Sunday, 19 February 2017

save our saucepans

In the late 1950s, the American and Soviet governments agreed to hold expositions in each otherสผs capitals in order to promote cultural understanding by showcasing the best in technique and artistry in all arenas—including home economics—and one such model American kitchen was the backdrop (or rather the proscenium) for an impromptu debate between the then visiting vice-president, Richard Milhous Nixon, and the Soviet Premier Nikita Khrushchev in Sokolniki Park in the summer of 1959.
Box Vox introduces us to the exchange captured by television cameras and then simulcast in both nations and the produce-placement of the now iconic packages on the table and countertops, including the box of S.O.S soap pads. The two were touring the exhibits together—of a suburban home within the means of any American, when all of a sudden Khrushchev complained in strong terms how the US legislative characterised the Warsaw Pact as the Iron Curtain and Eastern Europe was not a prisoner. Taken aback, Nixon focused on the modern marvels in the kitchen and the labour-saving devices. Not impressed, Khrushchev asked where was the machine that would put the food in oneสผs mouth and force it down oneสผs throat. The two agreed that there was at least virtue in that the competition was couched in domestic terms, rather than military ones and that there scuffle ought to become a photo-op, given to the networks, in both the USA and USSR, to air a few days later.

see สปn say

Working from Alexandria, Egypt, graphic design artist Mahmoud Tammam transforms Arabic script into the objects and concepts that the words represent. This is a clever way, I think, to diffuse a situation where some people might feel threatened by or scared of an unfamiliar alphabet.

guerra mundial

Via the always interesting Everlasting Blรถrt comes the forgotten World War II artwork of Mexican anti-Axis Propaganda.
Though Mexicoสผs involvement in the war was a relatively brief one prompted in 1942 after a Nazi submarine attacked one of Mexicoสผs oil platforms and later dispatched fighter-jet pilots to the Philippines (I was pretty impressed to learn about the Aztec Eagles) the feelings portrayed in the poster were genuine due to having been betrayed and made the object of revile and suspicion beforehand by Germany. The so-called Zimmermann Telegraph was a leaked communique between the German consul and the government of Mexico that proposed an alliance between the two countries should the US decide to intervene in World War I, with the promise to help Mexico to reclaim territory in Texas, Arizona and New Mexico that the US annexed. America launched a punishing raid on Mexico in retaliation and harboured suspicions afterwards, even though it was unclear what Mexico thought of this arrangement.

Saturday, 18 February 2017

peaceniks or hms semaphore

Hyperallergic invites us to see the original sketches of the symbol that would come to be adopted by peace movements around the world that will go on display at Londonสผs Imperial War Museum in March as part of larger exhibition. The symbol, designed by conscientious objector and artist Gerald Holtom in 1958, first appeared in public for a rally against the arms race of the Cold War and is itself stylised rendering of semaphore “letters” of the flag-signaling alphabet N and D for Nuclear Disarmament.