As the opening ceremonies for the Winter Games are about to commence the competition and camaraderie is certainly being over-shadowed by a side-show, which is graver by degrees, of official snubs, boycotts, poor labour conditions, negative civic and environmental impact, hastily built accommodations, the lockdown of the nation of Abkhazia for the duration of the event whose borders are just a few kilometres from the venue, and the rest of the security theatre.
Thursday, 6 February 2014
game-face or fortress olympiad
sede vacante
I have noted that some of the more progressive minds can transform into be the most oppressive and narrow-minded when presented with dissent in any sort. I think that this may be the case in the United Nations' damning assessment of the Vatican (not the appendages of the Holy See, which is an important limitation) over its disposition towards women's rights and sexual orientation. Meanwhile, the Church is trying to reform its ways when it comes to child-protection, another but very valid complaint in need of changing. I wonder, however, if this wholesale pointing out of the obvious is not just a grab at low-hanging fruit, since the UN nor by European (the Vatican does not claim EU membership) channels would dare challenge other convictions (religions, traditions) and articles of faith over lifestyle and preaching.
Wednesday, 5 February 2014
caveat lector or recently improved content
In response to a formal study that confirmed that Wikipedia is not only the resource of first-instance for hypochondriacs and the morbidly curious but also for physicians and aspiring students, a professor at a Californian medical school is offering as an elective a course in proofing and editing articles on health, medicine, and disease in order to ensure an accurate and reliable resource for the public—and the professionals. Wikipedia protocols will still be enforced, gladly, to stave off authoritarian language that's questionable or unsupported, doctors' jingoism, and the use of jargon.
monumenta germaniae historica
Coinciding with the star-studded premiere of the feature film on this courageous profiles in conservatorship, the Smithsonian is exhibiting many photographs and artefacts from its archives to enhance the portrayal of the so-called “Monuments Men.”
Tuesday, 4 February 2014
personae, pandora
Conceived as sort of an electronic annual, a year book ten years ago for an elite university in a dorm room, the reigning social network has matured and seems to have come of age, established and hard-wired.
I cannot say whether the lure of the instantaneous and easy and convenient is taking away from native creativity (rather than enhancing it) or more artistic, meaningful or fulfilling pursuit—but if that is the case, I think people are still quick (mostly, at least as quick as they would be otherwise) to realise that that chance is not easily retaken, but there is more than just a change in our vocabularies or ways of coddling our own sense of indolence or procrastination in the simple fact that the Internet does not forget and reminders are lightly stirred. I believe, if used correctly, that could be a supplement rather than a liability too, but considering the current climate, telecommunication providers being prosecuted for complicity and governments being held liable for their abidance, it seems that we are not very good at self-censorship and temperance.
catagories: ๐ฅธ, ๐ง , holidays and observances, networking and blogging, revolution
Monday, 3 February 2014
hors d'oeuver or hors taxes
There is an apparently flourishing business for pizza and for others in the meals on wheels service on the German side of Swiss borderlands.
Sunday, 2 February 2014
black hole or all light is mute amid the gloom
Sadly, accomplished Austrian actor Maximilian Schell (* 1930, † 2014) passed away over the weekend, and taking time to review his expansive list of roles on stage, screen and air, I saw that one of his credits included the megalomaniacal foil in the 1979 Disney production of the film Black Hole—which was an all-around provoking psychedelic performance for a little kid to see, and reflected on the bizarre nature of that movie. Critic and veteran blogger John Muir gives an excellent dissection of the film's brilliance—from a Manichean gauntlet of good and evil to the subtle departure of sentient robots earning souls. Doctor Reinhardt (Schell) even in the final scenes in the inferno of the event horizon (the concept having recently been discounted by the physicists that originally championed the idea) is fused with the sinister robot, Maximilian. The character was portrayed with Schell's signature passion—and the story is really a Heart of Darkness writ small. The summary and analysis got me thinking about how affecting such cinematic experiences could be, more so than the better-known contemporary block-busters that over-shadowed this movie, like the Star Wars or the Star Trek franchises, and saw me often retreat to the sandbox in the backyard to rehearse what kind of ceremony was fitting for that heat-death of the universe that I had heard about, rather than the more imminent threats of global-thermal nuclear war.
There were a lot of singular influences, like the anime feature Galaxy Express 999 (1978), where an orphaned little boy shuns technology promising immortality by having ones memories but not emotions transferred to robotic vessels, plus also other Disney productions, which discounting all fairy tales, were not really made for young audiences, like the Witch Mountain (1975) series, about telekinetic extra-terrestrial children on the lamb from the government, or Bedknobs and Broomsticks (1971, compare to the Narnia or the Middle Earth sagas) which is a story about coping with evacuation during the Blitz of London during WWII and a sorceress defeats the Nazi invasion. Formative, I am grateful that kids' entertainment was not handled with kid-gloves and subject to censor and psychologists.
There were a lot of singular influences, like the anime feature Galaxy Express 999 (1978), where an orphaned little boy shuns technology promising immortality by having ones memories but not emotions transferred to robotic vessels, plus also other Disney productions, which discounting all fairy tales, were not really made for young audiences, like the Witch Mountain (1975) series, about telekinetic extra-terrestrial children on the lamb from the government, or Bedknobs and Broomsticks (1971, compare to the Narnia or the Middle Earth sagas) which is a story about coping with evacuation during the Blitz of London during WWII and a sorceress defeats the Nazi invasion. Formative, I am grateful that kids' entertainment was not handled with kid-gloves and subject to censor and psychologists.