lieber wütend als traurig

Dangerous Minds features the unaired made-for-television screenplay by Ulrike Meinhof that went into production in February of 1970, just before the journalist turned towards a campaign of terror.
Incorporating previous research and reporting assignments on the state of child- and adolescent aid organisations and juvenile detention and custody homes, borstals (Jugend-fürsorge means care for youth but to have “Sorge für” is to agonise about something) in West Germany, Bambule (referring to prisoners rioting behind bars by banging and drumming any items at hand that will make a loud noise—but in French, bamboula has become a kind of slur and shouldn’t be used) was fictionalised account of troubled, institutionalised teens and was filmed in its entirety but never broadcast due to prison-break of Rote Armee Faktion (previously) leader Andreas Baader from facilities in West Berlin on 14 May of that year. Having covered Baader’s protests against the Vietnam War in Frankfurt prior to his incarceration, Meinhof had previously met the charismatic figure’s acquaintance and was convinced to take part in his escape by advocating for his transfer to lower-security research centre under the guise of collaborating on an ethnographic work on the psyche of protest. When the planned peaceful operation turned violent (there were supposed to be no guns) and a by-stander was shot and injured, Meinhof decided to join with Baader and both became fugitives. Read more about Meinhof and the movement as well as watch an English subtitled version of Bambule at the link up top.

sock caramel

Super Punch redirects our attention to our old companion and ongoing experiment (previously here and there and everywhere) in neural network learning with the challenge this time to name flavours of ice cream. While the host’s training yielded rather dark and dubious results to include:

Strawberry Cream Disease
Sock Caramel
Chocolate Raven
Colon Bane

Some inspired middle school pupils learning coding were able to far exceed their programming with:

Cherry Poet
Bubble Bun
Vanilla Nettle

The latter selection seemed more like a treat though Toffee Frog and Funge Ecide also came up in the students’ algorithms.

eisheilige oder in like a lion, out like a lamb

This day marks the last in the triplet of saints’ days, commemorating early martyrs and bishops of the fourth and fifth centuries, traditionally part of weather lore throughout much of central and northern Europe known collectively as the time of the ice saints, when Spring had begun in earnest but there was yet the danger of a cold snap.
Though there’s some variance according to one’s whereabouts, the consensus seems to give the title to Boniface (Saint Mamertus in Nordic countries), Pancras and Servatius whose feast days fall on the 11th, 12th and 13th. Respectively patrons of bachelors and converts, service-sector jobs and health, rheumatism and foot problems, this cadre seem to have little to do weather prognostication, like groundhogs (Candlemas) or the Seven Sleepers (used to forecast summer weather) and their dates were all shifted a bit to the left when the Gregorian calendar replaced the Julian way of reckoning dates and we all lost ten days but there is certainly the chance for strange, destructive weather this late in the season—especially for the micro-climates that cleave to the valleys and foothills, which asserted itself just the day before yesterday by dumping a frightening large amount of hail on a village just a few kilometres away and causing storm surges in Hamburg.

7x7

and in flew enza: an encyclopaedic investigation into the estimated six-hundred-fifty thousand US deaths—out of fifty million globally—of the 1918 Spanish Flu pandemic, via Kottke’s Quick Links

deconstructivist tendencies: postmodern architectural wonders of the 1970s and 1980s added to the UK’s National Heritage List—according them protected status, via Things Magazine

one year times two: the musical art installations of Trond Nicholas Perry, via ibidem

sundries for the modern workspace: contemplating the function of colour in defining manufacture, learning and healing in 1930s schematics, via Nag on the Lake

let’s try to get our core business right before trying something else: Facebook exploring minting its own cryptocurrency

pneumonic spelunking: a look at Elon Musk’s boring project beneath Los Angeles

dies irae, dies illa: a trio of (possibly not ordained) Catholic priests form a hard rock band in 1974 to broaden their missionary work

but our princess is in another castle

 I was impressed to see that our old hometown, which was undergoing quite some extensive construction work under the streets of the historic old town to modernise its gas lines and feed it from a biofuel processing plant, had been creative enough to canvas over the site with a Super Mario Brothers’ theme—sort of like the neat frieze of refrigerator magnets that my sister had given us a few years back. Each panel represented a different level and told about renovation challenges, timelines and the benefits that would eventually materialise. Mario’s companion is a sea-monster called Nesi—which is also the namesake for the fleet of buses that comprise the local public transportation (NES being the license plate designation for that county—Neu Stadt an der Saale) and the video game segment even incorporated the landmark gate towers of the Altstadt.

zersetzung

Our faithful chronicler, Doctor Caligari’s Cabinet, informs that among many other momentous occasions, on this day in 1944, director George Cukor debuted what would be the second cinematic adaptation based of playwright Patrick Hamilton’s 1938 psychological thriller, Gaslight (previously, when the term obtained its clinical sense). Featuring the acting talents of Joseph Cotton, Ingrid Bergman, Charles Boyer and Angela Lansbury, the main theme of the film centres on a husband (Boyer) who tries to unmoor his wife’s (Bergman) sense of reality in order to distract her from his criminal enterprise.

intern’yet or press “like” to help jesus win

Earlier this week, Democratic party members of the US House of Representatives obtained and released a cache of some thirty four hundred targeted advertisements produced and distributed by the Kremlin-backed Internet Research Agency via social media giant Facebook and Instagram. While I will admit that none of us (not just the American voters) are immune to the architecture of choice and propaganda and that ignorance and churlishness leveraged are force-multipliers, it is a sobering reminder how pathetic the counter-messaging was and how vulnerable we’ve allowed our democratic institutions to become and how through our neglect, we risk to lose them forever. Elections and inaction has consequences, and I suppose now the question is not who was to blame (everyone is) but whether we who were careless are yet redeemable and whether we might one day be able to restore civil society and get back our on-line privileges. Though we don’t always recognise it, we’ve been on restriction for quite some time.