conspicous calculation

Addressing the lexical weight of numeracy and the outsized weight we attribute to it as we do with all jargon from coding to spellbinding, we really enjoyed the panel discussion between host Helen Zaltzman and guest Professor Stephen Chrisomalis featured on the latest episode of the Allusionist on numbers and notation. 

We especially appreciated the disabusing reminders about bias, audience and the recent dominance of Indo-Arabic numerals (see also) and the vestigial systems, like Roman numerals, that accord prestige and the fact that I, V, X, L, C, D, M were not immutable from Antiquity until now with medieval abbreviations sometimes reflecting the Latin name or using Claudian letters and that the symbols were never meant to denote centum or mille but rather that half X is V and half C is L, and so on.

6x6

slough off old skins: the rise and demise of an Internet Onion—via Kicks Condor  

posture pals: a gallery of awkward, outstanding stances  

gravy boat: kitschy vintage table settings  

a little pick-me-up: the lovely Flowers for Sick People project by Tucker Nichols—via Nag on the Lake’s Sunday Links  

news at eleven: screen grabs of 1990s reporting captions  

more like a simile: an experiment searching the web with AI contextualised natural language—via Web Curios

what women will do next to distinguish themselves, we wonder!

Via the always diverting Messy Messy Chic’s internet meanderings, we are directed to an 1871 American newspaper article about a certain “female in Quebec, the other day, perpetrated a ghastly joke, mocking death in His own domain by lying down in a hearse and smoking a pipe” having engaged a driver and funeral carriage to parade her through the city and enjoy the view. Though hoping that the reporting was accurate and this unnamed individual continued to make a spectacle of herself, the story goes on to editorialise that had this exhibition been made in the United States “our neighbours to the north would have made it the subject of very strong animadversions.” This lovely word—which first leads to the eponymous antiprelatical tract from John Milton upon the “Remonstrants Defence Against Smectymnuus” (none of these words register)—comes from the Latin phrase animum advertere meaning to turn the mind towards but has come to mean the opposite in aversion, critical and censorious. Smectymnuus was the nom de plume of Puritan clergy—an initialism properly conjugated—for whom Milton wrote as an apologist and hoped to redeem in the eyes of detractors.

take a sad song and make it better

Sharing this anniversary with many other events of great pith and moment, we learn from our faithful chronicler that not only on this day did Albert Niemann first synthesise cocaine at the University of Göttingen, also on 30 August 1968, Apple Records released one of the Beatles’ most iconic tunes as a single in the United Kingdom (with Revolution on the B-side) but moreover the song was written as a consolation to the then five-year old Julian Lennon (originally Hey Jules) over the impending break-up of parents’ marriage, Cynthia and John Lennon, delivered by Paul McCartney during a sincere, surprise visit to mother and son to check on their welfare. My Behind the Music backstory assumed it was about cheering up Saint Jude or Jude the Obscure. The featured performance is from early September, two weeks after its premier, the band appearing on Frost on Sunday.

6x6

headgear: Languagehat is no longer neglecting the latter portion of its remit 

on seeing the 100% perfect girl one beautiful april morning: a pair of short stories from Rysuke Hamaguchi adapted for film  

aggregate accessory fruit: the curious, circuitous route of the misnamed garden variety strawberry  

like astrology for businessmen: a look at the Myers-Briggs personality test 

strokenteelt: see strip cultivation at work in the Netherlands 

erm: a discussion on intonation and a hummed “I don’t know”

live at five

This 1979 industrial (as in in the trade) theme music anthology really revs one up for the network news, coming in strong with the familiar-sounding opening track by Craig Palmer Energy, a masterpiece of the genre. There are multiple volumes of Palmer’s works, both for syndication and for one-off events, though we were unable to find out more about this rather prolific and pervasive composer unfortunately—though not everyone wants a biopic and we can appreciate letting one’s works speak for themselves—that formed the soundscape of televised reporting and sports coverage (see also) in the 1980s. More bracing openings and interstitials coming up in the panel below.

come doused in mud, soaked in bleach as i want you to be—as a trend, as a friend

Ahead of the album’s official release later in the third week of September, a Boston radio station (call sign WFNX from 1983 to 2012 and one of the first commercial broadcasters to play alternative rock) hosted by DJ Kurt St. Thomas premiered Nirvana’s Nevermind, playing the entire recording on this day in 1991. Launching four singles and an unexpected success, both in critical reception and sales, the album is credited with bringing the various genres of the Seattle grunge movement into mainstream media, awarded several honours and reissues. Despite having recreated the cover art with underwater photoshoots for the album’s tenth, seventeenth and twenty-fifth anniversaries, the then infant model has filed a lawsuit against the band for lifelong damages for exploiting his image.

you give me fasciation

Our gratitude to our peripatetic pal Memo of the Air for directing us to this updated re-post from TYWKIWDBI that we managed to miss earlier that gives a little more background on the backstory of a Stevie Nicks’ classic we’ve covered previously by way of contorted, cresting displays of growth in certain kinds of plants, included the celebrated saguaro of central and southwestern North America with wasps, bees and white-winged doves counted among their important daytime pollinators.