twenty-first century digital boy

Via fellow-internet caretaker, Miss Cellania, we discover that the Hood Internet (previously here) has returned with their latest musical anthology mashing-up the top sixty hits from the year 1990 in a clever three-and-a-half-minute medley. I admit too that I had trouble placing these songs in the right decade. What are some of your favourites from thirty years ago that still sound fresh? I don’t know how to live but I’ve got a lot of toys. 

 

salon d'automne

In 1936 the MoMA published a textbook as a supplemental catalogue and historical (albeit a narrow and myopic one) survey of its retrospective exhibition on Cubism and Abstract Art with a flowchart conceived by the museum’s first director Alfred H. Barr, Jr. to show the connections and development of various movements. 

Overlooking the question of geopolitics and focusing on the assertion of the European dominance, the graphic receives an update from conceptual artist Hank Willis Thomas for a new exhibit in Brussels that not only brings forward the timeline through the 1970s but also re-contextualises art history in terms of colonialism and social structures that informed and enabled their work with emphasis on Belgium’s own particularly cruel record. Click through to enlarge.  Though some of the connections might seem tenuous at first, one begins to penetrate the linkages, like epoch of Art Deco following more aggressive excavating for copper, to take one example.

imago dei

Via Maps Mania, we are directed to another scrollytelling instalment from the New York Times in their in depth study of perhaps the greatest selfie ever executed in the 1500 (with antecedents and precedents) self-portrait of Albrecht Dürer (see previously)—dissected fully and reintegrated as an object of gaze and reflection.  Finished early in the year, just before the artist’s twenty-ninth birthday, as stated in the caption at eye-level left, the work ascribes to the symmetries and conventions of religious subjects but there is something nuanced happening here as well.

Not merely a display of isolated virtuosity, the self-portrait and cameos of himself appearing in the background of other commissions are common and do not represent a departure from the mass-market appeal and branding that Dürer achieved with his woodcuts but rather a landing-spot, a forever home, couched in modern terms, for that signature identity.  Much more to explore of this iconic and complex work at the links above.

8x8

cheese tetrahedrons and synergetic stew: a celebrity cookbook presented to author and futurist Buckminster Fuller (previously) reissued for the one hundred twenty-fifth anniversary of his birth  

lüften: tried and true ventilation and fresh air may be the most effective way to stave off more infections  

heart of sharkness: winning images and honourable mentions from a drone photography contest  

föräldrapenning: a South Korean man living in Sweden documents his daily routine 

adobe flash: an appreciation of the platform that shaped the internet and the implications of suspending support for the multimedia plug-in and player—via Kottke  

disaster constitutionalism: EU taking the UK to court, despite only breaking international law in a “specific and limited way”  

can our government be competent: celebrating Jimmy Carter’s ninety-sixth birthday (previously) in campaign buttons

eat fresh: with tax implications for the franchise, Irish high court rules that one fast food chain’s bread cannot be called bread or a dietary staple due to its high sugar content—via Boing Boing

burdock and bindweed

Via our Oxford English Dictionary word of the day subscription, we are treated to a bonus pair of botanical epithets of Latinate origins in the infrequent but still in use terms ruderal and campestral.

While the latter is referring prosaically to the countryside and grasses and scrub native to rural expanses, the former from rūdera meaning rubble and the ruins of buildings applies to plants growing among rubbish or on the margins. Unfairly characterised as weeds, ruderal specimens are also accorded the sense of being forerunners, pioneers in finding a niche and thriving despite the stressful environment. A coordinate term—that is, a hypernym or subordinate word that’s in the same class—is agrestic, for uncultivated land.

freedom-loving

Via Kottke, we are directed towards Vox Media correspondent Ezra Klein’s reflection on how the failed, hierarchical response to the coronavirus pandemic lays bare and reframes the cultish sense of individualism and exceptionalism (the essay is written from an American perspective but there’s lessons for us all here) as not the foil of civics and collective action but rather is the source of it—and as with those wanton infants who feel entitled to use the public weal as they own personal racism concierge, and we lose our bearings in neglecting those institutions underpinning civil society.

The natural consequence of such fracturing and the intentional abrogation of responsibility down to ever smaller jurisdictions that can’t afford or enforce their choices—finally to individuals leaves us at liberty to select from a shrinking menu of with no good options. Weighing all these risks and likely bad outcomes is psychologically taxing and cause us to magnify the failings of others in our estimation to take the situation as seriously as we ought to—especially absent coordinated and clear guidance, and to become blind to our own lapses and mental anguish. Reliable governments are not only more resilient, through greater equanimity they facilitate us having more respect and reasonable expectations of one another.

plus codes

Though a fan of this other service for its poetically charming toponymy, it is probably more ultimately practical and cross-platform compatible (I think there’s room for both) to assign physical addresses to all points on the globe based on established degrees of longitude and latitude in a short but perhaps not as mnemonically catchy sequence of numbers and letters. Read more about this open-source initiative from Google at Design Boom at the link above.

the soup that eats like a meal

From the latest panel discussion of the Words Matter podcast (previously) we are acquainted with a grammatical voice—diathesis (from the Greek for disposition), the way to describe the relationship between the state or action that a verb denotes about the subjects and objects of sentences, with active and passive forms being the most familiar examples to English speakers, the use of the latter strangely discouraged possibly with the exception of delivering bad news (Mistakes were made)—which is neither, illustrating: the rather interesting way the language handles the reflexive form: the mediopassive.

Combining, blending the middle and passive voices, it shows a shift in verbal transience to what’s called an unaccusative case, as in the advertising slogan of the title, or in the examples the “sex sells,” “the alarm sounded,” “the car handles well,” or “the wine drinks smoothly.” Incidentally, Campbell’s usage is correct but might be interested in reading about a minor furore that erupted over another jingle, “Winston tastes good like a cigarette should,” in one of the podcast’s previous instalments, with the like being an intentionally ungrammatical provocation in the mid-1950s with the construction properly taking as. A simple rule of thumb to guide one is whether a verb or auxiliary comes afterward—then use as, otherwise like is correct for comparison. The marketing gimmick garnered a lot of attention for the brand and generated controversy: for example—Morning Show host Walter Cronkite refusing to say a word from their sponsors as written. Winston memorably also was one of the advertisers that appeared on The Flintstones (premiering on the American Broadcasting Company, ABC, network on this day in 1960) but withdrew once the pregnancy and birth of Peebles became part of the story.