Sunday, 8 November 2020
home box office
fortuna favet fortibus
Controversial and polluting Indian energy-extraction concern Adani, which operates the Carmichael Coal Mine in Queensland and has proposed a channel through the Great Barrier Reef for coal export announced in a sort of “under new management” charade that it would be changing its name for Australian operations to Bravus—presuming it was Latin for brave. This false-friend however means rather the opposite, signifying something crooked, with principles for sale like a soldier of fortune or hired assassin and fortis (already taken) seems to be what they were going for. Incidentally the plaudit bravo/brava (huzzah) originally carried that same sense of mercenary, cut-throat boldness before it was reduced to praise for a job well-done.
Saturday, 7 November 2020
business as usual
On this day of convention breaking-firsts for US governance—historic departures that were long overdue but nonetheless whose time had arrived—first with Jeanette Rankin in 1916 becoming the first woman elected to federal public office, representing Montana in the House of Congress, then in 1989 with Douglas Wilder and David Dinkins as the first African Americans elected respectively as a state governor (Virginia) and as mayor of a major city (New York), next in 2000 with Hilary Clinton elected senator representing the state of New York—the first former First Lady to have an independent political career, Kamala Devi Harris is announced as the vice president-elect of the United States, highest office held by a female (and daughter of Jamaican and South Asian immigrants as well), deputy to former vice-president and forty-sixth president Joseph Robinette Biden, Junior, unseating the incumbent, impeached Donald John Trump.
das wiesbadener manifest
Declared on this day in 1945 from their base of operations (collection point) in the occupied capital of Hessen, the officers that comprised the special commission of the Monuments Fine Arts and Archives organisation (the MFAA, the group also known as the Monuments Men) was a stern rejection that European treasure should be taken to the United States as plunder and the spoils of war. The recovery and restitution efforts beginning earlier that summer, the programme’s first director CPT Walter I Farmer of the US Army Corps of Engineers received a large shipment of Nazi-looted art and antiquities, and soon the enormity of the task was apparent, prompting the issuing of the manifesto, announcing: “We wish to state that, from our own knowledge, no historical grievance will rankle so long or be the cause of so much justified bitterness as the removal for any reason of a part of the heritage of any nation even if that heritage may be interpreted as a prize of war.” Over seven hundred thousand objects and artefacts were catalogued by the organisation, stolen from museums (works from the Berlin Gemรคldegalerie and Nationalgalerie including Botticelli, Rembrant, Rubens and Cranach), private collections, Jewish citizens and political dissidents and were kept safeguarded from reparation claims and trophies of war that had been taken back to America were repatriated, President Truman getting involved with the debate and ordering paintings and sculptures returned to Germany in 1948.
catagories: ๐ฉ๐ช, ๐บ๐ธ, ๐จ, Hessen, libraries and museums
your daily demon: bifrons
catagories: ๐, myth and monsters, religion
Friday, 6 November 2020
8x8
photos veritables: antique pre-prepared vacation picture albums
necessitous men are not free men: FDR’s 1944 second, more equitable Bill of Rights

la sape: Tariq Zaida documents the fashion of the sapeurs and sapeuses of Brazzaville and Kinshasa—reminding me of this other subculture
author, poet, composer: the amazing virtuosity of Gordon Parks
das neue europa mit dem dauernden frieden: revisiting an early proposal for the European Union, divided into Kantons converging on Vienna (previously)
dss43: Deep Space Communication Complex re-establishes link with Voyager 2
scarfolk & environs: a road & leisure map for uninvited tourist
helmaspergerische notariatsinstrument
Decided in the plaintiff’s favour on this day in 1455 in the refectory (the dining room or fratery, a frat house and documented by the above notary public’s seal) of the Barefooted Friars of Mainz, financier and angel-investor Johann Fust (*1400 – †1466) won his legal suit filed against Johannes Gutenberg allowing him to seize the first printing of the Forty-Two Line Bible as compensation for the credit extended Gutenberg that the inventor had yet to repay, despite protestation and promises to remit the loan with interest.
After this unamicable split (the underlying motivation is unclear with some characterising Fust as a genuine patron and others as an opportunist out to steal Gutenberg’s insight all along) with assistant and technician Petrus Schรถffer joining Fust to move merchandise and organise the next undertaking, the latter went to Paris to sell his books as manuscripts to members of the royal court—whom were pleased to acquire such handsome, high-quality volumes. Possibly conflating Fust with the near contemporary itinerant alchemist and astrologer Johann Georg Faust (subject and inspiration of Christopher Marlowe’s and Goethe’s tragedies), we get the source of the story that the printers were thought to be in league with the devil and that only witchcraft could have produced so many editions so quickly and uniformly and to escape punishment, Fust had to admit that they were printed and disclose the technology. While the advance may have been disruptive for the Paris book market, the Church welcomed such innovations for spreading the gospel, though literacy and the medium could be harnessed by all and sundry
catagories: ๐ฉ๐ช, ๐, ๐ก, ๐, Rheinland-Pfalz