high fidelity

Via the always serendipitous Present /&/ Correct, we found ourselves quite taken with these extensive archives of vintage catalogues of Japanese gadgets and accessories—Walkmans (which were manufactured up to 2010, with over two-hundred million cassette-playing units produced, ubiquitous and causing a minor safety furore with some municipalities banning them over distracted, inattentive pedestrians—the eponymous effect sometimes interpreted as isolating, early models had a “hotline” switch to facilitate conversation without removing headphones but was not well received but allowed individuals to define their surrounds through their personal soundscape and is applied to successor technologies), boom-boxes and other portable media players—see also. Much more to explore at the links above.

obverse

Whilst I’ve been the recipient of my share of military unit coins with varying levels of swagger, ridiculousness and bombast, outside of the prematurely issued commemorative one issued for Trump’s summit with North Korea, I was unaware of the minting of “victory coins” by US government agencies and so was intrigued by this artefact from the CIA (via Super Punch) for memorialising the over-throw of the regime of Fidel Castro in April of 1961 through the arming of exiles and dissidents. The abject failure of the Bay of Pigs invasion raised tensions significantly between the USA and the USSR and led to the Cuba Missile Crisis and inchoate nuclear war.

non-fungible intangibles

As Futility Closet relates, artist Salvatore Garau has auctioned off his invisible sculpture (entitled I Am—Io Sono) for a rather princely sum, recalling the works of Yves Klein and other more contemporary phenomena. According to the sculptor’s instructions, the piece is to be be displayed free from any obstruction in a one and half square metre space. Because the object is immaterial and does not exist, however, there are no special lighting or climate-control requirements.

8x8

such good: a dating app based on shared meme-affinity  

boulevard du crime: a lost Parisien theatre district that specialised in putting on felonious melodramas 

lion city rising: photographer Keith Loutit captures eight years of change in Sinagpore  

lunachicks: a flamboyant punk rock group who are a product of unvarnished New York  

broodclipjes: more fun with twist-ties and related species (see previously)—from Pasa Bon!  

horological constraints: the typography of watches—see also  

 profiles in pride: World of Wonder showcases some of the gay rights movement’s pioneers (see also), starting with Frank Kamey of the DC Mattachine Society  

masterpieces of streaming: a collection of the subtle genius of dumb viral videos—via Waxy

/kənˈtrəʊlə(r)/

Often times blogging makes me a little ambivalent about reposting something lest I steal someone else’s thunder for research and study. I think I flatter myself here with that worry. I share especially with urgency and eagerness that which has particularly waylaid me recently and though I think a lot of what we post falls into that category, this latest Merriam-Webster panel discussion was recently emblematic of what we are about, not discounting pedantic hyper-correction. Of course—coming from someone who thought quinoa, spelt and spoken, were two different grains—there’s no shame in mispronunciation unless you can’t be bothered to try with someone’s name, it was really disabusing, unsettling to learn that victuals is meant to be said vittles—plus the preponderance of a “victualler license” for restaurants and inns. Listen to the whole podcast below for more surprises and gentle corrections.

shadow-casting

Though previous acquainted with the ukiyo-e master Utagawa Hiroshige (安藤 広重, 1797 – 1858), we were unfamiliar with this form of expression in his repertoire in the form of these “play prints” (omocha-e, 玩具絵—see also) in this series of diagrams on making shadows puppets—quite superior to these, which prefigured the magic lantern and all the development and exchange (many of the incremental steps superseded and quite forgotten despite the intermediate value of the artefacts, fashions and temporary obsessions) of technologies that led to film, animation and animé and whatever is to come. Much more to explore at the links above.

man in motion

Venerated on this day on the occasion of martyrdom (†303) after a series of horrendous torture sessions for keeping the faith and recruiting many converts, Erasmus of Formia—also known as Saint Elmo, is presented as one of the Fourteen Holy Helpers (previously), whom are to be called upon for intercession and deliverance. Going underground during the persecutions of both Diocletian and Western successor Maximian Hercules, an angel persuaded to return his diocese in Campania. En route, Erasmus was captured by soldiers, and professing his Christianity was imprisoned in Illyricum but the angel helped him escape and establish a church there near modern day Zadar. Having attracted the ire of local magistrates due to the success of his congregation, Erasmus was made to bow before the pagan gods, whose statues crumbled by dint of his faith, which prompted his captors in response to stick him in a barrel with a spiked interior and roll him down a hill. The angel healed him as with his subsequent ordeal of being painted in pitch and set alight and another jail-break. Erasmus finally succumbed, recaptured with his belly slit open and his intestines wound around a winch, a windlass that’s now part of his iconography, the crane for loading and unloading cargo signifying his affiliation with mariners as well as patronage for stomach ailments and cramps. A further connection with sailors was the saint’s steadfast homily aboard a ship despite the plasma phenomena of ball lighting or Saint Elmo’s Fire haloing the mast as precursor to a thunder strike, afterwards taken as an omen of protection though it didn’t always pan out that this aural warning was a good sign.

we’d like to help you learn to help yourself

Among many other events of great pith and moment that share this anniversary, our faithful chronicler informs that on this day in 1968, the Simon and Garfunkel song Mrs. Robinson lands on the top spot of the Billboard 100, adding that originally the draft version of the number was addressed Here’s to you, Mrs. Roosevelt. Approached by the production staff of The Graduate, the duo was willing to adapt the idea to the movie script, with the dee de dee dee de dee dee dee that stuck as stand-in for lyrics not yet written and the coo-coo-ca-choo in deference to the Beatles with the version as we know it established shortly thereafter. The director, Mike Nichols, liked the scat—non-lexical vocables, so they stayed in.