Saturday 19 February 2022

7x7

a fistful of manicules: Shady Characters explores several font specimens of the typographers’ mark—see previously  

la conquรชte du pain: an anarcho-communist bakery going strong in Montreuil  

peeping tom: Facebook’s demise following that of mySpace  

storyliving: Disneyland pre-retirement communities—via Web Curios 

erste jahrzehnten: German Design Awards marks its first decade with a special exhibit  

sold for sol 1800: it appears that Melania Trump purchased her own NTF—via New Shelton wet/dry 

i shot the serif: foundry Neubau Berlin pays homage to Mid-Century international fonts

Thursday 17 February 2022

to know wisdom and instruction—to perceive the words of understanding

Venerated as a saint in multiple faith traditions, Mesrop Mashtots (ี„ีฅีฝึ€ีธีบ ี„ีกีทีฟีธึ), early medieval linguist, theologian and statesman, passing away on this day in 440 (*362), was the inventor of the Armenian alphabet—the first phrase rendered in that new script said to be the above passage from the Book of Proverbs. Further credited by some scholars as the creator of the Caucasian Albanian and Georgian forms of writing, Mashtot’s contribution first in royal court in service to the king and later after taking holy orders ensured that Armenian literature and identity was preserved rather than being absorbed by its larger neighbouring empires of Persia and Syria. Finalised around the year 405, the Greek-modelled system endured in its original form of thirty-six letters until the twelfth century when three additional ones were added—for f- and o-sounds, the Armenian word for alphabet, aybuben (ีกีตีขีธึ‚ีขีฅีถ) comes from the first two letters, ayb (ีก) and ben (ีข).

Friday 11 February 2022

7x7

heiti and songti: the typefaces that helped China transition to the digital age 

no soup for you: the Fay-Cutler malapropism (see previously) of the week 

memphis milano: iconic design studio of Ettore Sottsass (previously) acquired by Italian furniture company  

earn it act: controversial bill restricting encryption—presented as an anti-trafficking and child safety initiative (see also) passes committee in the US Senate  

quantitative easing: lampooning practises that exacerbate inflation and speculation, an artist in Kuala Lumpur opens Memebank  

all hail hypnotoad: Futurama (previously) returns for an eighth season—with most of the original talent  

dingbats: a typographic homage to pre-emoji Webdings—see also for one carry-over

Wednesday 9 February 2022

the tavistock letter

We learn that aided by machine learning, researchers have been able to finally decipher the “savage stenographic mystery” (see previously) of the brachygraphy of Charles Dickens, a shorthand he learned during his first career as a court reporter and developed into an idiosyncratic script of his own design for taking notes on his working manuscripts during his later literary career. Though select correspondence and marginalia has been cracked, there is quite a huge corpus of drafts left to decode. Much more at Open Culture at the link above.

Friday 4 February 2022

de finibus bonorum et malorum

Spotted by Super Punch, New York Times sports writer Andrew Keh took note of the inspiring captions on posters for the Winter Games in the hotel he’s based out of. Lorem ipsum is placeholder text used in draft copies before the final version is available (see previously) and is adapted from a passage from the above Socratic dialogue of Roman orator Cicero (meaning on the ends of good and evil, a rather heavy subject for a throw-away endeavour), popularised in typesetting since the 1960s by a Letraset transfer sheets ad campaign, this pictured call-out begins “the pain is important to me” but non-standard, breaks down from there. Traditionally, the passage, which could very much apply to the spirit of competition, continues: “[B]ut occasionally circumstances happen wherein toil and pain can procure some pleasure. To take a trivial example, whom of us ever undertakes laborious physical exercise, except to obtain advantage from it? But who has any right to find fault with one who chooses to enjoy a pleasure that has no consequences, or one who avoids a pain that produces no pleasure?”

Wednesday 26 January 2022

7x7

reset: audiences of a hugely popular show in China about a video game programmer stuck in a time loop are upset about its positive ending  

orszรกgos kรฉktรบra: Hungary’s national long distance walking route (see also) from Irottkล‘ to the Austrian border 

the book of fate: an 1822 edition that appealed to contemporary British preoccupation with Ancient Egypt and Napoleon  

we only remember ‘long polio’: contemplating the lingering, debilitating effect of severe cases  

boharat cairo: a foundry explores the possibilities of Arabic script expression 

 encanto: we need to talk about Bruno  

where is my mind: an edit of problematic fav Fight Club available for streaming in China follows some different rules

corporate identity

We thoroughly enjoyed this object lesson in the importance of logos and branding via this collaborative work-space application called Kapwing taught by filtering iconic emblems through a suite of different graphical eras and movements—from Art Nouveau to Bauhaus, Psychedelic, Pop Art, Retro 80s and 3D. Check out the full matrix of iterations and various big name brands at the link above.

