tin soldiers and nixon coming

In order to quell protests began five days earlier in response to Richard Nixon’s expansive aerial bombing campaign into Cambodia, the US National Guard were deployed to the campus of Ohio State University’s Kent campus on this day in 1970 and opened fire on a group of unarmed demonstrators, killing four and severely wounding nine others.
The immediate aftermath of the massacre solidified anti-US sentiment world-wide for its invasion of Cambodia and prosecution of the Vietnam War in general, coverage precipitating massive protests and a student strike of over four million. Though the war would continue another four more years, it did so to the sharply critical accompaniment of songs inspired the event, including Crosby, Stills, Nash & Young’s “Ohio”—possibly the greatest minstrel act telling of the revolution and also how it failed to materialise, and a host of other musicians, including the students Chrissie Hynde, who would go onto found The Pretenders, and her former bandmates (also fellow students), Mark Mothersbaugh and Gerald Casale, who went on to establish Devo. The Pulitzer Prize winning photograph was taken by photojournalism student John Paul Filo of fourteen-year-old runaway Mary Ann Vecchio screaming over the dead body of twenty year student protester Jeffrey Miller.

9x9

horsefly stretches so much time: learning French with these near homonyms that sound like (near) idioms, you know—taon temps tant tends

the lord hardened pharaoh’s heart: as scary as “murder hornets” sound, if they destroy the bees, US agriculture will be in shambles

making muppets: Jim Henson presents a tutorial on creating one’s own puppets in 1969, shortly before the debut of Sesame Street

jukebox: a neural network that’s getting quite good at imitating musical genres and syndicating wholly artificial songs, via Memo of the Air

plastique fantastique: these face shields from Isphere have a certain Avengers’ spy-vibe

do not make me fight you: reminiscent of this montage, stunt choreographer Zoë Bell takes on Hollywood

headspace: cranial collages from Edwige Massart and Xavier Wynn

catamaran: this floating shelter in Amsterdam, de Poezenboot, finds new forever homes for our feline friends

www: this was the internet we were promised—why did it take the collapse of civilisation to bring it?

the infinite vulcan

Via Super Punch, we are reminded of another absolutely gem from the franchise in the form of the titular episode, the first out of any instalment and format to be written by a member of the cast, Walter Koenig, beginning a standing tradition in later series—also notably the only character written out of Star Trek: The Animated Series because the show could not afford to retain him as voice actor to reprise his role of Pavel Chekov.  The crew explore a planet called Phylos for possible colonisation only to find it is already populated by an indigenousness race of sentient, non-sessile plants.

The away-mission, after some dicey encounters, further ascertain that the Phylosians were decimated by the introduction of a blight from Earth, inadvertently brought there by a refugee from the Eugenics War. A giant clone of the original scientist who fled from Earth, convinced that the galaxy is as wholly immersed in destruction as his home world was when his progenitor left it, kidnaps Spock with a plan to together restore peace and order with the help of a giant clone he creates from our Vulcan science officer, at the expense of the life of the original. Giant Spock mind melds with the body of himself in order to save his consciousness and convince the scientist giant that his plans were misguided and that the Federation has been a civilisation force, brining peace and harmony to the galaxy. The two giant clones commit themselves to restoring Phylos and making the ecosystem again viable for the native population and the Enterprise departs. We rather like the idea that there’s a giant Mister Spock somewhere out in the Alpha Quadrant with another giant gardening companion. Koenig unfortunately did not take up producer Gene Roddenberry’s offer to write more episodes.

pierre-papier-ciseaux

In a decision reached in mid-April, we learn that the Court of Appeal of the province of Québec has vacated the outcome of a dispute resolved through the means of best of three rounds of “rock, paper, scissors” and reinforcing the ruling of a lower court that the settlement of debts by the above means was not a legal valid or sufficient one.
The case, which is in fact far more salacious, involving a love-triangle and a soured business investment, than the salient factors was heard and the verdict reached not by dint of poor documentation of said contract, the personalities of the menage e trois or even the stakes involved but rather the technicality that according to legal code gaming and wagers are only an acceptable means of resolution if the underlying contest involves skill or bodily exertion—à la seule adresse des parties ou à l’exercice de leur corps, with the court finding their match involved no strategy and was purely a game of chance. Much more at Lowering the Bar at the link above.

once upon a virus

Though much like Fox News in the United States, the state-owned Xinhua news agency has been accused of being an instrument of propaganda in the past, but this particular timeline of the Corona Virus pandemic as told, schooled in the medium of Lego with the air of a fairy tale, does not require much spin or hyperbole—especially compared with Trump’s constant, increasingly desperate and far-fetched claims that it came from a laboratory in Wuhan, fatally inadequate countermeasures on the part of the American federal government that have collapsed into riot and terrorism or his suggestion that the disease might be treated by ingesting bleach and other under the kitchen counter cleaning materials.

pilot whale

Conceptualised and referenced in passing but never appearing in the series due to budget constraints—the same sort of limitations that inspired the transporter room in order to forgo filming landing and launch scenes, we are reminded how the Enterprise of Star Trek: The Next Generation had a deck dedicated to Cetacean Ops that hosted a collaboration between humanoid and marine mammal crew to help with the ship’s guidance and navigation research.  I guess that drawing too much attention to this place would mean that one had to show it.
According to canonical technical manuals, it was staffed by a dozen bottle-nosed dolphins under the supervision of two orcas, and like having Vulcan minders on Star Fleet vessels, the custom comes from Star Trek IV when whales were able to intervene to save the Earth. Much more to be found, including some in-show mentions,  at the discussion thread linked above.

future shock

First in print on this day in 1970, the ethnographical treatise by futurists Alvin and Heidi Toffler is summarised in the personal experience of too much change over too little time, arguing that society is undergoing an overwhelming and estranging structural change that engenders “shattering stress and disorientation.” Aside from introducing the concept of “information overload,” the book further limns the features of the Information Era to include a throw-away culture, decreasing ownership in favour of sharing and renting, redundancy and frequent career change and digital nomadism. In 1972, after its best-seller success, a documentary was produced, narrated by Orson Welles.

i want to wake up in the city that never sleeps

Reminiscent of this application that let one dial up ambient sounds of the workplace, the staff of the New York Public Library (previously) have collaborated with a local creative agency to curate and make available the typical metropolitan soundscape in hopes of restoring some of that familiar cacophony whilst the city is on stand-by. More recordings to fill the unnerving silence at Hyperallergic at the link above.