a sucker born every minute

Scams that appeal to one’s vanity or the hopeful and resourceful spirits of inventors are of course nothing new and we’re all prone to be had in one way or another, but this investigation by Planet Money at the instigation of a local journalist who has dedicated months to this story is really telling of the mindset of people who’ll go to extraordinary lengths to cheat and deceive and defend what they’ve done.
While the adage if it’s free then you’re the product is patently true and gratuitous services are ubiquitous with the corollary that one pays for quality might make us blind to obvious rackets, it’s telling that the individual that the US Grifter-in-Chief installed after he fired his obsequious Attorney General as acting chief of the Department of Justice was a paid shill for the fraudulent invention promotion firm and evangelised for the company to lend it an air of legimacy. Do give the whole episode a listen and subscribe to their podcast.

founding fathers

Historian of Japan Nick Kapur shares his discovery of an 1861 publication called Osananetoki Bankokubanashi (童絵解万国噺) by writer Kanagaki Robun and artist Utagawa Yoshitora that brilliantly indulge America’s foundational myths from a very different perspective (previously), filling in details that did not quite translate.
Here is a relatively sedate scene of George Washington and his wife “Carol consulting with a young and spry Benjamin Franklin but other, more fantastic scenes include Washington and John Adams battling fiercesome tigers and an enormous serpent—that earlier devoured Adams’ aged mother during a picnic and a younger Washington taught the skill of archery by the Goddess of America. This book show that interest in the fledgling republic were still enduring at the cusps of its own civil war and nearly a decade since US Commodore Matthew Perry forcibly opened up Japanese ports to trade. Be sure to visit Nag on the Lake and Open Culture at the links above to learn more.

imbued with poison

The Oxford English Dictionary has announced its selection for word of the year (previously) as toxic.
With etymological roots in the Greek warrior practise of applying poison to arrowheads (though τοξικόν refers instead to the bow), the word has depressingly gained exponentially more cachet in several contexts including toxic masculinity, toxic workplace and toxic relationship and beat out other shortlisted terms such as  gaslighting and neologisms like incel (involuntary celibate), cakeism (having one’s cake and eating it too) techlash and overtourism.

6x6

lysergsäurediethylamid : Swiss chemist Albert Hofmann first synthesised LSD at Sandoz Labs on this day in 1938, taking his first trip four and a half years later

under construction: photographer Peter Steinhauer captures the colourful bamboo scaffolding of Hong Kong

delay, deny and deflect: a look at the devious playbook of a social media giant

omnishambles: continued Brexit chaos

minimals: animated block creatures from Lucas Zanotto

excelsior: celebrating the incredible career of Stan Lee

vanilla, strawberry, knickerbocker glory

Via the always excellent Everlasting Blört, we are introduced to the musical stylings of the band Fujiya & Miyagi, hailing from Brighton-by-the-Sea.
Perhaps not news to anyone else—especially the audience of the Great British Bake-Off—but a knickerbocker glory is a superlative name for a particularly fancy kind of ice cream parfait with alternating strata of ingredients (cream, fruit, jellies) popularised in England in the 1930s—though possibly owing its inspiration to Manhattan soda-jerks after a float they concocted, Knickerbocker being the moniker given to the descendants of Dutch settlers of Old New York as New Amsterdam.

little orphant annie

On this day in 1885, an Indianapolis newspaper printed the eponymous poem by James Whitcomb Riley with spellings that reflected the Hoosier dialect of the region, admonishing children to obey their guardians lest goblins snatch them away, bearing no semblance to the franchise that it would go on to spawn with a comic panel, radio drama, a Broadway musical and two films—not to mention the obligatory school productions though apparently the Addams Family has unseated Annie in recent years—that spanned the century and decades in between.
Though it may seem as if we are living through a time of unprecedented call-backs of properties that are not especially worthy of our nostalgia or fiddling with the original but I suppose we also enjoy the privileged perspective of being told what’s the definitive adaptation and what’s canon through licensing and closely guarded rights and the luxury of forgetting about the plethora of early Titanic movies—for example. Things like the libretto, nonetheless, do seem a bit sacrosanct but I suppose concessions to language are necessary, like in “Hard-Knock Life” original to the updated version:

No one cares for you a smidge
When you’re in an orphanage

No one cares for you a bit
When you’re a foster kid

re:birth

Plain magazine introduces us to the expansive, creative portfolio of Thomas Olliver through one of his latest projects that imagines social media platforms given traction and parlance in the media res of the gadgetry of pagers and disposable cameras, making a really provocative statement on the idea of delayed gratification and what we were formerly content to occupy ourselves with. What do you think? Sometimes nostalgia can be good counsel. A skeuomorph almost certainly is. Is the greater sophistication of our figeting a true refinement or were we better off knowing time spent doodling in fuss and frustration is our own and perhaps not a masterpiece?

crop-rotation

A Minsk-based agri-business start-up called OneSoil, we learn via Big Think, has fused satellite telemetry and artificial intelligence to create rather beautiful land-use visualisations (covering North America and Europe with plans for expansion) and deliver efficient and “precision farming.”
It’s really telling of the dreadful excellence of humans to contemplate how we’ve transformed the planet through landscaping and how big our collective footprints are, but hopefully data can impart a sense of responsibility and stewardship as well as tool for mitigating the effects that a warmer, wetter Earth means for ecosystems and our food supply. There’s also a feature that treats visitors to a randomised gallery of particularly striking fields—and though maybe not the most beautiful composition, we appreciated studying the overview of pastures and croplands near by broken up by forested areas.