Friday 7 January 2022

7x7

sick sad world: our crypto-bro, cyberpunk dystopia  

brik: aesthetic LEGO typography  

just keep swimming: mobile aquaria allow fish to drive—via the morning news  

molten path: an ancient—though not inaccessible—airburst over the Atacama shed shards of glass across Chile—see also   

thinking of you, i mean me: a Barbara Kruger (previously) retrospective in Chicago on capitalism and its critique

queued-up: Instagram versus reality

a listicle in eight parts: Cory Doctorow expounds on the scam of fintech—via the New Shelton wet/dry

Saturday 25 December 2021

a ‘savage stenographic mystery’

Reminiscent of another challenge recently recalled involving shorthand and its devotees, we learn courtesy of Strange Company that not only did author Charles Dickens make an early living as a court-recorder using the brachygraphic system of Thomas Gurney (trained as a clockmaker and developed his shorthand out of a fascination with astrological symbols, realised that there was little financially to be gained from scribbling and sensibly returned to the horological industry) and continued to use it for personal correspondents and manuscript (supplementing the character-set with glyphs of his own invention), there are moreover writings of the studied and celebrated novelist yet to be deciphered. There’s an appeal with an honorarium attached for decoding a passage in a text known as the Tavistock Letter and call for help in general in completing the canon.

Thursday 23 December 2021

latinxua

Similar to other courtesy alphabets and attempts at Latinisation we have encountered before—with varying degrees or success and reception (see here and here), the always engrossing Language Log introduces us to the above transcription scheme also known as Sin Wenz (“New Script”) developed by Russian and Chinese Sinologists and saw widespread use in the 1930s and 1940s. This first attempt as Romanisation (see previously) had native speakers as stakeholders and notably did not attempt to indicate tonal shifts as those were expected to be made clear by context. Much more at the links above.

Sunday 19 December 2021

8x8

schwibbogen: a look at Germany’s Erzgebirge’s Christmas decorative arts traditions—see also

lakshmi-narayan: a looted sculpture returned to Nepal becomes a god again  

wind in your sails: a giant kite will pull a ship across the ocean in a demonstration project to cut emissions

all songs considered: NPR’s Bob Boilen’s recommended listening from the past year  

farmscrapers: advances in hydroponics and robot-assisted harvesting are making vehicle crop-growing a reality  

wysiwyg: Anna Mills on her typography and creative outlook  

carry on regardless: the comic language pf Professor Stanley Unwin  

god rest you merry, gentlemen: the comma in this carol makes us wonder about punctuation

Friday 10 December 2021

fuzzwords of the year

Differentiated from buzzwords as something intentionally euphemistic or vague and so perhaps under the radar of censors and above a certain level of reproach, we enjoyed learning some of the current slanguage vocabulary of China. We especially liked the Mandarin / Putonghua near equivalent for the English acronym GOAT—that is, greatest of all time—in yว’ngyuวŽn de shรฉn (ๆฐธ่ฟœ็š„็ฅž) YYDS, “eternal god” and used to heap praise for excellence. As the author points out, the same transliterated, four-letter initialism is also employed for yว’ngyuวŽn dฤnshฤ“n (ๆฐธ่ฟœๅ•่บซ), essential “forever single”—so context counts. Much more at Language Log at the link above.

Friday 26 November 2021

mysterium hoc arcanum

Located to the left door jamb of the Baptistery of Pisa, one of the other ensemble of buildings in the Piazzia dei Miracoli often upstaged by the cathedral’s campanile, the structure designed by architect Diotisalvi and built from 1153 to 1363 contains an undeciphered epigraph, which while representing an unknown script, is not unique—lost though having

appeared in Lucca and other places in Tuscany—is suggested to in a sense a kind of gamification to hunt for such mystery inscriptions and debate, contemplate what they might mean without any definitive interpretation established. Courtesy of one of the commentators, here is the puzzle to solve.

