Monday, 20 November 2017

sequestration

Soberingly, we are reminded via Slashdot of another dirty little secret underlying climate change and those compacts meant to stave off the sort of run-away changes that would render the Earth a very inhospitable place compared to what we’ve grown accustomed to insofar as the targets and pledges are not only calling for a severe curtailment in carbon emissions but are also contingent on taking that surplus carbon-dioxide out of the atmosphere.
It’s not an impossible feat and we can rise to the occasion (despite ourselves, and maybe cleaning up the past is in some ways easier than the paradigm shift needed for going forward) but the amount to sequester from the environment represents something on par with the industrial output of the past two decades and the technologies to accomplish this feat are only just emerging. The fact that the Paris Agreement was negotiated knowing this rather grim calculus only makes me more hopefully for the audacity of ingenuity.

Sunday, 19 November 2017

individual results may vary

Via Dave Log v. 3.0, we are introduced to an algorithm that will calculate one’s heritage based on the composition and pattern detected in user-submitted, candid photographs. One is then invited to participate in a more scientific post-script by submitting DNA swabs into the company to discover and embrace the richness of one’s diverse heritage.
Of course, this is far from a ringing endorsement since there’s junk science all around and it’s the conflation of race and ethnicity with genetics that’s been confounding society both before and after we’ve had the background and literacy to couch it in sensibly and remains a stubborn wedge of contention despite attempts to try to reclaim some maturity in discourse. Is it some harmless fun? Or is it one of myriad routes to capturing a target demographic who are swayed by the false importance and false sense of certitude of such things? I was disappointed at the outset to be told be told that I was a whopping eighty-five percent white (whatever that means) myself. Don’t contribute to the dissolution of culture and civilisation and spread stuff like this uncritically. Internet, we are disappoint.

outpost

In the wake of learning of the huge cache of Pentagon intelligence compromised when it was uploaded to a commercial cloud computing network with one contractor having the oversight to change the classification-level (privacy-settings) of an unconscionably vast amount of documents, another, developing story of how those National Security Agency software and system exploits were intercepted and put to work not just as a backdoor access platforms at will but now at the disposal of the criminally-minded, ransomware and a potent means to disable utilities and infrastructure seemed even more resonant.
It’s unclear whether all those Pentagon files were migrated to the cloud out of convenience sake or what, but a policy change and architectural limitation prompted the change at the NSA that led to these devious secrets to be let out. Aware how pernicious these techniques could be if they weren’t just available to the good guys, the NSA compartmentalized them under the category of ‘exceptionally controlled information,’ not according the files a digital existence, reference material check-out and return to be stored in locked safes overnight. With the profusion of cyber warfare and expanding techniques of keeping tabs on others, the number of strongboxes and vaults needed to store all this printed data grew as well. Eventually, the NSA building where these files were kept began to groan under the weight of the all the safes and structural collapse seemed eminent. Protocols were relaxed and locked, non-segregated filing cabinets were allowed and shortly afterwards, those offensive cyber weapons were not clandestine any longer.

Saturday, 18 November 2017

off-grid

Via Inhabitat and as part of Dezeen’s series of good design for a bad world we discover that a Dutch engineer has created a prototype lamp that works symbiotically with a living plant to produce light as a by-product of natural cycle of photosynthesis.
Microbes in the soil of this terrarium breakdown the organic compounds that are the surplus catalysts of plant’s nourishing itself and the lamp harnesses a part of that bacterial fuel cell to power a meagre glow. Such technology does not just yield a novel night-light but rather is infinitely scalable and entire cities could derive a significant portion of their energy from adjacent woods—making the notion of re-forestation not only seem more valuable—as it was prior to the Industrial Revolution as a source of quarry, fuel and building material, but as an absolute mandate, delivering as a bonus all the benefits of having more wooded areas and home to all the species that they shelter. Fields growing food crops could also be conscripted into double duty, providing electricity in a sustainable manner as well as feeding a given population.

Friday, 17 November 2017

bรผsi kitty

We’re grateful to Dangerous Minds to introducing us to award-winning artistic collaborations of the Swiss duo of Peter Fischli and David Weiss († 2012) by way of their non sequitir hijacking of the Times Square Astrovision screen in 2001 and having it display instead of the usual advertisements and news-crawl a footage of a very sedate cat lapping up milk from a dish—for six and a half minutes.
February of 2016 saw an abbreviated revival with the video—in a sense the original cat video though there are of course antecedents,with a three minute version gracing some sixty screens at once at given intervals. The artists are arguably best-known for their Rube Goldberg-like chain of mechanical causality cinematic deconstructionist performance piece called The Way Things Go (Der Lauf der Dinge), whose usque ad aras telescoping enjoys some physical avatars as permanent exhibits, including one in the Wiesbaden Museum that I will have to examine again with newly found appreciation.

globus cruciger

The curators over at Hyperallergic take a closer look at the rather controversial, record-setting auction of a painting attributed to Leonardo da Vinci and its buyer—unnamed but surely a member of that exclusive set of the highest percentile of wealthy oligarchs—who through the acquisition and trade of such treasure exert pressure on both geopolitics and the art world by inflating the price of such works beyond the endowment of any museum.
Indeed, the provenance of Salvator Mundi (Saviour of the World, a theme in Christian iconography) is uncertain and the attribution to Leonardo is recent and based on only on some signature pentimenti and is perhaps at best a piece from the master’s studio with a touch of his instruction. If the identity of the seller, a Russian billionaire potash-magnate and philanthropist, sounds familiar to anyone, it could be over a real-estate transaction with Donald Trump and a long-standing reputation of using art to shield his monetary wealth from others. Outside of the cost-range of the world’s museums, the painting is probably destined to return to the cavernous bowels of the freeport from whence it briefly emerged until next time it’s swapped among the plutocracy.

shirley temple or taste/ip

Via the always discerning Nag on the Lake, we are introduced to a clever gadget—a virtual cocktail glass—that uses a combination of lights, wafting aromas and most importantly a mild electric stimulation to the tongue and taste buds to convince us we are experiencing flavours that aren’t really there. What do you think? This gustatory hallucination apparently can transform a glass of plain water into a fine scotch, and I suppose as the technique becomes more refined and shared widely, it will be able to recreate the most subtle notes and expressions for those who cannot or should not partake of adult-beverages and seems like a better substitute than having a mocktail.

Thursday, 16 November 2017

morning constitutional

Betraying an a mild arithmomanic tendency by finding and enshrining the number twelve in human humours and anatomy, we enjoyed the introduction to one Doctor Alesha Sivartha (the pen name most probably of a Kansas country physician Arthur E Merton) and his graphically striking if not of great literary or scientific merit—as so many books on theosophy with contrasting or complementary theories were being published in the same era—Book of Life: The Spiritual and Physical Constitution of Man.
The charts and diagrams certainly do espouse the convoluted heraldry of palmistry and phrenology (click to enlarge) more effectively than most other, wordy treaties on similar topics and offer an enticement for further study. Despite the profusion of such works and some outmoded notions that really date the good doctor, there’s a systematic approach to be found and an enduring legacy attached to it—maintained by one of Merton’s decedents, which can be found at the source link above.