tell me that you love me, junie moon

Having its theatrical release on this day in 1970 after premiering at Cannes Film Festival earlier in May, expertly introduced and summarised here by Poseidon’s Underworld, the Otto Preminger film, story and screenplay by author Marjorie Kellogg, starring Liza Minnelli as the titular protagonist who was seriously disfigured on one side of her face by a vicious battery acid attack by her jealous boyfriend and is afterwards institutionalised. There Minelli’s character meets Warren, a gay paraplegic confined to a wheelchair and an epileptic named Arthur, who decide to leave the half-way house and rent a cottage from an eccentric landlady (played by Kay Thompson) together to help each other heal and live their best lives.  Desultory and tepidly received though not universally panned, this movie seemed to me to have its heart in the right place.  Find nearly a scene-by-scene synopsis and storyboard at the link above. 

stock character

Previously we’ve explored how the business and technology of the printed word leaves linguistic fossils but we found ourselves rather dumb-struck over this bit of etymology and extended sense in the rather non-intuitive term stereotype, which like its French equivalent cliché, is derived from the trade and describes dabbed printing from a duplicate plate instead of the original. Both words quickly moved from specialist jargon to common parlance as a way to express platitude, generalisation and bias. The στερεός incidentally does not convey in its original sense anything two-channelled, binocular or immersive but rather something firm or solid and three-dimensional whereas a stereotypical person if pretty one-dimensional.

saut de seconde

Introduced for the first time on this day in 1972 and originally delegated to the Bureau International de l’Heure (BIH, the International Time Bureau at the Paris Observatory) to schedule their addition or subtraction, leap seconds (see also) are a way to adjust Universal Coordinated Time and synchronise the invariable atomic clocks that informs most civilian timekeeping with observed solar time, the Earth’s rotation prone to go off-kilter a bit due to geological, climatic changes or meteor impacts. Though implemented as a means to ensure accuracy and uniformity in an increasing interconnected and networked world and announced six months in advance, the irregularity of leap seconds can also reveal flaws in underlying programming, the pictured time-stamp causing Linux-based systems to crash back on that date.

8x8

billboards and hoardings: the evolution of outdoor advertising  

ptychography: a high resolution imaging of atoms—see previously  

the village: lovely Mid-Century Modern accommodations in Portmeirion—where The Prisoner was filmed  

vqgan+clip: Picasso’s Persistence of Memory with Lisa Frank filter applied—via Waxy  

ems: composer and sampling pioneer Peter Zinovieff has passed away, aged eight-eight—via Things Magazine  

pulp tarot: a divining deck (previously) informed by Mid-Century illustrations from Todd Alcott

siss-boom-bah: a Japanese pyrotechnics catalogue (see also) from the 1880s  

indexing: a look at how the adoption of vertical filing helped ushering the Information Age—see also here and here

le pont de trinquetaille

Seeing that on this day in 1987, a Van Gogh (previously here and here) of a bridge scene in Arles fetched a then record twenty million dollars at auction made me reflect on a recent podcast episode about the individual responsible for the artist’s posthumous and compelling fame promoted out of necessity and circumstance, Johanna van Gogh-Bonger (*1862 - †1925), widow of theretofore Van Gogh’s greatest champion, his brother Theo, and sister-in-law who had acquired a great deal of the then worthless works and against the advice of friends and family brought them back to their native Holland from Paris after losing her husband. In order to provide for herself and her child, Van Gogh-Bonger collected and edited an epistolary exchange and between the brothers and family biography, helping to establish her brother-in-law’s fame and reputation, as well as arranging exhibitions, helping to define not only Vincent as a celebrity but the attendant marketplace of the art world as well.

t. hee

With a bit of a nod to acquired nominative determinism (previously) we learn the identity of the writer and animator with a rather distinctive style through his 1953 Christopher Crumpet cartoon, courtesy of Fancy Notions, Thornton Hee (*1911 - †1988)—always credited as T. Hee. Starting his career with the studios of Leon Schlesinger Productions in the mid-1930s as a character designer, Hee came up with many celebrity caricatures for Merrie Melodies. Following a brief stint with Disney, notably directing the Dance of the Hours interlude of Fantasia, Hee resumed work back in a more comic vein (Gerald McBoing Boing being a stand-out work) and was also a titlist and made opening animated segments for sitcoms.

heavy-line geometric abugida

Taught in secretarial schools in the UK widely through the 1970s as a practical stenography tool (see also), the system of note-taking developed by language teacher and vice-president of the Vegetarian Society Sir Isaac Pitman (knighted by Queen Victoria for the former contribution) and the basis for written syllabaries for some Native American and First Nations peoples, we really enjoyed the introduction to namesake shorthand through this narrative from Lit Hub correspondent Richard Sanger to which his father’s long and distinguished in journalism was committed. Finding a home for his archives and notebooks was an undertaking full of surprises and ultimately brought together a cohort of expert translators and transcribers to unabbreviate the field notes and interviews to work together on a massive project, talents renewed—see also—during a winter of lock-down.

spokes model

A source for pageantry of the bizarre variety, we were loving how Weird Universe is following up on these niche industrial and sometimes agricultural beauty contests (see also here and here) and limning the winners as more than a promising pretty face with as full of a biography as possible. The champion for the state of Illinois, Miss Trudy Germi only managed to come in third overall in the national competition for Miss Continuous Towel held in Atlantic City in 1949—however she did realise her aspirations for musical comedy in a production of South Pacific. These rolling washroom installations—for hygienic reasons—are not very popular these days but can still be occasionally found. Germi went on to marry a naval captain who was given the task of retrieving the crew of Apollo 11 after splash-down and was present aboard the rescue vessel to greet the astronauts. Much more to explore with Weird Universe at the link up top.