tbilisoba

We enjoyed exploring the gallery of the visual essay about the endangered Brutalist monuments and buildings of the Georgian capital of Tbilisi (previously here and here) including a quite arresting 1976 of the city’s vocational college bas-relief (nicknamed the Soviet Batman) that fronted one of the main thoroughfares that was slowly and unceremoniously scavenged for scrap metal and now is no more and

the better looked after and protected Chronicle of Georgia (საქართველოს ქრონიკები, not to be confused with this other set of pillars), the post-and-lentil colossal structure depicting the culture, history and heroes of Georgia above and Gospel stories and various hagiographies below. Created by Zurab Tsereteli in 1985, a few panels have yet to be completed, the complex commemorates Georgia’s embarking on its fourth millennia and should inspire preservation of all architectural treasures.

8x8

pier 54: Thomas Heatherwick’s Little Island on the Hudson off NYC’s Meatpacking District opens to the public 

al fresco: limited edition Rolls-Royce Boat Tail to take picnicking 

cosmism: the cosmic religion of Nikolai Fyodorov that inspired and informed Soviet space-faring aspirations  

astronomicum cæsareum: a beautifully illustrated scientific text from 1540  

circle of friends: a visualisation of the intimates that one can socially maintain—see previously  

rollercoaster tycoon: an engineer explains the different types of amusement park rides  

pole of inaccessibility: plotting when the ISS crew are one’s closest neighbours when one lives near Point Nemo  

project plywood: non-profit Worthless Studios transforms discarded materials used to board up storefronts from inclement weather and civil unrest into art

gom jabbar

What’s in the box? Pain. Boing Boing directs us to a years’ long collecting campaign that’s recently netted a complete set of the Duniverse in graphic novel editions from Hayawaka Publishing, following the literary saga of Frank Herbert rather than the cinematic adaptations of the series. 

Click through for a lengthy thread on Matt Caron’s progress through the franchise and explore how pivotal scenes are reinterpreted and characters represented—see also. The mantra, the Litany—Fear is the mind-killer; fear is the little-death that brings total obliteration...—recited before the test and by many others  is inspired from Shakespeare’s Julius Caesar “A coward dies a thousand times before his death, but the valiant taste of death but once.”

hönkhalt

Spotted on Super Punch, a wildlife rescue sanctuary in Somerset in southwest England is using IKEA shopping bags to gently restrain swans for transportation and to keep staff safe, prompting a range of new names for the FRAKTA sacks such as the above, BYRDKONTAIN, ODETTEHOLDUR, SVANESÅNG, PÅSFÅGEL—the penultimate suggestion being actual Swedish for Swan Song and “Bag Bird” a near homonym for påfågel, peafowl—and others.

panorama

Among many other anniversaries of the great and good, on this day, as our faithful chronicler informs, in 1937, the Golden Gate Bridge linking the San Francisco Bay with the Pacific Ocean, was opened to pedestrian traffic—the longest and tallest suspension bridge in the world at the time.

First conceived in 1916, ambitious engineer and pontifex Joseph Baermann Strauss (1870 – 1938) answered the call having proposed a similar railroad bridge to cross the Bering Strait and connect Alaska with Russia and oversaw the construction of some four hundred draw bridges in a major infrastructure overhaul, and in collaboration (which ended unfortunately acrimoniously) with Charles Alton Ellis, completed it in four years (see also). During the week-long opening ceremony, more than two hundred thousand visitors crossed the mile-long span or foot or on roller skates. The particular shade of vermilion is called international orange, chosen to compliment the bridge’s natural surroundings and improve its visibility in fog, and is a unique hue differing from aerospace or safety orange.

font-size

Sets of letterpunches for type-setters had traditional descriptive names (see also) for presses on the continent, the Far East, the British Isles and the United States. Though point-size varied over time and there’s been more harmonisation among periodical publishers over the years rather than greater divergence of standards. A two-point typeface is called in the American system a “Saxon” and in German “Non Plus Ultra” or “Viertelpetit,” 2½ a “Norse” and “Microscopique” in French and German, three-points an “Excelsior” in the USA, a Minikin in the UK, Diamant in France and Brilliant in Germany, 5½ is an Agate in the American system and Ruby in the British one and so on. Six-points in Nonpareil, seven a Minion (Kolonel auf Deutsch), eight a Brevier, nine Bourgeois (though Petit-romain or Gaillarde in France) with some of the more common sizes being named Pica (12), the English (14), Great Primer (18, 1½ Cicero in Germany), Paragon (20), the Double English (28), the Double Columbian (32) and 48-point font called the French Canon, Gros-canon or Kleine Missal.

� or code point blank

Specials or replacement characters are shunted to the very end of Unicode allocations to act as a substitute for an otherwise unrepresentable glyph (see previously here and here). The garbled text that can result from bad decoding and false rendering is referred to mojibake (文字化け). Though the effects are most catastrophic across different writing systems, languages that use the extended Latin alphabet assigned the character set “Western” or ISO-8859-1 encounter problems as well with the Icelandic praise for outstanding hospitality þjóðlöð transmitted as the unintelligible mess þjóðlöð or some other character string likely to break one’s computer.

zones of immaterial pictorial sensibility

Via Super Punch and vis-à-vis the enthrallment and repulsion that the markets are experiencing for tokens—fungible or otherwise—we really enjoyed learning about these performative pieces from Nouveau réalisme artist and judo master Yves Klein (*1928 - †1962) called Zone de Sensibilité Picturale Immatérielle, who wanted his patrons to experience the void, offering vacant spaces in exchange for gold. The buyer received a certificate of ownership. Eight such invisible works were sold, some with elaborate rituals including throwing the gold in the Seine and burning the bill-of-sale.