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margrave: picturesque gallery of the borderless borders of Europe

goldielocks: latest achievements from the Kepler Mission’s search for Earth-like exo-planets

stand-alone orchard: an artistic horticulturist is making a tree of forty fruits through grafting

kismet or tempest in a teapot: curated collection of mind-boggling nuclear testing certificates of participation

my beautiful laundrette: nineteenth century washer branded with the enigmatic name Vowel A

die stadt oder can't you smell that smell

From a Liverpudlian of renown (the smell would turn you too), I learnt of the lyrical farewell that Samuel Taylor Coleridge bid Köln, titled On My Joyful Departure from the Same City:

As I am a Rhymer,
And now at least a merry one,
Mr. Mum’s Rudesheimer And the church of St. Geryon
Are the two things alone
That deserve to be known In the body-and-soul-stinking town of Cologne.

I am far from sharing that sentiment and rather look forward to visiting again, but thought it a nice collection of lines nonetheless. Aside from the endorsement of the Basilica of Saint Gereon, one of the twelve ancient Romanesque churches of Köln, it’s interesting to think about how urban decampments might be remembered, bottled with a certain fragrance—which only one takes away with leaving them.

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arbeit-leben-gleichgewicht: having homesteaded myself in Germany for over a decade I can relate to the feeling of being spoiled

fluid dynamics: curtain that turns one’s shower cabinet into a spiked chamber after one exceeds the allotted time to conserve water

tomatillo: miniscule ancestral tomato may save its supersized progeny—all our familiar grains, fruits and vegetables had equally humble beginnings

artisanal landlord price-hike sale: creative campaign to save a beloved Brooklyn corner-shop

cameo, intaglio: curiously shaped record albums

cytherean

From H’s parents, I received a Venus Flytrap to care for. Although I think we both have been blessed with green-thumbs, I understand that these plants are notoriously hard to care for, and I tried once before but I think I ended up over-feeding the delicate thing, so I’ve embarked on a course of study to improve its chances. I located a very good and comprehensive resource here and will take these lessons to heart, but there’s a pretty interesting story behind these not wholly sessile plants as well. Their native habitat is restricted to marshes in the Carolinas though propagated by fanciers all over the world—with varying success—and after devising the Theory of Evolution, Charles Darwin didn’t exactly call it a day but devoted his attention to the subject of locomotion in these plants—the mechanism and adaptive cultivation still something of a mystery.
And despite their very alien appearance, the plant’s name does not have anything to do with the planet Venus, rather it is the chomping jaws that suggest the clam from which the goddess was birthed. Although adjectival just Venus would, as before science saw the need for terms like Venusian, Martian or Earthling, things pertaining to Venus were unfortunately described as venereal, as Mars was martial. An old-fashioned adjective that’s rarely seen since we have Venusian—to avoid other connotations—comes from the island Cythera in the Ionian archipelago, near where the sea-shell emerged from the sea, buoying up the goddess. Curiously, the plant’s taxonomical name Dionaea muscipula, a daughter of Dione (namely the Greek counterpart Aphrodite) and “mousetrap.”

mensch und übermensch

I’d guess I’d need to categorise this as one of those things the more one thinks about it, the more manifest it becomes, and I had not given much thought to the thesis beforehand that comics as more than caricature or a stock-epithet is an act of cultural reclamation.

The rise of the genre parallels social and political movements that co-opted and perverted mythological themes, pantheons and notions of bodily perfection not in the classical, athletic and temperate sense but in terms of eugenics and dehumanisation. The bombastic fantasy of Richard Wagner and the Nietzschean Übermensch had been misappropriated and the medium of comics, drawing on real and imagined legendary sources and superhero avatars, is the taking back of such shared heritage—story-telling separated from propaganda. In the beginning, however, these characters sometimes volunteered for deployment—like in the 1940 first issue of Captain America, where the hero is portrayed as socking Adolf Hitler—sometime before the US had actually entered into the war and bucking popular sentiment—in protest to the country’s isolationist policies. Propaganda Minister Joseph Goebbels even went so far as to ban the distribution of Superman comics under the Third Reich over intentional or perceived Jewish roots in Kal-El (close to the Hebrew phrase for “voice of God,” whom was saved from a dying planet in a space capsule but unlike Moses being found among the reeds), but the Third Reich was also very efficient on accentuating and bestowing otherness on people with traits that they would not readily self-identify with. The universes that comics contain is certainly a reaffirmation of narrative, allegory and inclusion and our alter-egos have a mythos that’s forward-going as well.

wie ein wüstensohn

Happily after the absolutely brilliant regular podcast Futility Closet introduced a few weeks back to a large portion of its listening audience the German and Eastern European phenomenon bound up in the works and personality of the imaginative adventure writer Karl May—and re-introduced to others with the glad occasion to reflect and wonder a little bit how this author was no longer remembered in some of the exotic lands where his stories took place, the topic has become for the team and commentators a sustained and very productive one.
Branching off to a series of tales set in the Middle East, rendered all the more amazing since like his stories that took place in the American Old West came across as convincing and more culturally sympathetic than those who’d actually experienced those places first hand, another iconic character, akin to Old Shatterhand and Winnetou, comes on scene, in the faithful guide Hadschi Halef Omar Ben Hadschi Abul Abbas Ibn Hadschi Dawud al Gossarah. Notwithstanding that fictional character was the only naming-convention in the Muslim tradition studied and committed to memory by committed fans from a European background, the stories were a lens on the casbah and the souq, which all things considered was not a bad introduction for the 1890s. The German disco band Dschinghis (Genghis) Khan, EuroVision Song Contest contender probably most famous for their party hit Moscow, Moscow—celebrated this literary figure with a particularly catchy number in 1980 (or try here, depending on your location). I hope all the characters in this particular universe eventually get their own treatment and profiles.