Via these chiptune renditions of arrival and departing flourishes and leitmotifs used in Japanese railway stations (see also) we learn about train music (発車メロディ), composed in such a way as to prime the senses and move passengers, whether daily commuters or reunited families. Probably the first instance of such a jingle and musical cue and accompaniment dates back to the mid-nineteenth-century with Charles-Valentin Alkan’s Le chemin de fer, an étude that gave the same signals.