exemplum

Treating the needlework sampler as the record of a life overlooked, the Fitzwilliam Museum of the University of Cambridge has curated a collection of over one hundred of these crafty examples (both words have the same Latin root) from the sixteen hundreds up until modern times—often with the morose realisation that these creations made to demonstrate literacy, stitching skills as a future home-maker and cottage-industry entrepreneur are the only trace of their existence remaining. The exhibition also explores how symbolism and subject shifts with time and how in depth research centred around these artefacts—which also were the makers’ creative outlet—can reveal further details about the fortune and circumstance of the individuals and their families.

mossery (with frippery to taste)

Researching the subject for another recent post, I came across the Victorian craze for ferns and mosses (dubbed pteridomania) which went beyond collecting and on to cultivation.
This particularly fine and verdant specimen cleaving to a stone wall near home, dabbled in just the right mix of light and shadow, reminded me of the nineteenth century garden-feature known as the mossery, a covered slatted wood box with northern exposure. Samples stuck into the cracks would grow and fill the box if moistened regularly. Though not able to find plans for a mossery—like a guide for building a proper beehive for apiculturists—I think we’ll experiment and report on success. Meanwhile and alternatively there’s a wide range of moss-centric terrariums and moss-centric forums for one’s emendation—with ostentation and folly (sunken ships and treasure chests in aquaria) to taste.

7x7

microcosm: an annual photography competition invites us to explore the world around us just below the threshold of the naked eye

the luwians and the trojan war: the intriguing tale behind the lost frieze that may document the collapse of the Bronze Age

point and shoot: using algorithmic processes to inform the shutter when a photo-worth opportunity presents itself, one internet and technology giant is offering an automatic camera for home use—relatedly

gastaloops: one hundred day push to create gorgeous, encircling animations—via the Everlasting Blört

high rate of staff turn-over: activities offered at the White House adult day care facility

extinction cos-play: crocheted costumes for the common pigeon to highlight the importance of biodiversity and fighting to protect endangered species—via Nag on the Lake

trek ‘splaining: a visual physics lesson on the problem-fraught workings of as seen on TV teleportation

(rainy) day-trip: büdingen

The weather in Wetterau is not always cooperative and most days like these would see cancelled excursions, but on my way back to my work-week apartment, I took a detour to try to see the fortified and well-preserved medieval town of Büdingen. I recall having visited before—when it was still host to a US Army housing detachment—but that was ages ago and probably one of the wind-shield tours I was taking at the time and having tried to visit again once before during a trip to Burg Ronneburg but was overcome (incredulously) for lack of parking, so despite the dodgy skies, I marched up and down the still charming but be-puddled streets of town.

Described variously as the Rothenburg of Hessen and with other superlatives, the heavy stone defensive walls were formidable and impressive and all the streets of the historic core were awash with the idiosyncratic geometry of fine half-timbered (Fachwerk) structures—angular unto itself, rays emanating off in all directions—and there was a stately church and castle. The town in the centre of a marshy valley and the fortress and Altstadt are resting on millennia old matrix of oak planks and beech poles. Whereas a lot of German town have papier-mâché cows or lions to celebrate local craft and heritage, Büdingen uniquely has a collection of frogs, its unofficial mascot.
The rain, however, didn’t relent, and while I knew that every place is unique and embraces their stories of pogrom and plague, witch-trials and religious tribulations—and perhaps it was the combination of the rain and vague spatial memories, I was feeling rather disoriented and it was hard to take in the scenery, echoes of other places resonating strongly to the point I could recall the town’s name when relating it to H afterwards.
I suppose those discomforts are indicative of why sensible people (unless on holiday abroad when one has no other choice than to go out and enjoy the grey and drizzle) wouldn’t choose this battle for a rewarding tourist-experience. H and I will have to choose the opportunity to return and give Büdingen the attention and intention that it deserves.