. More recently the the studios were the set of the BBC/HBO co-production Rome and The Young Pope, a full-scale mock-up of St Peter’s and the Sistine Chapel on site, just a few kilometres away from the actual location.

flagging interest

Most posts here can be filed under miscellany but we have spent some curating labels and last year starting transitioning to using emoji but am feeling more than a little bit equivocal about having chosen to use national and constituent flags as tags, and via Shady Characters (previously) we learn that the governing body of Unicode will no longer be entertaining proposals for new flags—as those states with region codes are added automatically according to the canonical authority ISO 3166. Already fraught with politics and foreign relations, sub-divisions (exceptions not withstanding) will not be granted an officially sanctioned emoji—with the same restrictions applied to historic flags and movements, since it is impossible to please all sides and it’s not always obvious if the least worst choice was made. Some platforms (see also) and operating systems have always eschewed this controversy by using a pair of letters or a featureless flag (🏴).