Thursday 11 November 2021

♡̂

Although one might be forgiven that the initial summary conclusion of semiotician—a student of processes and signifiers, like flow-charts and equations—Charles K. Bliss (*1897 - †1895, born Karl Kasiel Blitz in the Austro-Hungarian Empire but migrated to Australia after the war and release from concentration camps via Shanghai) was that the strife in his homeland was caused by the inability to communicate, we suppose that one only need look at his Blissymbols as a precursor (see also) to our extended character-set of emoji. The constructed ideographic writing system first expounded in 1949 and elaborated subsequently, even assigned its own ISO script block. Originally championed as a heuristic for teaching grammar to those with learning challenges, a set of Blissymbols were adapted into the universal suite of directional and informational glyphs found at train terminals, airports, stadia and hotels following the tourist explosion and jet-setting of the 1960s. More to explore at the links above.

Saturday 23 October 2021

7x7

floh u. trรถdel: couple’s costume ideas—via the ever excellence Everlasting Blรถrt 

boutonniere: Harriet Parry’s flower arrangements reproduce iconic fine art and classic tarot card designs—via ibฤซdem

microface: a quick quiz to identify whether the subject is a font or a Marvel character (see previously)—via Kottke’s Quick Links  

์˜ค์ง•์–ด ๊ฒŒ์ž„: Squid Games Funko-Pop characters—see also 

pyrrhic victory: the rules of play for a variant called Atomic Chess allows a pawn crossing the breadth of the game board promotion to a scale that would instantaneously annihilate all pieces—of both sides

rollercoaster tycoon: Saudi Arabia transforms a decommissioned drilling platform into an extreme amusement park  

hell no: a sensible horror film

Saturday 16 October 2021

counterpunctual or slashdot

Another kindred internet caretaker, TYWKIWDBI, picked up on an idea we were wondering about after an earlier encounter with site that distills one’s writing down to its constituent punctuation marks

While no refined work of literature or self-consistent as canon, we did wonder if there was a certain detectable cadence or scansion to our posts on PfRC—and indeed whether hypertext markup, virgules, separatrices, etc. counted or should be counted, but from the Latin to score with points, it does seem right to include after all.

Tuesday 12 October 2021

horticultural dingbat


In announcing the winner of contest held in honour of Punctuation Day, adopted and embraced as an international observance, Shady Characters gives us a brief but thorough education in the dual-use glyph, used both as a form of punctuation and as a typographical ornament known as the printers’ flower, Aldus leaf (after Renaissance publisher Aldus Manutius of the the Aldine Press), the hedera symbol or most commonly as the fleuron—❦. Similar to the pilcrow (¶, Middle English pylcrafte and ultimately from the Greek paragraphos), it was used in ancient manuscripts to divide paragraphs in a block of text and fill the space of indentation. In modern bookbinding and pagination, it is used similarly to the asterism to denote line- and page-breaks as well as borders. Couched in the title conventions, they are referred to as “floral hearts.”

Friday 8 October 2021

boustrophedon

Designed to remedy brain fatigue, Scott H. Perky (son of Henry Perky of shredded wheat fame) created and patented a bi-directional typeface that would eliminate effort required for a mental carriage-return and allow readers to carry on slaloming through a block of text. Though not without historical precedence “as in the manner of the ox that turns while ploughing” and antecedents, the younger Perky’s idea failed to gain traction at the time.

Friday 24 September 2021

¡!

As our faithful chronicler reminds, this day since first championed in the United States of America by Jeff Rubin in 2004 is set aside to promote the correct use of punctuation, observed—among other rituals—by sharing the gravest transgressions. Also an occasion to celebrate the rarer or failed interpunction like the asterism or interrobang, we liked learning about the proposal for a friendly period to lighten the tone, formality or finality.

Tuesday 31 August 2021

conspicous calculation

Addressing the lexical weight of numeracy and the outsized weight we attribute to it as we do with all jargon from coding to spellbinding, we really enjoyed the panel discussion between host Helen Zaltzman and guest Professor Stephen Chrisomalis featured on the latest episode of the Allusionist on numbers and notation. 

We especially appreciated the disabusing reminders about bias, audience and the recent dominance of Indo-Arabic numerals (see also) and the vestigial systems, like Roman numerals, that accord prestige and the fact that I, V, X, L, C, D, M were not immutable from Antiquity until now with medieval abbreviations sometimes reflecting the Latin name or using Claudian letters and that the symbols were never meant to denote centum or mille but rather that half X is V and half C is L, and so on.