Presented to the public on this day in 1967 with an exhibition—Im Spazio—opening in Genoa and showcasing the works of seven Italian, described by art critic and curator Germano Celant as impoverished art, the movement often deploys found objects, the ephemeral and everyday and imbues them with meaning by revealing the lost intersectionality of nature and industry.
Due to the nature of the media (not cheap or perishable materials necessarily but rather an intentional apposition to the canvas and marble of established art), many of these first works are no longer around and the movement ended in the early 1980s and being no expert I couldn’t say what legacy and successors that the school has but the term does seem useful and fitting for a lot of modern installations.
Sunday, 27 September 2020
art povera
Saturday, 26 September 2020
america is hard to see, kids
Via one of our favourite newsletters, Kottke, we come to discover the extensive and ethnographic photorealistic art of Robert Bechtle (*1932 – †2020) in memoriam with the reports of his recent passing.
Indistinguishable from a candid, house-proud family photograph from a distance, this representative triptych ’61 Pontiac (1968-1969) captures his style and message, life at the pace of point-and-click documentation but fastidiously rendered by brushstrokes. The painterly quality to this deadpan portrayal is unsettling, rattling the viewer until one can appreciate the beauty underlying the freeze-frame of the moment. Almost the entire portfolio of this San Francisco Bay Area painter features cars though human subjects are the exception. Much more to explore at the link above.7x7
more than meets the eye: introducing the Ephemera Society of America through Hunt’s Remedy—via Everlasting Blรถrt
cheesemongers: a tour of London’s venerable Leadenhall Market
divergent media narratives: a battle designer wargames the upcoming US presidential election to terrifying, bleak endsmore than means the eye: transforming everyday objects from the studio of Max Siedentopf
try this at home: a demonstration of the allassonic phenomenon—also known as the hot chocolate effect
non-canon: among the three hundred known apocryphal books of the Bible includes epic wizard and demon battles and a border guard that tried to help Jesus from Strange Company
parfumez vu: an antique, coin-op scent dispenser
Friday, 25 September 2020
corde, ore et nutibus
volenti non fit injuria
Via Slashdot, we are referred to the testimony of a former Facebook manager who baldly admits that the company took its cues from the business model and public relations campaign that Big Tobacco waged for decades to rebuff critics and make their addictive product more palatable at a congressional hearing.
Not mincing words, the ex-director of monetisation continued the analogy of growth at any cost—including the privileging of status and on-line reputation that drives ever more extreme content and hollows out any parasympathetic—human inclinations in favour of an insidious tribalism that’s antithetical to dialogue or consensus. We’ve been here before of course but the frankness and urgency are refreshing, though it might make those who regard this criminal enterprise in a favourable light grow further entrenched rather than simply walk away. Far worse than individual harm or second-hand smoke, the drive for engagement—framed as a proxy for user-satisfaction without respect to said-user’s motivation—has brought the US and the world to the breaking point, fomenting violence and unrest for followers.telekino
catagories: ๐จ๐ฆ, ๐ช๐ธ, ๐ก, transportation, ⓦ






