monumenta germaniae historica

Coinciding with the star-studded premiere of the feature film on this courageous profiles in conservatorship, the Smithsonian is exhibiting many photographs and artefacts from its archives to enhance the portrayal of the so-called “Monuments Men.”

Those under siege, historians, connoiseuirs, academics as well as the generals storming Europe realised what defining treasures were at risk, not only through plunder but as collateral damage. Just before the D-Day (Operation Overlord) invasion, Eisenhower, among others, personally charged each commander with the responsibility of protecting and respecting the monuments that they would encounter—irreplaceable and important representatives of the what they are struggling to save. War leaves its physical scars and there are many restoration projects to this day, but just imagine what sort gaps in the skyline or in the galleries there would be without the work of this corps.

personae, pandora

Conceived as sort of an electronic annual, a year book ten years ago for an elite university in a dorm room, the reigning social network has matured and seems to have come of age, established and hard-wired.

Of course, it's only a platform that could be easily unseated, as were its predecessors and it is the behavior of its users—like the adage a leader is not leader without the support of his or her first follower, that craft how we communicate. It is not, I think, the other way around—beneath the surface lexical and semantic shifts, such changes in the way we communicate are expressions, important ones—nonetheless, of statements that would have been voiced already in one fashion or another.

I cannot say whether the lure of the instantaneous and easy and convenient is taking away from native creativity (rather than enhancing it) or more artistic, meaningful or fulfilling pursuit—but if that is the case, I think people are still quick (mostly, at least as quick as they would be otherwise) to realise that that chance is not easily retaken, but there is more than just a change in our vocabularies or ways of coddling our own sense of indolence or procrastination in the simple fact that the Internet does not forget and reminders are lightly stirred. I believe, if used correctly, that could be a supplement rather than a liability too, but considering the current climate, telecommunication providers being prosecuted for complicity and governments being held liable for their abidance, it seems that we are not very good at self-censorship and temperance.

hors d'oeuver or hors taxes

There is an apparently flourishing business for pizza and for others in the meals on wheels service on the German side of Swiss borderlands.

This scheme, however, is threatened by a new requirement to electronically file customs declarations for cross-border deliveries. It was already worthwhile for those kitchens and customers positioned to do so to comply with the tariffs, saving some ten francs or more compared to domestic fast-food and a system for collection was already in place but to force bankers' hours on an industry that's spontaneous and relies on people's sloth and failure to plan many times could prove disastrous for some opportunists. Diners and delivery personnel would be treated like smugglers. I wonder what kind of antics might ensue to keep up with demand and I wonder how the official assigned to that toll-house might feel about his or her job.

black hole or all light is mute amid the gloom

Sadly, accomplished Austrian actor Maximilian Schell (* 1930, † 2014) passed away over the weekend, and taking time to review his expansive list of roles on stage, screen and air, I saw that one of his credits included the megalomaniacal foil in the 1979 Disney production of the film Black Hole—which was an all-around provoking psychedelic performance for a little kid to see, and reflected on the bizarre nature of that movie. Critic and veteran blogger John Muir gives an excellent dissection of the film's brilliance—from a Manichean gauntlet of good and evil to the subtle departure of sentient robots earning souls. Doctor Reinhardt (Schell) even in the final scenes in the inferno of the event horizon (the concept having recently been discounted by the physicists that originally championed the idea) is fused with the sinister robot, Maximilian. The character was portrayed with Schell's signature passion—and the story is really a Heart of Darkness writ small. The summary and analysis got me thinking about how affecting such cinematic experiences could be, more so than the better-known contemporary block-busters that over-shadowed this movie, like the Star Wars or the Star Trek franchises, and saw me often retreat to the sandbox in the backyard to rehearse what kind of ceremony was fitting for that heat-death of the universe that I had heard about, rather than the more imminent threats of global-thermal nuclear war.

There were a lot of singular influences, like the anime feature Galaxy Express 999 (1978), where an orphaned little boy shuns technology promising immortality by having ones memories but not emotions transferred to robotic vessels, plus also other Disney productions, which discounting all fairy tales, were not really made for young audiences, like the Witch Mountain (1975) series, about telekinetic extra-terrestrial children on the lamb from the government, or Bedknobs and Broomsticks (1971, compare to the Narnia or the Middle Earth sagas) which is a story about coping with evacuation during the Blitz of London during WWII and a sorceress defeats the Nazi invasion. Formative, I am grateful that kids' entertainment was not handled with kid-gloves and subject to censor and psychologists.

pastiche

We tried something new in the kitchen with a vegetarian pastitsio (Pastizio)--sort of the Greek equivalent of a lasagne or macaroni casserole. It was pretty fun to prepare and tasted very good.

For four servings, you will need:

• Approximately 360 grams (13 ounces) of macaroni noodles 
• 200 millilitres (7 fluid ounces) of soy-based cream or milk 
• 200 grams (7 ounces) of sour cream (Schmand) 
• 200 grams (7 ounces) of tofu as the base for the bolognese sauce—one could also substitute ground beef
• A 200 gram (7 ounce) lump of fresh mozzarella
• 1 cube of vegetable stock
• 1 medium onion
• 1 carrot
• 2 garlic cloves
• 200 grams (7 ounces) of tomato puree (passierte Tomaten, sonst Tomatenmark)
• 2 tablespoons of olive oil
• Oregano, thyme, basil, salt, pepper, red pepper power and cinnamon to season

Bring to boil the noodles in water with a bit of salt and then drain and set aside—about four minutes and not thoroughly cooked. Preheat the oven to 220ºC (425ºF).

For the filling (where the metaphorical meaning of pastiche comes from and you can try your own mix of ingredients), finely chop up the carrot, onion and garlic in a food-processor and fry in olive oil and then puree about four tomatoes (or use puree from a can) and add that and the tofu to the pan.
Introduce the bullion cube and season with salt, pepper, oregano, thyme and basil. Allow the sauce to continue to cook until it really thickens up. Transfer the bolognese and noodles to a large casserole dish and mix together while pouring in the cream or milk. Next spread the top of the dish with a thick layer of the sour cream.
Tear the lump of mozzarella into large, flat pieces and cover the surface and season with the red chili power and a bit of salt and pepper. Lastly, sprinkle the entire surface liberally with cinnamon. Bake for around 45 minutes. The cinnamon seems like an unusual ingredient but really enhances the medley of tastes and no one notices the meatless bolognese.