Sunday, 25 August 2013

context clues or you see, it's OK. he saw it on the television

Mental Floss featured an interesting round up of eleven creative interpretations of classic films that's a bit above the caliber of the investigative work my friends and I did watching a VHS cassette of Three Men and a Baby one frame at a time to catch a glimpse of the tortured ghost stage-hand that was caught on a millisecond of the released version of the movie, but still rather implausible though well-constructed. The alternative reading that struck me the most was theories on the Stanley Kubrick film The Shining. I had heard the suggestions before that the movie was a veiled allegory of the director's views of the Holocaust or the genocide of the aboriginal peoples of the Americas, a significant departure from the book on which its based, but over all not a very compelling argument.
As the author of the original novel posits, however, all writing is a confession although it is not always clear what one is owning up to—though in this case, the author admitted that he had had some dark thoughts about his family when they got on his nerves, the article, referencing a documentary called Room 237, debuted during the Directors' Fortnight of last year's Film Festival at Cannes, entertains the idea that the changes in the screen-adaptation were the esteemed director's secret confessions for his part in the mock-up, staging of the Apollo Moon landings. Conspiracy theorists and Moon-landing deniers have found all sorts of supporting evidence, including, the sweater that Danny Torrence wears bears the Apollo 11 rocket, the lunar mileage was about 237,000 miles—hence the warning to avoid Room 237—and the distinctive hotel carpet pattern that Danny races his Big Wheel across bears some resemblance to the launch pad for the mission. An awful lot of the iconic scenes only come from the film—the wave of blood from the elevator, the ghost twins in the hallway and the writer's block expressed on dozens of typed pages. It seems like a pretty far-fetched explanation and one can surely find hints like these anywhere, if they support one's thesis. What do you think? Do you think there are such admissions lurking in the subtleties of gaffing and artist license?

Saturday, 24 August 2013

commemorative edition

It is pretty effortless to order up apparel with any print or slogan that one sees fit nowadays, or even to print a three-dimensional rendering as a keepsake of anything that has transpired. In the past, people have said some pretty obtuse things, which I thought ought to be embroidered on a throw pillow or stitched on a sampler, if I had that talent.

Showing that figurines were not only sentimental subjects in eras gone by, I think that this excellent interview with an accomplished collector of some of the more sensational and gruesome pieces of Staffordshire pottery from Collectors' Weekly, show that people even back then wanted to have conversation pieces—even if it was not always material fit for polite conversation, the tabloid scandals of the day, maulings, murder, emancipation, and discriminatory marriage laws. It's amazing how these unusual figurines, especially the Ersatz hunting dogs, sort of totems for the unlanded gentry who were not allowed by law to keep real dogs, tell a story and capture an elements of the times that would otherwise be lost.

kevin bacon number or seven-league boots

Though it is a challenge to find a non-moribund version that complements the original science project—and it's sad to think how precariously curated some brilliant things were handled just a few scant years ago, aping at this strange sort of premature immortality only to be displaced and neglected, looking back from an age just a few years later with the threat that most mundane and uninteresting things will ever be forgot—a clever student basically downloaded the growing database of Wikipedia and developed a route to allow users to enter queries on two desperate and random topics through his server and find the distance (the Kevin Bacon number, the connections, steps it takes to bridge both items) between them in the Wikipedia universe. Six Degrees of Wikipedia, it was called and was introduced in 2007, although it appears there has been no one to maintain the programme. Surely still educational and serendipitous, one sees latter day incarnations as a game with a certain frame work, which I think makes the search more of a trivial pursuit. Research, triangulation and abstraction, however, cannot be replaced by any amount of brute force or compendious collection, nor a sense of anticipation or urgency that spoils the surprise.
I wonder how the project's inventor thinks about browsers and engines, without stint or bias, almost without fail direct questions that have no resale value toward their Wikipedia articles. Since the first speech broadcast to those within ear-shot, the speed of communications has been dangerously out-stripping the speed of comprehension. One writer for Der Spiegel's Eines Tages lost-and-found bureau, invites readers on a monthly adventure with a daisy-chain of nodes and relays from the universal encyclopedia to bring together two topics in seven, possibly specious but always interesting, steps. The latest installment (liediglich nur auf Deustch) by Danny Kringiel links the history and development of rail-transport in Japan with the current state of affairs and exposure with the spying apparatuses of the United States. I am sure such a thesis accepts tangents as well.

