la mise en garde (13. 680)

Whilst not given the deserved retrospective treatment as her near namesake and contemporary Leonora Carrington, in her own time Argentine-Italian surrealist (though rejecting the label the label and broader movement personally), designer, illustrator, dresser and author, especially celebrated for her empowering and erotic portrayals of women (herself included), Leonor Fini, had her share of attention from documentarians wanting to know more about her life, influences and works. We appreciated this entree to Fini via the discovery of some of these films, rarely screened or available online, with subtitles, including the feature length profile by Belgian director and screenwriter Chris Vermorcken and the short produced for Swiss broadcaster Radiodiffusion-télévison-française by journalist Yvan Butler, decades after her credentials were established with showings in her native Trieste, Milan, patronised and exhibited by Peggy Guggenheim as well as costuming several theatrical and screen productions. From 1953 onward, Fini held an open polyamorous relationship with Count Stanislao Lepri, Italian consul general to Monaco, and Polish writer Konstanty Jeleński, remaining inseparable for the rest of their lives along with her retinue of no fewer than twenty-three Persian cats. Like Carrington’s, Fini’s art often focused on liminal beings, witches, werewolves and sphinxes.  More from { feuilleton } at the link above.