Saturday, 3 November 2012
Friday, 2 November 2012
simulacra, simulcast or a night at the opera
The Bavarian State Opera is offering this season, with an aim to expand its audience and nestle culture comfortably on the sofa, by premiering a live-feed and streaming video on the internet of its stage performances. This outreach initiative is at no cost for any viewer who cares to watch, unlike some other houses that charge a subscription fee, and quite a bit of enhanced production value is going into the making, with dozens of cameras and microphones and back-stage tours and interviews with the performers during intermission. Anything that one can assay alone and with divided attention of course does match the experience of the commitment and being part of an audience corralled as a fourth wall, but I think the efforts are laudable in themselves and will garner a good return for the stake and investment, and I plan to play along at home.
Although this installation is not part of the historic opera house in Munich but the State Opera of Saxony in Dresden, I thought it was a comical touch to put one of the world’s first “digital” clocks (with Roman numerals that scrolled by the minutes and hours) above the stage—I suppose so patrons could be discrete about wondering when the show would end, without having to dig out their pocket-watches. I do think it’s important that it be live, however, and an occasion for dressing-up—even if one is only going as far as the living-room. Opera was never meant to be elitist and inaccessible and was traditionally quite the opposite, but I think now people shy away from the commitment of time and would rather call it so. What do you think? Is this offering expanding the audience, like a pay-per-view match or post-game camaraderie, or is it like putting church on television and only mildly engaging?
Although this installation is not part of the historic opera house in Munich but the State Opera of Saxony in Dresden, I thought it was a comical touch to put one of the world’s first “digital” clocks (with Roman numerals that scrolled by the minutes and hours) above the stage—I suppose so patrons could be discrete about wondering when the show would end, without having to dig out their pocket-watches. I do think it’s important that it be live, however, and an occasion for dressing-up—even if one is only going as far as the living-room. Opera was never meant to be elitist and inaccessible and was traditionally quite the opposite, but I think now people shy away from the commitment of time and would rather call it so. What do you think? Is this offering expanding the audience, like a pay-per-view match or post-game camaraderie, or is it like putting church on television and only mildly engaging?
Thursday, 1 November 2012
castor fieber
Decades after the extinction of the wild population and subsequent reintroduction programmes in the 1950s, the beaver is making a come-back in Switzerland. Its successful return, however, is being threatened by the same human encroachment that probably caused the animal to die out in the first place: Swiss terrain and the roadways that crisscross it creates sanctuaries, albeit isolated ones, and beavers colonies do not get to sample much genetic diversity due to traffic.

catagories: ๐จ๐ญ, ๐, environment
holiday cavalcade: memento mori and yakety sax
Although November seems brimming already with holidays and observances, beginning with All Saints’ and All Souls’ Day, Armistice Day and the American traditions of election day, Veterans’ Day and Thanksgiving, and the beginning of the season of Carnival—plus the general preparation and planning for celebrations to follow, which team up like some festive Voltron to really fill one’s calendar, the peripatetic and always interesting Mental Floss complements the month with fifteen alternate and off-beat anniversaries and fests.

Wednesday, 31 October 2012
a new hope
There has been an explosion of rash and petulant criticism of the news announcement that the Disney Corporation will acquire Skywalker Ranch, and proposes to carry on the saga through to its conclusion, as was the original vision, and beginning production of Episode VII in the coming year. While I was disappointed with the prequels and am wary of certain eddies in production, I do feel that there is little cause to worry over spoiling the memories of a classic.
plus รงa change

Declarations by a few historians regarding their declaration of the Wikipedia project to be nearly complete proved quite provoking to many dedicated editors and chroniclers, but this pronouncement—certainly not of demise and redundancy but quite the opposite in terms of utility and comprehensiveness—does pose an interesting point of departure for the open encyclopedia.




gazetteer or atmospheric transients
The toll and scope of disaster, whether from the projections of actuaries and the hand-wringing of emergency-services or surveying the aftermath through the most empathetic lens, is never really compartmentalized, never fully reckoned and consigned to the past. Reconnaissance that brings tragedy and all its frightfulness cinematically close and is filled with superlatives, historic records to be broken, can make it seem like we are hurdling one closed catastrophe after another—with a process of rebuilding and recovery allowed but discussed little.

catagories: ๐ฎ๐น, ๐ฏ๐ต, ๐, ๐ช️, environment, networking and blogging
tragbares
A comprehensive study commissioned by Greenpeace Germany of sports- and outdoor wear articles has determined that virtually all coats, jackets and clothing treated to be weather-proof retain those harmful chemicals.

catagories: ⚕️, ๐ฉ๐ช, environment