Saturday, 17 January 2015
a specimen of the cashiers’ receipt
catagories: ๐ฏ, ๐ฅธ, environment
the yellow nineties or zero shades of grey
I listened to a delightfully funny and engrossing panel-discussion on the controversial but probably well-understood artist Aubrey Beardsley. Forever twined with the scandals of Oscar Wilde—though professionally, the two always tried to distance themselves, fearing their individual and different flairs might be cancelled out as a talent combined, Beardley’s prints were repulsively erotic and decadent, debauched and corrupting, and despite sensibilities that have grown a bit more tolerant and receptive, I think the black and white illustrations still shock and still nudged underground, despite the brilliance of the artistry, and have no place in polite society. Indeed, looking at them, one does have a sense of having uncovered something supremely smutty and checks to make sure that no one is looking over one’s shoulder. Many times there are surprisingly lurid doodling details hidden in the loops and swirls.
It’s hard to find a modern analogue, I think, because Beardsley was apolitical, though importantly challenging society’s dirty little secrets and however disgusting one might find the pictures everyone intuited exactly what they were about, but maybe John Waters and his troupe of Dreamlanders (Divine, Mink Stole, Patty Hearst and Traci Lords) in transgressive films like Mondo Trasho, Pink Flamingos, Hairspray and A Dirty Shame maybe comes close. Beardsley’s sketches are quintessentially Art Nouveau but I did not realise that his foundry was really the propagating force behind the style, contributing-editor to a quarterly magazine devoted to graphic design (the publication was bound in a yellow cloth cover, hence the name of the decade that vied with the other designation, the Gay Nineties). Moreover the cultural-exchange between Japan and England, whose woodcuts strongly influenced the young artist, and the way that the style that typified the era was reimported and reinterpreted is fascinating to consider.
Friday, 16 January 2015
you deserve a break today

catagories: ⚕️, ๐, ๐, networking and blogging
churchillian drift
Mental Floss disabuses us of some of our favourite misattributed or completely made up great quotations with a studied collection of sayings that go rather deeply into the origins of those things we wish our heroes had said. One of the best stories is about how Abraham Lincoln supposedly proclaimed that “When you look for the bad in mankind expecting to find it, you surely will.”
This wise if not somewhat Pollyanna-ish line comes to us not from the great statesman but rather via the marketing geniuses at Disney studios, producing a film version of the book Pollyanna, whence at the treacly and campy conclusion, the little heroine opens the locket of her dead father to discover this inscription. The Disney Brothers love it and had hundreds of souvenir lockets commissioned and sold at gift shops. When the writer-director who’d made up the quotation discovered this misattribution spread, to his great dismay, the studio had the unsold trinkets recalled. Also Freud never said “sometimes a cigar is just a cigar” and was doctrinairely against the idea of suggesting otherwise. What are your favourite supposed pithy quotes that turned out to be fictions?
Thursday, 15 January 2015
jail-break or walled-garden
Though today’s conversation has adopted such colourfully metaphoric language, the same problems of communication dominated by a few industry giants, privacy and consumer-protection have a history, lively and just as shameful and grasping, that goes back at least to the advent of telephony and probably reaches much further back with the implements, tried and true, of blacklisting, censorship and charters. Before the United States recognised and rejected the monopoly that Bell conglomerate had on the public’s telephone lines, people and businesses did not purchase their telephones but rather rented units from Bell with a monthly subscription—pretty much the same situation we have today, being untethered physically but still locked into contracts that are bundled with gadgets and accessories tied to the service.
catagories: ๐บ๐ธ, ๐ฅธ, antiques, networking and blogging, technology and innovation
epimetheus/prometheus
Happy Mutant and accomplished author in his own right Cory Doctorow extolls the latest fantasy novel from Jo Walton. Not only does this plot in which a time-traveling Athena, goddess of Wisdom, assembles all the faithful from all ages who yearned to live in the Utopia of Philosopher Kings sound really intriguing, her other works, which include award-winning alternate histories, expositions on ancient lore and future-oriented works of science fiction, are appealing to my curiosity already.

catagories: ๐ญ, ๐, myth and monsters, networking and blogging
Wednesday, 14 January 2015
ch-ch-ch-ch-changes
vertreibung oder flรผchtlingsthematik
A small village near Weimar, the city that hosted Goethe and Schiller, Bauhaus and the Weimar Republic, is facing some sharp criticism over its suggestion to house refugees in the officers' barracks of the Buchenwald Concentration Camp. There unspeakable horrors associated with the memories of this place, and ironically it seems that our memory has become quite a feeble and atrophied thing. The immigration question is a complex one, but so is Germany’s relation to its past—much more so. Do Germans yet have guilt to discharge from the first half of the twentieth century? Surely, as do many of us—but does this make them to feel grudgingly obligated to accept more and more evacuees? That’s harder to answer—as with the Wirtschaftswunder that characterized Germany’s rebuilding and recovery after the wars ended was made possible to a very large extent through its guest worker programme, many also argue that Germany needs an infusion of a young population to sustain its present and retiring work-force and that Germany on balance benefits from immigration.
I also feel that we are prone to lose our perspective as well: we’re welcoming in these people who’ve mostly been on the run from poverty and violence.
Mostly—and I think we choose to focus on those exceptions and malingerers. We also forget that while the sites of former concentration camps are sacred places, they were not recognized and consecrated as such right away and were regarded very differently depending on whether one found himself in East or West. Buchenwald was used by the Soviets initially as an internment camp for Nazi prisoners-of-war—although political-dissidents were also held there; Dachau and other locations in West Germany was first used to contain Germany’s own refugee crisis. Some fourteen million ethnic Germans were forcibly expelled from territories either ill-gotten and taken back (like Hungary, Czechoslovakia, Romania and Yugoslavia), lands that had been historically German, like much of Prussia that went to Poland and the Soviet Union, for centuries and other European cities where they were no longer welcome, like Amsterdam, were resettled in a Germany in ruins. Not only did the expelled Germany have to leave everything behind, they also faced the prospect of starting all over in a homeland that maybe was not at all familiar to them—their families perhaps living abroad for generations, spoke differently, had strange mannerisms, didn’t eat proper German food and were failing to integrate—and try to live among a population that if not outright hostile to the refugees were themselves struggling and barely had enough to provide for themselves, to say nothing for these newcomers. In the 1950s, once these crises had somewhat subsided, the regimes of the two Germanys took different positions on how the past was to be remembered. East Germany was quicker to turn Buchenwald and other sites into memorials and strongly encouraged people to visit, especially school-children, to face the incomprehensible and dread past. Whereas, in the West, the subject remained uncomfortable and while not going ignored or unexplored, talk was taboo for a long time and it really was not until Reunification that the public became more willing to confront their autobiographies. Perhaps empathy is yet harder to face.