Wednesday, 21 August 2013

seven against thebes

Recently, the unsurpassable Twisted-Sifter featured as its picture of the day the ceiling fresco of St. Paulinus' Church in Trier, photographed with care by a professional who carefully stitched together several separate images to capture the entire canvas of the nave (far superior to my snap-shot from a visit a few years ago) by Rococo artist Christoph Thomas Scheffler. The church, a Basilica minor, itself was designed by the son of another superstar of the time, prolific architect Balthasar Neumann, and is dedicated to the local bishop who became a saint after his body was repatriated to this church after dying in exile, banished by the emperor a certain rivals for holding a view on the nature of the Trinity not en vogue at the time.
The amazing fresco depicts the martyrdom of the Theban Legion, a Roman garrison in Egypt,who were converted and condemned en masse under the leadership of St. Moritz, patron of many places in Germany and beyond—other members are venerated as well, including San Fedele (Saint Felix) who ended up in Como, when dispatched to the French-Swiss border to quell an (im)pious uprising and refused to do so.

fiat geld or straw into gold

In response to the growing interest and esteem of the Bitcoin, Der Spiegel reports, the German

Finance Ministry has gone so far as describing the “private-money,” while not on equal footing with legal-tender, as a unit of account—a measure of market value, which economists hold as one of the three essential mechanisms of exchange along with a being surrogate for the commerce of goods and services and a store of value. It seems like a small concession and possibly bestowed ahead of move for regulation and taxation, but I think that the declaration, though not the first instance of government scrutiny of this virtual currency, also acknowledges that the credence that any form of money enjoys is based solely on the faith of believers and is subject to the ebb and flow of crazes (although there is a powerful contingency interested in maintaining confidence), just like passing fads and fashions, more quickly displaced, and their artefacts.

pirate bay or the 13 hongs of scooby doo

Not that contemporary events are not not engaging enough and the roots of greed and corruption are ever so shallow, happening to read a bit of an article on the Fugitive (he kind of reminds me of Shaggy, better get back to the Mystery Machine) while waiting to get a haircut (I am thankful that some places still have a selection of magazines to pass the time and not assume that everyone has or has the compunction to stare at a telephone) read that the place he first sought refuge in Hong Kong was specifically in the district of Kowloon, a pretty posh area in places but also formerly host to one of the strangest, seediest underworlds of history: Kowloon Walled-City.
The British Empire was granted the ninety-nine year lease of the important port city as a result of the Treaty of Nanking that brought a temporary peace to the Opium Wars. Already unhappy with the tariffs and strictures imposed on foreign merchants (transaction were indirect and handled through mediators called hongs and restricted to thirteen factories, industrial parks) by the Chinese Empire, the dissatisfaction was exacerbated for the main player, the royally chartered British East India Company, by having its profitable cotton trade displaced by production in Egypt. To make up for this loss, the corporation turned its focus in the Bengali region to poppy-harvesting and aggressively flooding the market with opium. Chinese objections to this tactic were countered with war that created a rather unbalanced legacy.

The trigger for aggressions was ignited in the neighbourhood of Kowloon over the question of immunity and jurisdiction regarding a smuggler caught by Chinese authorities. Despite the uneven demands of the British, the annexation of Hong Kong created an unique exclave within an enclave in the Walled-City of Kowloon, originally a fort built in the tenth century to oversee the salt trade. The leasors permitted the Chinese administration to remain in place to govern the population, which grew from seven-hundred to some thirty-three thousand at it height, all compacted into a very small area—even by Hong Kong standards. With no one taking responsibility for responsibility for this place, it became a den of black-market dealings with uncertain jurisdiction. I wonder if the Fugitive chose such a place intentionally.

Monday, 19 August 2013

the pillars of hercules or non plus ultra

The European Union is dispatching a committee to possibly mediate the strife between the UK territory of Gibraltar and the surrounding Kingdom of Spain. Although this contention is nothing new, the promontory ceded to the United Kingdom in perpetuity by the Treaty of Utrecht that settled the Wars of the Spanish Succession in the early eighteenth century and residence of the Rock have roundly rejected measures for devolution. The latest escalating episode that has attracted the attention of the EU is over increased border checks that the Spanish government has imposed. Spain argues that autonomous Gibraltar, whose economy is largely based on financial services and internet-gambling is not doing enough to control smuggling and black-market activities, though employing a lot of Spanish day-labourers besides.
Britain argues it is in retribution for the sinking of several concrete blocks off-shore to create an artificial reef in waters that Spain claims, ostensibly to promote sea-life and the haul in this disputed area. From a mythological point of view, it is interesting that the landmark is interpreted as both an act of ditch-digging to reach open-waters quicker, connecting the Mediterranean with the Atlantic and as an act of narrowing the straits to prevent the ingress of sea-monsters by Hercules. Whether inviting or foreboding, what lie beyond the strait represented uncharted territory. Some contend too that the symbolism of the columns regaled with sash became the dollar sign, $ with two vertical bars from the glyph for pesos. Whatever the real reason behind this dispute and arbitration, whether it be a stance against colonialism or for self-determination and open-borders, is unclear, as British warships enter as they have done some weeks ago in the Falklands, no one is mentioning Spain's own contentious exclaves, the port cities of Ceuta, considered the southern pole of Hercules, and Melilla in Morocco. We will see what happens.